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Rosamond Gross

Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the "Headless Girl" moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Wednesday, November 11, 2009. After pai...

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Rosamond Gross | rosamondgross.blogspot.com Reviews

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Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the Headless Girl moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Wednesday, November 11, 2009. After pai...

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Rosamond Gross | rosamondgross.blogspot.com Reviews

https://rosamondgross.blogspot.com

Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the "Headless Girl" moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Wednesday, November 11, 2009. After pai...

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rosamondgross.blogspot.com

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Rosamond Gross: Headless Girl Grows Hands

http://rosamondgross.blogspot.com/2009/11/headless-girl-grows-hands.html

Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the "Headless Girl" moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Subscribe to: Post Comments (Atom).

2

Rosamond Gross: Day of Paper Doilies

http://rosamondgross.blogspot.com/2009/11/no-im-not-baking-muffins.html

Wednesday, November 11, 2009. Day of Paper Doilies. No, I'm not baking muffins. Old tuna cans are filled with encaustic medium for later use. I'm now running low on my big supply and will need to mix up more soon. I came across a stash of paper doilies in my studio and started experimenting with them. Here's the result of my experimenting: a soft, lacy looking design. I think I've got winter on the brain- it has a "snowflake" feel. Subscribe to: Post Comments (Atom). Link to Webpage Bio.

3

Rosamond Gross: The Headless Girl Continues...

http://rosamondgross.blogspot.com/2009/11/headless-girl-continues.html

Thursday, November 5, 2009. The Headless Girl Continues. After painting the dress in oil and getting a start on the background with pastel, I've covered the entire surface with wax paper and cut through it to expose the arms and neck- now I'm working on creating the skin with encaustic. Subscribe to: Post Comments (Atom). I am a Maine-based Artist and Art Educator. This blog documents the process involved in my creative endeavors, compiles sources of inspiration, and shares my musings. Link to Webpage Bio.

4

Rosamond Gross: November 2009

http://rosamondgross.blogspot.com/2009_11_01_archive.html

Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the "Headless Girl" moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Wednesday, November 11, 2009. After pai...

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Bio « Rosamond Gross

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Process « Rosamond Gross

http://www.rosamondgross.com/Process.html

I approach the process of art making as an exploration involving unexpected travels and an open attitude towards what the journey may bring. As both an artist and educator, I set out to practice and teach the idea that original creations often result from the interplay of intentional design and a willingness to take risks and remain open to change and influence during the process of creating.

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Artwork « Rosamond Gross

http://www.rozgross.com/Artwork.html

Br/ 8 x 8&quot". Br/ 8 x 8&quot". Br/ 6 x 6&quot". Pastel and charcoal on paper. Br/ 35 x 50&quot". Oil and charcoal on canvas. Br/ 35 x 60&quot". Br/ 12 x 10&quot". Br/ 38 x 60&quot". Br/ 35 x 50&quot". Br/ 35 x 50&quot". Br/ 24 x 24&quot". Br/ 35 x 50&quot". Br/ 22 x 34&quot". Br/ 12 x 12&quot". Br/ 36 x 60&quot". Br/ 14 x 22&quot".

rozgross.com

Process « Rosamond Gross

http://www.rozgross.com/Process.html

I approach the process of art making as an exploration involving unexpected travels and an open attitude towards what the journey may bring. As both an artist and educator, I set out to practice and teach the idea that original creations often result from the interplay of intentional design and a willingness to take risks and remain open to change and influence during the process of creating.

rosamondgross.com

Artwork « Rosamond Gross

http://www.rosamondgross.com/Artwork.html

Br/ 8 x 8&quot". Br/ 8 x 8&quot". Br/ 6 x 6&quot". Pastel and charcoal on paper. Br/ 35 x 50&quot". Oil and charcoal on canvas. Br/ 35 x 60&quot". Br/ 12 x 10&quot". Br/ 38 x 60&quot". Br/ 35 x 50&quot". Br/ 35 x 50&quot". Br/ 24 x 24&quot". Br/ 35 x 50&quot". Br/ 22 x 34&quot". Br/ 12 x 12&quot". Br/ 36 x 60&quot". Br/ 14 x 22&quot".

rosamondgross.com

Bio « Rosamond Gross

http://www.rosamondgross.com/Bio.html

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Rosamond Gross

Thursday, November 19, 2009. Headless Girl Grows Hands. Work on the "Headless Girl" moves forth- I've painted in more detail in the hands with encaustic. There's still some awkwardness to be resolved but it was good to get into a rhythm of actually painting. With the wax rather than layering, transferring, or embedding. It's tempting to take the wax paper off so I can see the painting in its entirety, but then I'd just have to re-attach it, so I've resisted so far. Wednesday, November 11, 2009. After pai...

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