JCBOURCART.COM

Jean Christian Bourcart

The Dawn Came, But No Day. I Shot the Crowd. The Most Beautiful Day. In Memory of the Days to Come. Celine ou la galere tropicale. Sinon la mort te gagnait. C'était cinq heures du soir. Nan Goldin about'All About Love. Tous les présents sont possibles, text by Pascale Cassagnau-2011. Florian Ebner : Holdt-Bourcart Museum für Photographie Braunschweig-2010. Jeu de paume Catalog-2007. Text by Nan Goldin about Infertile Madonnas-2002. Interview By Brigitte Ollier.

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Jean Christian Bourcart | jcbourcart.com Reviews

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The Dawn Came, But No Day. I Shot the Crowd. The Most Beautiful Day. In Memory of the Days to Come. Celine ou la galere tropicale. Sinon la mort te gagnait. C'était cinq heures du soir. Nan Goldin about'All About Love. Tous les présents sont possibles, text by Pascale Cassagnau-2011. Florian Ebner : Holdt-Bourcart Museum für Photographie Braunschweig-2010. Jeu de paume Catalog-2007. Text by Nan Goldin about Infertile Madonnas-2002. Interview By Brigitte Ollier.

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1 jean christian bourcart

2 photography

3 basement

4 the black sheet

5 camden

6 stardust

7 collateral

8 forbidden city

9 traffic

10 besieged

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Jean Christian Bourcart | jcbourcart.com Reviews

https://jcbourcart.com

The Dawn Came, But No Day. I Shot the Crowd. The Most Beautiful Day. In Memory of the Days to Come. Celine ou la galere tropicale. Sinon la mort te gagnait. C'était cinq heures du soir. Nan Goldin about'All About Love. Tous les présents sont possibles, text by Pascale Cassagnau-2011. Florian Ebner : Holdt-Bourcart Museum für Photographie Braunschweig-2010. Jeu de paume Catalog-2007. Text by Nan Goldin about Infertile Madonnas-2002. Interview By Brigitte Ollier.

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jcbourcart.com

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The Black Sheet2010-2011

http://www.jcbourcart.com/p.php?p=pages/01-Photography/00-The_Black_Sheet

I’m taking a picture of a black picture. There’s nothing to see other than what’s reflected there. In this instance, me, my family, friends. The surface is reflective, its texture transforms, disturbs whatever is reflected in it. I do what I always do look in dark corners and expose to the light things we’ve overlooked. In this case, the excess of light allows me to draw forth an image from the dark page, which normally absorbs everything. Les images sont comme les pensées : elles semblent solides, impor...

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annabati.blogspot.com

Anna Batyra...Photos: Windows II

http://annabati.blogspot.com/p/windows-ii.html

Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi. Museum of Contemporary Art, Chicago.

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Anna Batyra...Photos: March 2011

http://annabati.blogspot.com/2011_03_01_archive.html

Saturday, 12 March 2011. Thursday, 10 March 2011. Wednesday, 9 March 2011. Tuesday, 8 March 2011. Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. National Portrait Gallery, London.

annabati.blogspot.com

Anna Batyra...Photos: Black I

http://annabati.blogspot.com/2011/08/black-i.html

Thursday, 11 August 2011. Subscribe to: Post Comments (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi.

annabati.blogspot.com

Anna Batyra...Photos: Windows I

http://annabati.blogspot.com/p/windows.html

Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi. Museum of Contemporary Art, Chicago.

annabati.blogspot.com

Anna Batyra...Photos: Black II

http://annabati.blogspot.com/2011/08/black-ii.html

Thursday, 11 August 2011. Subscribe to: Post Comments (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi.

annabati.blogspot.com

Anna Batyra...Photos: Colour

http://annabati.blogspot.com/p/colour.html

Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi. Museum of Contemporary Art, Chicago.

annabati.blogspot.com

Anna Batyra...Photos: November 2008

http://annabati.blogspot.com/2008_11_01_archive.html

Saturday, 29 November 2008. Reminiscence: my favourite photo from China Summer Palace in Winter. Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Museum of Contemporary Art, Chicago.

annabati.blogspot.com

Anna Batyra...Photos: Social scenes....Marseille

http://annabati.blogspot.com/2011/08/social-scenesmarseille.html

Thursday, 11 August 2011. Subscribe to: Post Comments (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi.

annabati.blogspot.com

Anna Batyra...Photos: Walls

http://annabati.blogspot.com/p/walls.html

Subscribe to: Posts (Atom). I always had trouble introducing myself. View my complete profile. Fondation Henri Cartier-Bresson, Paris. Fotomuseum, Den Haag. House of Hungarian Photographers, Budapest. House of Photography, Moscow. House of Photography, Prague. International Center of Photography, New York. Jeu de Paume, Paris. Maison Internationale de la Photographie, Paris. Metropolitan Museum of Photography, Tokyo. Museum de la Photographie, Charleroi. Museum of Contemporary Art, Chicago.

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The Dawn Came, But No Day. I Shot the Crowd. The Most Beautiful Day. In Memory of the Days to Come. Celine ou la galere tropicale. Sinon la mort te gagnait. C'était cinq heures du soir. Nan Goldin about'All About Love. Tous les présents sont possibles, text by Pascale Cassagnau-2011. Florian Ebner : Holdt-Bourcart Museum für Photographie Braunschweig-2010. Jeu de paume Catalog-2007. Text by Nan Goldin about Infertile Madonnas-2002. Interview By Brigitte Ollier.

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