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artforum.com.cn / 专栏

http://artforum.com.cn/column

A History of Exhibitions: Shanghai 1979-2006. Field recording , 一个爱好摄影. 2003, 2008 里的声音艺术家. Descending a staircase 中出演. Found footage , 直接对胶片进行物理和化学的实验. Descending a staircase (2013) 把史文华的具象和抽象影像的创作连接起来. Singing to the Sky (2014), Wild Cursive (2015), After Man Ray and After I Ching (2015), 以及现场表演的作品. After Man Ray and After I Ching 把曼. Singing to the Sky 里. Fishing. Those Who Are Willing to Hook ( 姜太公钓鱼. 151; 文/ 李珞. Artforum.com.cn, 未经授权不得转载. I, Daniel Blake,2016 在刚刚结束的第. Juste la fin du monde,2016 则站在了.

2

artforum.com.cn / 五百字

http://artforum.com.cn/words

The Last Vehicle,2016 将. 151; 文/ 采访. Artforum.com.cn, 未经授权不得转载. Walker Art Center 的展览. Hold your breath, dance slowly 中展出. Every Colour You Are,2016。 151; 文/ Samantha Kuok Leese, 译. Artforum.com.cn, 未经授权不得转载. Pussy Riot , 到. Kenyan Mothers , 再到. Arab Spring , 一波接一波的女性用独具匠心的手段和令人意想不到的勇气. 151; 文/ 采访. Artforum.com.cn, 未经授权不得转载. 151; 文/ 采访. Artforum.com.cn, 未经授权不得转载. 300 x 40 x 230 cm. The New Museum, First Look: New Art Online 项目里发布了最新网络个展. 151; 文/ 采访. Artforum.com.cn, 未经授权不得转载. Chris Kraus、Roe Ethridge 和.

3

artforum.com.cn / 观点

http://artforum.com.cn/slant

Inventing the Future: Postcapitalism and a World Without Work 一书中将. 151; 文/ Marcelo López-Dinardi. Artforum.com.cn, 未经授权不得转载. The 1/4 Mile or 2 Furlong Piece, 1981-1998 年. 151; 文/ 梁舒涵. Artforum.com.cn, 未经授权不得转载. V art Center 欢度. The BANK Show, Vive le Capital , 带来了许多没有. Art on the Bund。 151; 文/ 姚梦溪. Artforum.com.cn, 未经授权不得转载. Mapping project , 通过跟踪汽车和自行车的行驶路线. 151; 文/ 顾灵. Artforum.com.cn, 未经授权不得转载. Universe of narratives 里. Liberté de l’énoncée 的网络空间. 151; 文/ 黄建宏. Artforum.com.cn, 未经授权不得转载.

4

artforum.com.cn / 专栏

http://artforum.com.cn/column/section=film

A History of Exhibitions: Shanghai 1979-2006. Field recording , 一个爱好摄影. 2003, 2008 里的声音艺术家. Descending a staircase 中出演. Found footage , 直接对胶片进行物理和化学的实验. Descending a staircase (2013) 把史文华的具象和抽象影像的创作连接起来. Singing to the Sky (2014), Wild Cursive (2015), After Man Ray and After I Ching (2015), 以及现场表演的作品. After Man Ray and After I Ching 把曼. Singing to the Sky 里. Fishing. Those Who Are Willing to Hook ( 姜太公钓鱼. 151; 文/ 李珞. Artforum.com.cn, 未经授权不得转载. I, Daniel Blake,2016 在刚刚结束的第. Juste la fin du monde,2016 则站在了.

5

射击 (shoot) - artforum.com.cn / 录像

http://artforum.com.cn/video/id=3836&amp;mode=large

C Spencer Yeh 声音初见. Voice at First Sight, 2016. 艺术家浅井宣通 Nobumichi Asai 利用Omote技术,通过实时面部追踪 投影映射技术,将CG映射到模特的脸上,使面部呈现各种特效。 美国极简主义艺术家卡尔 安德烈 Carl Andre 在纽约Dia: Beacon美术馆的回顾展,展览囊括了卡尔从1958至2010五十年间的雕塑作品。 纳利 华德 NariWard 是一名出生于牙买加、现居纽约的艺术家。 Tears become. streams become. 1月4日,视觉艺术家道格拉斯 戈登 Douglas Gordon 的作品 眼泪成为溪流成为 tears becomestreams become 在纽约派克大街兵工厂(Park Avenue Armory) 落下帷幕。 作为乔治 尼尔森(GeorgeNelson,美国工业设计先驱)设计工作室的设计师和设计总监,哈勃设计出许多20世纪极具标志性的设计作品,比如著名的 棉花糖沙发 和 球形钟 等。 然而,哈勃的设计常常作为乔治 尼尔森设计工作室出品的设计作品被贴以 乔治 尼尔森 的标签。

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“Pleh” - artforum.com / archive

http://www.artforum.com/archive/id=47629

20013;文版. Boško Blagojević. In “Pleh,” three very different artists—Gobby, Nick Buffon, Allegra Crowther—take up the onanistic tedium and thrills of obsession and boredom in dispirited urban desolation, a context familiar to New Yorkers resigned to spend long summer weeks in the city. Curator Alexander Shulan, who directs STL—the austere Chinatown satellite of Chelsea's Martos Gallery …. Of artforum.com and. If you are a subscriber, but haven't activated your online account, please do so here.

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March 2015 - artforum.com / in print

https://artforum.com/inprint/issue=201503&amp;id=50318&amp;section=milan

20013;文版. Erika Balsom on the writings of Gregory J. Markopoulos. John Harwood on Keller Easterling’s Extrastatecraft. Amy Taubin on Kornél Mundruczó’s White God. James Quandt on Jessica Hausner’s Amour fou. Caitlin Blanchfield on New York’s new skyscrapers. Alan Licht on Cybernetic Serendipity Music. Kevin McGarry on The Comeback. KIM GORDON TALKS WITH NICK MAUSS. 1000 WORDS: JIM SHAW. NEW WAVE: FLUID ARCHITECTURE. ANGLE OF REPOSE: THE ART OF ANDREA BÜTTNER. Murtaza Vali on the Kochi-Muziris Biennale.

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Andy DuCett - artforum.com / archive

http://artforum.com/archive/id=34490

20013;文版. Though Andy DuCett considers “Why we do this” to be an expansion of his established drawing practice, the actual effect of the immersive installation here is more akin to that of a film than a drawing. Visitors walking through the sprawling exhibition—which takes up the entirety of the Soap Factory’s twelve thousand square feet—might recall the scenes in …. Of artforum.com and. If you are a subscriber, but haven't activated your online account, please do so here. To reset your password.

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Jason Anderson on Wavelengths at the 38th Toronto International Film Festival - artforum.com / film

http://www.artforum.com/film/id=42877

20013;文版. Amy Taubin on Robert Frank. Nick Pinkerton on Jacob Ciocci. Tobi Haslett on “Four More Years: An Election Special”. Nick Pinkerton on “Seriously Funny: The Films of Leo McCarey”. Nick Pinkerton on Hirokazu Koreeda’s Our Little Sister. Howard Hampton on Here Comes Mr. Jordan. And Dr. Strangelove. Curators Back New Affordable Art Website. J Michael Bewley Donates 12 Works to the San Jose Museum of Art. Gerun Riley Named President of The Eli and Edythe Broad Foundation. Gabriel de la Mora. Julian ...

crowsandsparrows.com crowsandsparrows.com

About – Crows and Sparrows

https://crowsandsparrows.com/about

Crows and Sparrows is an international working group and exhibition platform that seeks to support artistic exchange between media artists working in North America and East Asia. Crows and Sparrows has a strong interest in supporting artistic dialogue between the United States and China through regular curation and visiting filmmaker programs. And the Flaherty Seminar in China. She is now based in Boston where she works as Program Assistant for the LEF Foundation Moving Image Fund. His research focuses o...

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“A BRIGHT, GUILTY WORLD”: DAYLIGHT GHOSTS AND SUNSHINE NOIR by J. Hoberman - artforum.com / in print

https://artforum.com/inprint/id=12398

20013;文版. 8220;A BRIGHT, GUILTY WORLD”: DAYLIGHT GHOSTS AND SUNSHINE NOIR. Anticipated by the German Expressionists, discovered by French aesthetes, beloved by American film scholars, the atmospheric crime stories, paranoid policiers. And hard-boiled detective yarns known as film noir constitute the most stylized, self-consciously artistic tendency in Hollywood history. Compositions in convoluted flashback, tough-guy slang, and precisely …. Of artforum.com and. To reset your password.

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Christina Catherine Martinez at the 3rd LA Art Book Fair - artforum.com / scene & herd

http://artforum.com/diary/id=50099

20013;文版. Cristina Sanchez-Kozyreva at the 1st Art Stage Jakarta. Agnieszka Gratza at the 3rd Aichi Triennale. Trinie Dalton at the 2nd Seattle Art Fair. Cathryn Drake at the 6th Volcano Extravaganza on Stromboli. Chelsea Weathers on “SITElines: much wider than a line”. Agnieszka Gratza at the Experimental Education Protocol. Curators Back New Affordable Art Website. J Michael Bewley Donates 12 Works to the San Jose Museum of Art. Gerun Riley Named President of The Eli and Edythe Broad Foundation. Julian...

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Amelia Saul, THE SCRIPT, 2013 - artforum.com / video

http://www.artforum.com/video/id=43370&mode=large&page_id=0

20013;文版. Robert Breer, Blazes. Trailer for John Schlesinger’s Sunday Bloody Sunday. Eleanor Antin’s From the Archives of Modern Art. Martin Creed performs “Let’s Come to an Arrangement” for 500 Words. John Cage performing Water Walk. On game show in 1960. Bruce Conner, America Is Waiting. Official Trailer for Jonathan Glazer’s Under The Skin. From Doug Aitken’s Station to Station. Featuring Ed Ruscha, 2016. Interview with Karl Benjamin. THE GREAT FEATURES THAT MAKE SONY HDR-AS100V The Best? Agnieszka Gr...

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