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sheepscar.blogspot.com

Sheepscar Light Industrial: SLI.029

http://sheepscar.blogspot.com/2015/01/sli029.html

January 05, 2015. The twenty-ninth release from Sheepscar Light Industrial. Available on a limited edition CDr or digital download from Bandcamp. Oystercatcher Salad by Neil Campbell. Posted by Daniel Thomas. Labels: Astral Social Club. Subscribe to: Post Comments (Atom). Sheepscar Light Industrial is an independent label, based in Leeds, releasing electronic, experimental, improvised, psychedelic, drone and noise. Thank you for visiting. Sign up to the SLI newsletter. The Audacious Art Experiment.

sheepscar.blogspot.com

Sheepscar Light Industrial: Oystercatcher Salad on Crow Versus Crow

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January 29, 2015. Oystercatcher Salad on Crow Versus Crow. Gets an airing on the latest (and always recommended) Crow Versus Crow. The Crow Versus Crow Radio Show #84. Posted by Daniel Thomas. Labels: Astral Social Club. Subscribe to: Post Comments (Atom). Sheepscar Light Industrial is an independent label, based in Leeds, releasing electronic, experimental, improvised, psychedelic, drone and noise. Thank you for visiting. Sign up to the SLI newsletter. The Audacious Art Experiment. Core of the Coalman.

sheepscar.blogspot.com

Sheepscar Light Industrial: Daniel Thomas - Dim Sum Favourites #1 - Char Siu Bao

http://sheepscar.blogspot.com/2015/01/daniel-thomas-dim-sum-favourites-1-char.html

January 29, 2015. Daniel Thomas - Dim Sum Favourites #1 - Char Siu Bao. A little something from 2012, that should've emerged a while ago, but didn't. Dim Sum Favourites #1 by Daniel Thomas. Posted by Daniel Thomas. Labels: Char Siu Bao. Subscribe to: Post Comments (Atom). Sheepscar Light Industrial is an independent label, based in Leeds, releasing electronic, experimental, improvised, psychedelic, drone and noise. Thank you for visiting. Sign up to the SLI newsletter. The Audacious Art Experiment.

sheepscar.blogspot.com

Sheepscar Light Industrial: Releases

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Daniel Thomas and Midwich. I Can Remember the Faces of All the Grebs at My School. Ella y Su Mirada Lasciva. N 51°33' 0' / W 0°7' 0'. Core of the Coalman. Daniel Thomas and Kevin Sanders. These Feathers Have Plumes. Vanessa Howard's Night Light. The Dialled Number, The Bone-Breaker, The Heavenly Sword. Daniel Thomas and Midwich. Back to the top. I Can Remember the Faces of All the Grebs at My School. Man Taped Up and Beaten. I Can Remember the Faces of All the Grebs at My School. Apple on Your Windshield.

sheepscar.blogspot.com

Sheepscar Light Industrial: Other Worlds on Oystercatcher Salad

http://sheepscar.blogspot.com/2015/03/other-worlds-on-oystercatcher-salad.html

March 18, 2015. Other Worlds on Oystercatcher Salad. So, Phil from Other Worlds. Has written a nice little review of Neil Campbell's. Shells glimmer and twinkle in the water and birds chirrup among the guitar’s oyster-catching swoops.". Click on the quote to read on. Posted by Daniel Thomas. Subscribe to: Post Comments (Atom). Sheepscar Light Industrial is an independent label, based in Leeds, releasing electronic, experimental, improvised, psychedelic, drone and noise. Thank you for visiting.

sheepscar.blogspot.com

Sheepscar Light Industrial: SLI.030

http://sheepscar.blogspot.com/2015/01/sli030.html

January 05, 2015. The thirtieth release from Sheepscar Light Industrial. Available on a limited edition CDr or digital download from Bandcamp. Posted by Daniel Thomas. Subscribe to: Post Comments (Atom). Sheepscar Light Industrial is an independent label, based in Leeds, releasing electronic, experimental, improvised, psychedelic, drone and noise. Thank you for visiting. Sign up to the SLI newsletter. The Audacious Art Experiment. Core of the Coalman. Delius Arts and Cultural Centre. Sam and the Plants.

lindapittwood.org

May | 2015 | lindapittwood

https://lindapittwood.org/2015/05

Monthly Archives: May 2015. Paleontological clutter Magnificent Obsessions: The Artist as Collector at the Barbican Art Gallery, London: reviewed. May 2, 2015. Artists inspired by collections. A tray of fake eyes that look like gruesome marbles. Two headed creatures suspended in time forever. Prints by Hiroshige and Hokusai. Salt and Pepper shakers. Soviet space dogs. Scarves and scarves and scarves and scarves. Is collecting a response to times of poverty? Will it endure amongst artists? Only the future...

lindapittwood.org

lindapittwood | Writing about art | Page 2

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Interview with curator Vanessa Bartlett on the opening of her exhibition Group Therapy: Mental Distress in a Digital Age. May 2, 2015. This subject mental health is usually something that we see explored through outreach and events rather than the core exhibitions programme at contemporary art venues. Could you say a little bit about the significance for you of seeing mental health centre stage in a venue like FACT? Is the exhibition going to be used as a springboard or possibly tour? For my future work ...

lindapittwood.org

North West Arts | lindapittwood

https://lindapittwood.org/category/north-west-arts

August 4, 2015. I wrote these words last year when I met Penny at the Galley. The End, Penny Davenport. Animals, ink on paper 2011, Penny Davenport. Practicing spells on birds,10.8 x 7.5 inches ink on paper 2012, Penny Davenport. She doesn’t outright reject the interpretation that her drawings have a darkness, but it is the ambiguity of her work that she aims to make the only constant. It is not words, but rules that Penny really resists. Rules, definitions and categorization. She trained as a fine artis...