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S20 Hiroaki Umeda

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Intensional Particle Dome Installation. Kinesis #1 screen field. S20 is supported by. 日本語版 JP (pdf 2.8MB). Prototype for Arts and Science LAB, Tokyo University of the Arts. From Somatic Field Project. Hiroaki Umeda, Somatic Field Project. We will have an intensive workshop week at the end of February-beginning of March 2017 in Tokyo! 28th Macao Arts Festival. S20 Hiroaki Umeda's...

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S20 Hiroaki Umeda | hiroakiumeda.com Reviews

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S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Intensional Particle Dome Installation. Kinesis #1 screen field. S20 is supported by. 日本語版 JP (pdf 2.8MB). Prototype for Arts and Science LAB, Tokyo University of the Arts. From Somatic Field Project. Hiroaki Umeda, Somatic Field Project. We will have an intensive workshop week at the end of February-beginning of March 2017 in Tokyo! 28th Macao Arts Festival. S20 Hiroaki Umeda's...

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8 hiroaki umeda

9 artist thoughts

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S20 Hiroaki Umeda | hiroakiumeda.com Reviews

https://hiroakiumeda.com

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Intensional Particle Dome Installation. Kinesis #1 screen field. S20 is supported by. 日本語版 JP (pdf 2.8MB). Prototype for Arts and Science LAB, Tokyo University of the Arts. From Somatic Field Project. Hiroaki Umeda, Somatic Field Project. We will have an intensive workshop week at the end of February-beginning of March 2017 in Tokyo! 28th Macao Arts Festival. S20 Hiroaki Umeda's...

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Presentation(.pdf, .doc):. Hiroaki Umeda's Choreography Project. Description by Dominique Laulanné. While going to a condition. While going to a condition. Video(.zip, .mp4). 1 centrifugal short (27MB). Adapting for Distortion Full (mpeg4, 306MB). While going to a condition (110MB).

2

S20 Hiroaki Umeda

http://hiroakiumeda.com/project.html

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Kinesis #1 screen field. Choreography and Dance: Hiroaki Umeda. Visual Research: Ludovic Burczykowski. Image Programming: Shoya Dozono. Video Editing: Guillaume Gravier. Sound and Lighting Design: S20. Coproduction: Le Manège Scène Nationale, le manège.mons, la Gare Numérique Jeumont, la Maison des Arts de Créteil, Stereolux Nantes, Mapping Festival Genéve. Year: 2013, 2014.

3

S20 Hiroaki Umeda

http://hiroakiumeda.com/artist.html

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Kinesis #1 screen field. In this series of choreographic experiment, Umeda considers dancers’ bodies as natural objects constantly affected by the natural force, and explores to discover kinetic languages by tuning into the subtle voices of the surrounding environment that only could be perceived by an acute sensorial receptor called dancers. This choreographic experiment can be...

4

S20 Hiroaki Umeda

http://hiroakiumeda.com/somatic.html

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Kinesis #1 screen field. 13-14 February 2015, Somatic Field Project kinesis #1 screen field showing in Japan. Somatic Field Project は、梅田宏明が日本の若手ダンサーの育成と、自身のムーブメントメソッドの発展を目的として2014年に開始した長期リサーチプロジェクト。 Hiroaki Umeda's new project 'Somatic Field Project' has launched. そして世界に発信できる自分達のダンスというものを探求し、作り、積み上げていきたいと思うようになり、この Somatic Field Project を立ち上げることにしました。

5

S20 Hiroaki Umeda

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S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Kinesis #1 screen field. National Chiang Kai-Shek Cultural Center, R.O.C., Taipei, Taiwan. Esplanade Theaters on the Bay, Singapore. Aichi Triennale, Aichi Art Center, Aichi, Japan. Théâtre Louis Aragon, Tremblay, France. Tanzhaus, Düsseldorf, Germany. Tanzquartier, Vienna, Austria. Tanz im August, Hebbel am Ufer, Berlin, Germany. Theatre de Nimes, Nimes, France. Glow, Van Abbem...

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Un lugar para Reiko: Revelaciones

http://unlugarparareiko.blogspot.com/2008/11/quizs-es-que-ahora-vivo-desprovista-de.html

Un lugar para Reiko. Quizás es que ahora vivo desprovista de lo que antes guardaba.-pensó-. Todo cambia cuando lo que se almacena es pasado y no futuro. MIra que bien, me despisto y cuelgas "Always love". Me temo que tu si que lees mi pasado o quizás mi futuro. Hay quien almacena para el futuro, ¿les a tiempo a pensar en el presente? Publicar un comentario en la entrada. Suscribirse a: Enviar comentarios (Atom). While going to a condition. Ver todo mi perfil. Sumar no siempre resulta fácil. Es el intelec...

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Un lugar para Reiko: Editemos

http://unlugarparareiko.blogspot.com/2009/01/editemos_06.html

Un lugar para Reiko. Imágenes.pintamonas www.amaterushotel.es/pintamonas). Como tu decias.suma multiplica, pero sigue así de dulce, por favor. Besos enormes y precioso 2009. Qué belleza de post, Aloia, sí existe esperanza! Interesantes las citas de la columna, entre todas las palabras me podría constituir, pocas más hacen falta. El ruido del mundo - es mi fundamento. Palabras que me deixaron ciego. Libertad por deber, patriotismo/populismo - grande Galeano! Entre todas, Aloia, sí, me constituyo. La pisto...

unlugarparareiko.blogspot.com

Un lugar para Reiko

http://unlugarparareiko.blogspot.com/2009/08/se-perdian-las-identidades.html

Un lugar para Reiko. Se perdían las identidades.se fueron. Se marchaba mi infancia.se fue. Había venido la muerte a buscarla.y te encontró. Y no habrá más.dije. Pero quién sabe si hoy.si ayer di el paso. Tu comentario ha sido uno de los mejores regalos que he tenido últimamente. La travesia ha sido dura sin tí. PD: tendrás que seguirme en otra casa, la antígua de momento la tengo algo olvidada. La infancia. qué lejos queda. Ahora tengo la de mis hijos. Besos. Y se me había pasado a míii? Los ojos de Peter.

unlugarparareiko.blogspot.com

Un lugar para Reiko: Puerto

http://unlugarparareiko.blogspot.com/2008/11/puerto.html

Un lugar para Reiko. No existe mayor aventura que partir sabiendo que desembarcar es atracar en los brazos soñados. Joder, como llegué a gastar el tema "Anyday will be fine"! Mira, lo colgaré ;). A mí me comienzan los sueños al hacer la maleta. Hermosa, besos. Publicar un comentario en la entrada. Suscribirse a: Enviar comentarios (Atom). While going to a condition. Ver todo mi perfil. Sumar no siempre resulta fácil. Salvo que se especifique lo contrario, es obra de Aloia. Los escondites de reiko. Si sup...

dancetech.wordpress.com

INSTALAÇÕES, HAPPENINGS E PERFORMANCE ART | D&TM

https://dancetech.wordpress.com/2012/10/25/instalacoes-happenings-e-performance-art

Editar Vídeo Clips →. Outubro 25, 2012 · 11:36 pm. INSTALAÇÕES, HAPPENINGS E PERFORMANCE ART. 2 EXEMPLOS NA ORIGEM:. Http:/ www.youtube.com/watch? Reconstrução da peça de John Cage 4’33’. Http:/ www.ubu.com/film/abramovic four.html. 4 performances instalações de Marina Abramovic. Http:/ frieder-weiss.de/works/all/videos/telstra.wmv. Http:/ www.youtube.com/watch? Http:/ www.youtube.com/watch? Http:/ www.youtube.com/watch? Http:/ www.youtube.com/watch? Http:/ www.youtube.com/watch? Choreographic genius Lin...

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PLANEAMENTO | D&TM

https://dancetech.wordpress.com/planeamento

Planeamento sujeito a alterações. DANÇA and NOVAS TECNOLOGIAS. 1809] Apresentação. Organização de conteúdos. Modelo de avaliação. Como criar um blog? 2509] Aula com convidados macaenses. O conceito se site specific. 210] Edição cinematográfica utilizando editores correntes (moviemaker e imovie). Sessão orientada com a colaboração de Sérgio Bordalo e Sá. 1610] Aula prática: experiências de movimento em estúdio. A presença. 611] Aula prática: experiências de movimento em estúdio. Composição de ecrãs. 16h30...

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D&TM_projecto_2012 | D&TM

https://dancetech.wordpress.com/2013/01/01/projecto/dtm_projecto_2012

Janeiro 1, 2013 · 5:10 pm. Deixe o seu comentário. Deixar uma Resposta Cancelar resposta. Escreva o seu comentário aqui. Preencha os seus detalhes abaixo ou clique num ícone para iniciar sessão:. O endereço nunca será tornado público). Está a comentar usando a sua conta WordPress.com ( Log Out. Está a comentar usando a sua conta Twitter ( Log Out. Está a comentar usando a sua conta Facebook ( Log Out. Está a comentar usando a sua conta Google ( Log Out. Notify me of new comments via email.

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Projecto | D&TM

https://dancetech.wordpress.com/2013/01/01/projecto

Janeiro 1, 2013 · 5:20 pm. Como se prepara um projecto? Ao longo das sessões, esta pergunta merece acompanhamento constante. Para os estudantes que se propõem a exame final recomenda-se o visionamento do ficheiro anexo:. Deixe o seu comentário. Deixar uma Resposta Cancelar resposta. Escreva o seu comentário aqui. Preencha os seus detalhes abaixo ou clique num ícone para iniciar sessão:. O endereço nunca será tornado público). Está a comentar usando a sua conta WordPress.com ( Log Out.

dancetech.wordpress.com

Avaliação | D&TM

https://dancetech.wordpress.com/avaliacao

Cada estudante pode realizar a cadeira em um os seguintes regimes: avaliação contínua ou exame final. Para ser considerado em regime de avaliação contínua, o estudante deve (1) ter um número de presenças nas aulas teórico-práticas não inferior a dois terços das aulas leccionadas; (2) participar activamente nas actividades da disciplina. 8211; Trabalho feito em colaboração (grupo de 2). A criação de uma i nstalação que inclui um vídeo e a “habitação” desse vídeo. 8211; A assiduidade e a participação.

dancetech.wordpress.com

Editar Vídeo Clips | D&TM

https://dancetech.wordpress.com/2012/10/29/editar-video-clips

INSTALAÇÕES, HAPPENINGS E PERFORMANCE ART. Outubro 29, 2012 · 11:38 pm. Para além do ISADORA, um útil software para produzir efeitos em vídeo e som, existem outros programas bastante interessantes. Por exemplo, o AVmixer. Podem descarregá-lo em. Http:/ www.neuromixer.com/product-avmixer.php. O programa tem versões para PC e para MAC, sendo gratuito e de livre utilização durante um mês. Bastante intuitivo. Deixe o seu comentário. INSTALAÇÕES, HAPPENINGS E PERFORMANCE ART. Escreva o seu comentário aqui.

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S20 Hiroaki Umeda

S20 - Hiroaki Umeda. 3 Choreographic Project ‘Superkinesis’. 4 Technology and Visual Installations. While going to a condition. Intensional Particle Dome Installation. Kinesis #1 screen field. S20 is supported by. 日本語版 JP (pdf 2.8MB). Prototype for Arts and Science LAB, Tokyo University of the Arts. From Somatic Field Project. Hiroaki Umeda, Somatic Field Project. We will have an intensive workshop week at the end of February-beginning of March 2017 in Tokyo! 28th Macao Arts Festival. S20 Hiroaki Umeda's...

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