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MITLA

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japan 1991, Thailand 1992, Egypt 1992, Nepal 1994 started off a deeper reflexion on space, patterns and geometric structures. My three-dimentional production of welded iron sculpture initiated with a public commission for the University of Bergen, Norway. MONTE ALBAN SET I-IV, 2006. Pencil and filler on plywood 41x41 cm. THE MITLA SET 1994.

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MITLA | solvarte.blogspot.com Reviews
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Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japan 1991, Thailand 1992, Egypt 1992, Nepal 1994 started off a deeper reflexion on space, patterns and geometric structures. My three-dimentional production of welded iron sculpture initiated with a public commission for the University of Bergen, Norway. MONTE ALBAN SET I-IV, 2006. Pencil and filler on plywood 41x41 cm. THE MITLA SET 1994.
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MITLA | solvarte.blogspot.com Reviews

https://solvarte.blogspot.com

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japan 1991, Thailand 1992, Egypt 1992, Nepal 1994 started off a deeper reflexion on space, patterns and geometric structures. My three-dimentional production of welded iron sculpture initiated with a public commission for the University of Bergen, Norway. MONTE ALBAN SET I-IV, 2006. Pencil and filler on plywood 41x41 cm. THE MITLA SET 1994.

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1

MITLA

http://www.solvarte.blogspot.com/2006/12/camino-recinto-i.html

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japa. MONTE ALBAN SET I-IV, 2006. MITLA 2005-06 pencil and filler on plywood 122x12. THE MITLA SET 1994. MY SHOW JAN.6. 2007.

2

MITLA

http://www.solvarte.blogspot.com/2006/12/recinto-preparatorio.html

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japa. MONTE ALBAN SET I-IV, 2006. MITLA 2005-06 pencil and filler on plywood 122x12. THE MITLA SET 1994. MY SHOW JAN.6. 2007.

3

MITLA

http://www.solvarte.blogspot.com/2006/12/blog-post_5528.html

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japa. MONTE ALBAN SET I-IV, 2006. MITLA 2005-06 pencil and filler on plywood 122x12. THE MITLA SET 1994. MY SHOW JAN.6. 2007.

4

MITLA

http://www.solvarte.blogspot.com/2006/12/blog-post_9627.html

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japa. MONTE ALBAN SET I-IV, 2006. MITLA 2005-06 pencil and filler on plywood 122x12. THE MITLA SET 1994. MY SHOW JAN.6. 2007.

5

MITLA

http://www.solvarte.blogspot.com/2006/12/blog-post_6699.html

Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japa. MONTE ALBAN SET I-IV, 2006. MITLA 2005-06 pencil and filler on plywood 122x12. THE MITLA SET 1994. MY SHOW JAN.6. 2007.

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ARTICON: 11.11

http://articon.blogspot.com/2011_11_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. From 2011 NOV INSTALL. Subscribe to: Posts (Atom). 160;2011 NOV INSTALL. From 2011 NOV INSTALL. 160;2011 NOV INSTALL. The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. A Huxley: The Doors of Perception.

articon.blogspot.com articon.blogspot.com

ARTICON: 05.11

http://articon.blogspot.com/2011_05_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. Subscribe to: Posts (Atom). The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. And along with indifference to space there went an even more complete indifference to time.". A Huxley: The Doors of Perception.

articon.blogspot.com articon.blogspot.com

ARTICON: 03.12

http://articon.blogspot.com/2012_03_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. Subscribe to: Posts (Atom). The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. And along with indifference to space there went an even more complete indifference to time.". A Huxley: The Doors of Perception.

articon.blogspot.com articon.blogspot.com

ARTICON: 10.11

http://articon.blogspot.com/2011_10_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. After MOMENTUM VI BIENNIAL. Items returned after MOMENTUM VI BIENNIAL. Subscribe to: Posts (Atom). Items returned after MOMENTUM VI BIENNIAL. The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations.

articon.blogspot.com articon.blogspot.com

ARTICON: 02.12

http://articon.blogspot.com/2012_02_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. INSTALLATION at the museum of contemporary art in Oslo, Norway. Inauguration March 1. 2012 of international exhibition PRISM, drawings 1990-2012. For Susanne Kathlen Mader. Subscribe to: Posts (Atom). INSTALLATION at the museum of contemporary art in . For Susanne Kathlen Mader on her Birthday.

articon.blogspot.com articon.blogspot.com

ARTICON: 01.12

http://articon.blogspot.com/2012_01_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. Subscribe to: Posts (Atom). The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. And along with indifference to space there went an even more complete indifference to time.". A Huxley: The Doors of Perception.

articon.blogspot.com articon.blogspot.com

ARTICON: 20150806i

http://articon.blogspot.com/2015/08/20150806i.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.

articon.blogspot.com articon.blogspot.com

ARTICON: 07.11

http://articon.blogspot.com/2011_07_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. Subscribe to: Posts (Atom). The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. And along with indifference to space there went an even more complete indifference to time.". A Huxley: The Doors of Perception.

articon.blogspot.com articon.blogspot.com

ARTICON: 06.11

http://articon.blogspot.com/2011_06_01_archive.html

ABSTRACT CONSTRUCTIVISTIC sculpture drawings installations paintings prints foto and links to other artblogs. FREQUENT precarious MANIPULATIONS OF iNSIGNIFICANT OBJECTS IN A naked CORNER OF MY STUDIO. Subscribe to: Posts (Atom). The art object can be decoded and the message transmitted in the same way as mathematicians share information and skill's beauty through their equations. And along with indifference to space there went an even more complete indifference to time.". A Huxley: The Doors of Perception.

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Abstract constuctivistic geometrical INSTALLATIONS,SCULPTURES and series of drawings following a journey to mexico 1979. The impressions from journeys to Mexico 1979, Japan 1991, Thailand 1992, Egypt 1992, Nepal 1994 started off a deeper reflexion on space, patterns and geometric structures. My three-dimentional production of welded iron sculpture initiated with a public commission for the University of Bergen, Norway. MONTE ALBAN SET I-IV, 2006. Pencil and filler on plywood 41x41 cm. THE MITLA SET 1994.

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