martinsmolka.com
Martin SmolkaThe Martin Smolka Site
http://www.martinsmolka.com/
The Martin Smolka Site
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Anna Smolka
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Kr●●ow , malopolskie, 31-908
PL
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Anna Smolka
os. Mlod●●●●●●●●akow 2/2
Kr●●ow , malopolskie, 31-908
PL
View this contact
Anna Smolka
os. Mlod●●●●●●●●akow 2/2
Kr●●ow , malopolskie, 31-908
PL
View this contact
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Martin Smolka | martinsmolka.com Reviews
https://martinsmolka.com
The Martin Smolka Site
martinsmolka.com
Martin Smolka
http://www.martinsmolka.com/en/download.html
Doc: Martin Smolka - Biography (EN). Doczip: Martin Smolka - biography (EN), short version. Doczip: Martin Smolka - selected works (EN PL), short version. Doc: Martin Smolka - Biographie en français. Photos by Anna Smolka. Http:/ www.martinsmolka.com.
Martin Smolka
http://www.martinsmolka.com/en/archive.html
13012016 - Lamento metodico. Atrium na Žižkově, Prague; Jiří Lukeš - acc. Theatre Alfred ve dvoře, Prague; ensemble Boca Loca Lab - actors. Divadlo na cucky, Olomouc; ensemble Boca Loca Lab - actors. 04102015 - Quand le tympan de l'oreille porte le poids du monde. Monte Carlo, Auditorium Rainier III, 06:00 pm (Monaco); Orchestre Philharmonique de Monte Carlo, cond. Oleg Caetani. Festival Divadlo, Nové divadlo - Malá scéna, Plzeň; ensemble Boca Loca Lab - actors. 17072015 - Psalmus 114. Festival "Acht Brü...
Martin Smolka
http://www.martinsmolka.com/en/articles.html
Writings by Martin Smolka:. In: příloha Literárních novin - Na hudbu 11/1996, p. 3-4. Martin Smolka: CD booklet - Martin Smolka - audio ego (1998), p. 2, 7. Martin Smolka: Ungewöhnliches Ausdruckspotential. Meine Erfahrungen mit Mikrotönen. In: Musik Texte 97, Mai 2003, p. 87-93. Martin Smolka: Tertia dolorosa (O jednom ze způsobů, jak zacházím s mikrointervaly). In: Musica Nova VI, Janáčkova akademie múzických umění v Brně, Brno 2003, p. 61-69. In: Ruch Muzyczny 2004/10, p. 12-14. Tereza Havelková: Ostř...
Martin Smolka
http://www.martinsmolka.com/en/discography.html
Label: Wergo; WER 6853 2. Euphorium] (Version 2 - 1996). Déšť, nějaké okno, střechy, komíny, holubi a tak., a taky železniční mosty. Rain, a Window, Roofs, Chimneys, Pigeons and so. and Railway-Bridges, too] (1992). Hudba pro přeladěné nástroje. Music for Retuned Instruments] (1988). Produced by audio ego 03 (1998). Distributed by CD MUSIC (CZ). Music Sweet Music] (1985, rev. 1988). Produced by Arta Records F1 0018 (1991). Distributed by CD MUSIC (CZ). Version 2 - 1995). The Flying Dog] (Version 2 - 1992).
Martin Smolka
http://www.martinsmolka.com/en/events.html
12032016 - Pozoruji oblaka. Frankfurt, Alte Oper, 11:00 pm; HR-Sinfonieorchester, cond. Christian Macelaru. 20042016 - Hats in the Sky. Leipzig, Gewandhaus; Ensemble Avantgarde. 20042016 - Ach, mé milé c moll. Oh, my Admired C Minor]. Leipzig, Gewandhaus; Ensemble Avantgarde. 09052016 - New piece for violin and piano. Festival "Acht Brücken", Köln; Carolin Widmann - vl, Nicolas Hodges - pf. Back to the Top. Http:/ www.martinsmolka.com.
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composers slide quartet
http://www.composersslidequartet.com/musik.html
Für Bassposaune und Live-Elektronik. Solo for sliding trombone. Für vier Posaunen. Auftragswerk des composers slide quartet). 8 pièces pour quatuor de trombones. Stonewind.rain.sun 1. Arnold S. kann nicht schlafen. Für Posaune solo. Für vier Posaunen. Auftragswerk des composers slide quartet). For trombone with closely tuned. Für vier Posaunen. Auftragswerk des composers slide quartet). Für Posaune und Zuspielband. A single climb to a line. Für vier Posaunen. Auftragswerk des composers slide quartet).
Bylo nebylo | Jaromír Typlt
http://www.typlt.cz/osobni/bylo-nebylo
V jiných krajích by si řekli, že jsem asi z jiných krajů. Tady si řeknou, že jsem asi odsud. Přejít k obsahu webu. Josef K. Šlejhar. Galerie K. Jirásková. Bylo zřejmě uvedení sovětské družice Mars 5 na oběžnou dráhu. Možná bylo horké léto, zrovna přišli svlečení ze dvora a vyděsili mě hrubostí svých chlapských hlasů. Zbytek si dotvořila dětská představivost. Ale samozřejmě bych těžko vyloučil i variantu, že to byl jen živý sen nebo kdovíkudy podsunutý zlomek nějakého starého mýtu. Kterou pohádkovou posta...
„Sind noch Lieder zu singen?“
http://www.liedprojekt2015.org/smolka.html
Konzert IV (15. März 2015, 15:00).
Jan Chalupecký | Dirigenti
http://www.bohemiaorchestra.com/en/Dirigenti/jan-chalupecky.html
Bohemia Symphony Orchestra Prague. Kateřina V. Soukalová. Conductor Jan Chalupecký, graduate of the Prague Conservatory. Specialization cello), started his professional artistic path as a member of the orchestra and eventually conductor of the Prague Chamber Opera in the years 1990-1993. In the 1993/1994 season he starts to work in the National Theater. In Prague (NT) as the assistant of the phenomenal Czech conductor Zdeněk Košler. With whom he studies the opera of Antonín Dvořák. The Marriage of Figaro.
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Martin Smola | 3D design & Arch Visualisation
3D Construction & Arch Visualisation. Ein Bild sagt mehr als tausend Worte.
Martin Smolka
In the early 90s Smolka was interested in bizarre instrumental techniques and sound sources (deeply under-tuned strings, old gramophones, various objects in the role of percussion, etc.). Smolka made use of them with a view to stylising the sounds observed in nature and the city. He refers to some of his compositions dating from this period as "sonic photographs" (e.g. 1990's L'Orch pour l'Orch. For ensemble). In the late 90s Smolka focused his attention on this very "recycling" of elements of tradit...
It is what it is.
It is what it is. San Diego, CA, United States. View my complete profile.
martinsmoneyguide.wordpress.com
Martin's Money Guide | Mortgage Based Financial Solutions
Martin’s Money Guide. Mortgage Based Financial Solutions. July 2, 2008. 100% Financing in 2007 and Beyond. August 29, 2007. One of the most commonly asked questions that I get from realtors and clients now days, is who can qualify for 100% fianancing and how to qualify for it. You have to carefully evaluate the subject property and then you must ask yourself several questions about your personal finances and your ability to repay the loan through thick and thin. 100% Financing is speculative. Therefore i...
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