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Emma Morgan-Thorp | Performance History Workshop 2015
https://performancehistoryworkshop4.wordpress.com/emma-morgan-thorp
Performance History Workshop 2015. General Discussion Group One. General Discussion Group Two. Denyse Lynde and Mandy Rowsell. General Discussion Group Three. The Unnatural and Accidental Women. As an example of theatre and performance’s counternarrative potential for disrupting and rewriting patriarchal and colonizing Canadian narratives in print media. If This Is Your Land, Where Are Your Stories? The Queer Art of Failure,. Halberstam muses on a rupture of the ‘logic of remembering’ that shapes memorie...
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Ashley Majzels | Performance History Workshop 2015
https://performancehistoryworkshop4.wordpress.com/ashley-majzels
Performance History Workshop 2015. General Discussion Group One. General Discussion Group Two. Denyse Lynde and Mandy Rowsell. General Discussion Group Three. Taking into account… / A Post-Structuralist Canadian Theatre Historiography. 8230;] treating discourses […] as practices that systematically form the objects of which they speak. Michel Foucault, The Archaeology of Knowledge, 54. Even if I could, this would neither be resistance, nor would it account for my role in the places where I am authorized ...
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Nancy Copeland | Performance History Workshop 2015
https://performancehistoryworkshop4.wordpress.com/28-2
Performance History Workshop 2015. General Discussion Group One. General Discussion Group Two. Denyse Lynde and Mandy Rowsell. General Discussion Group Three. Fabulist History in Linda Griffiths’s. The Duchess a.k.a Wallis Simpson. In David Dean, Yana Meerzon, and Kathryn Prince, eds. Basingstoke: Palgrave Macmillan, 2104). In her introduction of. The Duchess a.k.a Walllis Simpson. And Simpson’s autobiography,. The Heart Has Its Reasons. Toronto: Coach House, 2007. The Duchess a.k.a Wallis Simpson. In he...
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Julie Matheson | Performance History Workshop 2015
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Performance History Workshop 2015. General Discussion Group One. General Discussion Group Two. Denyse Lynde and Mandy Rowsell. General Discussion Group Three. Toronto’s Royal Alexandra and Elgin and Winter Garden Theatres. When an historic theatre is restored, there are many histor. The production of meaning and the navigation of the theatre’s relationship to the past do not end with the completion of the contractors’ labour. Theatres are functional buildings [1]. Among the extensive improvements to the ...
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Sean Young | Performance History Workshop 2015
https://performancehistoryworkshop4.wordpress.com/sean-young
Performance History Workshop 2015. General Discussion Group One. General Discussion Group Two. Denyse Lynde and Mandy Rowsell. General Discussion Group Three. The Exiled Métis Chieftain : Gabriel Dumont and Buffalo Bill’s Wild West Show. Century, as well as an inquiry into culture and identity as commodity. Further, does his ‘performance’ for the French Canadians write a new history of the Northwest rebellion and Dumont himself? Gabriel Dumont was known, in the late 19. Gabriel Dumont Album (27). Puts it...