KUNSTHALLE-LISSABON.ORG

publishedandcurated.blogspot.com

Published and Curated: vir.us.exe

http://publishedandcurated.blogspot.com/2009/08/virusexe.html

Originally published in SUTZL, W., and COX, G. Creating Insecurity: Art and Culture in the Age of Security. Pp 53-56. Autonomedia. Brooklin, 2009.). Posted by Luis Silva. Independent curator/writer/whatever based in Lisbon and Amsterdam. View my complete profile. I tag you tag me: a folksonomy of Internet art. I tag you tag me: a folksonomy of Internet art (del.icio.us account). Online - Portuguese netart 1997-2004.

publishedandcurated.blogspot.com

Published and Curated: Reviews: LX 2.0 - Les Liens Invisibles

http://publishedandcurated.blogspot.com/2008/11/reviews-lx-20-les-liens-invisibles.html

Reviews: LX 2.0 - Les Liens Invisibles. Google Is Not The Map (GISNTM)"  by Les Liens Invisibles by penelope.di.pixel. Originally published in Artsblog - January 2009). Google is Not the Map by Frédérique Entrialgo. Originally published in Articule.net - December 2008). Google is not the Map by Baudelot. Originally published in Digital Performances and Cultures - November 2008). La subjectivisation des cartes by sumoto.iki. Originally published in fluctuat.net - November 2008). Posted by Luis Silva.

publishedandcurated.blogspot.com

Published and Curated: LX 2.0: André Sier - Space Race #1

http://publishedandcurated.blogspot.com/2008/03/lx-20-andr-sier-space-race-1.html

LX 20: André Sier - Space Race #1. Posted by Luis Silva. Independent curator/writer/whatever based in Lisbon and Amsterdam. View my complete profile. I tag you tag me: a folksonomy of Internet art. I tag you tag me: a folksonomy of Internet art (del.icio.us account). Online - Portuguese netart 1997-2004.

careof.org

Careof | Bookshop

https://www.careof.org/en/progetti/2015/bookshop

We use cookies to deliver a better experience to the users of our site. By browsing Careof, you agree to our use of cookies. The first project invited to inhabit the Bookshop is Kunstverein. Milan, an experimental curatorial platform for exhibitions. Some publishing houses we collaborate with: Book Works [UK]. IT], Index [AT], Johan and Levi editore. IT], Kunsthalle Lissabon. PT], Libros Mutantes. ES], Mousse Publishing. Performing Archive Residency: Diego Marcon. Careof a MIART 2015. Via Procaccini, 4.

ahmetogut.blogspot.com

ahmet öğüt: solo show @ Kunsthalle Lissabon

http://ahmetogut.blogspot.com/2011/03/solo-show-kunsthalle-lissabon.html

Monday, March 14, 2011. Solo show @ Kunsthalle Lissabon. Rua Rosa Araújo 7-9. The exhibition will also include older works such as Somebody else's car (2005), Short circuit (2006) and This area is under 23 hour video and audio surveillance (2009). The exhibition Stones to throw is generously supported by the Embassy of The Netherlands in Lisbon, Calouste Gulbenkian Foundation and EDP Foundation. Posted by ahmet ögüt at 8:09 AM. Ahmet ögüt. View my complete profile. De Volkskrant Beeldende Kunst Prijs 2011.

publishedandcurated.blogspot.com

Published and Curated: Curating a routine

http://publishedandcurated.blogspot.com/2009/08/curating-routine.html

Forcing myself into visiting a contemporary art show every day (Monday to Friday, resting on weekends and holidays), how long will I endure? A matter of empirically-driven and self-imposed lack of reflexivity as a primary basis to a dis-ideologized curatorial practice or a simple affair of availability versus selection, chance versus choice? Posted by Luis Silva. Independent curator/writer/whatever based in Lisbon and Amsterdam. View my complete profile. I tag you tag me: a folksonomy of Internet art.

publishedandcurated.blogspot.com

Published and Curated: FW: Re: Re: a selection from Rhizome's ArtBase

http://publishedandcurated.blogspot.com/2008/07/fw-re-re.html

FW: Re: Re: a selection from Rhizome's ArtBase. Predating the internet itself, email has become a mass communication tool as well as a pillar of contemporary computing culture. The artists featured in this exhibition consider the ways email has become an unquestioned part of our lives; and their diverse works push the traditionally prescribed uses of thie ubiquitous technology. All works are selected from Rhizome's ArtBase. If you would like to receive the show, please visit:. Posted by Luis Silva.

publishedandcurated.blogspot.com

Published and Curated: Getting too close to art: An email conversation between Les Liens Invisibles and Luis Silva

http://publishedandcurated.blogspot.com/2009/08/getting-too-close-to-art-email.html

Getting too close to art: An email conversation between Les Liens Invisibles and Luis Silva. Originally published in networked performance in 14.05.2009). Luis Silva: So, how close did you get to Duchamp’s bicycle? Too much I think. With the ambiguous title. Too close to Duchamp’s bicycle. In what way is your work (for instance. A Fake is a Fake. Close to Duchamp’s conceptual approach? And in a time where every artist proclaims his or her closeness to Duchamp, what is the relevance of such a statement?