damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/thesethree-studiesfor-lola-ridge.html
Monday, May 04, 2015. These three studies for the Lola Ridge / Gwendolyn Brooks sheet presently under construction, the image built after artist and NFL athlete Ernie Barnes's picture MY MISS AMERICA (1970):. In 1959 Ernie Barnes was drafted by the Baltimore Colts. Barnes also built the picture used in the opening credits of the television series Good Times. 1974-79), one of the few shows which, like Sanford and Son. Under the seamless snow. The sky is like a vast ash-pit. Where the buried sun. There is ...
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/the-final-two-stations-to-make-total-of.html
Wednesday, May 13, 2015. The final two stations to total, against Barnett Newman, fourteen: 1) Pound / Stein; 2) Harp / Altar. Words on the Pound / Stein sheet from the opening lines to The Cantos. And Making of Americans. The Crane sheet likewise simple. Posted by damn the caesars at 5:27 AM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). CLUTCH (Vigilance Society 2012). BALLADS (Habenicht Press 2012). IN SOUS LES PAVÉS. IN CAMBRIDGE LIT REVIEW. WITH RIPPEON ON ROB HALPERN. ON DONOVAN AND BONNEY.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/04/somewhat-grueling-past-forty-eight.html
Friday, April 24, 2015. And Susan Stewart engages utopian longing and this question of the miniature, this question of scale, and I would have missed this book which, to me, seemed always a slight book next to Crimes of Writing. Stewart, the section on the dollhouse from On Longing: Narratives of the Minaiature, the Gigantic, the Souvenir, The Collection. Duke University Press 2003). Posted by damn the caesars at 3:54 PM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). IN SOUS LES PAVÉS.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/04/thinking-about-earthquake-today-in.html
Saturday, April 25, 2015. Thinking about the earthquake today in Nepal, the number of lives lost and human effort objects, buildings, neighborhoods reduced to rubble, I am reminded of Prynne, his essay "No Universal Plan for a Good Life," this having appeared in a Nepalese journal, Sahitya Ra Jeevan Darshan. The essay from 2010, and a relevant passage:. Posted by damn the caesars at 3:41 PM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). CLUTCH (Vigilance Society 2012). IN SOUS LES PAVÉS.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/this-sheet.html
Sunday, May 10, 2015. This sheet. A partial curriculum for the study of contemporary radical Anglophone poetry. Unfinished. Posted by damn the caesars at 5:58 AM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). CLUTCH (Vigilance Society 2012). BALLADS (Habenicht Press 2012). IN SOUS LES PAVÉS. IN CAMBRIDGE LIT REVIEW. WITH RIPPEON ON ROB HALPERN. ON DONOVAN AND BONNEY. POETRY AND REVOLUTION TALK. DIALOG WITH BOYD NIELSON. To remember my deeper commitments, and perhaps mor.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/04/baltimore.html
Sunday, April 26, 2015. Baltimore. Freddie Gray. Ferguson. Michael Brown. North Charleston. Walter Scott. Leon the Poet. Baltimore): "We do not speak the same language. We forgot how to speak in English and learned how to speak in tongues. You can hear the sound of a beating drum whenever we open our mouths.". Drum and Africa (Dig, Pygmies had neither DRUM nor GOD! Drum and Europe (Why the European essential marginalization of. Drum Aesthetic or Political? And here Baraka as Leroi Jones, Blues People.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/the-niedecker-sheet-her-johnny.html
Thursday, May 07, 2015. Niedecker, her Johnny Appleseed (1945): "When Johnny (Chapman) Appleseed came to a place he didn't like he covered it with apple trees. [.] His trees grew while he slept. Gave to the poor, tho he himself lived on roots and had no bed.". Posted by damn the caesars at 3:12 PM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). CLUTCH (Vigilance Society 2012). BALLADS (Habenicht Press 2012). IN SOUS LES PAVÉS. IN CAMBRIDGE LIT REVIEW. WITH RIPPEON ON ROB HALPERN.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/to-remember-my-deeper-commitments-and.html
Saturday, May 09, 2015. On Herman Bell published 12 March 2015 in the always already disreputable London-based tabloid Daily Mail. Taking clear aim at Bell and no doubt responding obliquely to ongoing fallout from continued police violence against unarmed black men in the US, the inflammatory title of the tabloid article reads somewhat predictably: "EXCLUSIVE: Black Panther double cop killer sues for freedom because he plays the FLUTE.". Mugshot included in Daily Mail expose. Herman Bell Comstock, NY 2002.
damnthecaesars.blogspot.com
damn the caesars
http://damnthecaesars.blogspot.com/2015/05/here-details-from-three-sheets.html
Wednesday, May 06, 2015. Posted by damn the caesars at 12:57 PM. BALLADS (Eth Press 2015). NO CLASS (Barque Press 2012). CLUTCH (Vigilance Society 2012). BALLADS (Habenicht Press 2012). IN SOUS LES PAVÉS. IN CAMBRIDGE LIT REVIEW. WITH RIPPEON ON ROB HALPERN. ON DONOVAN AND BONNEY. POETRY AND REVOLUTION TALK. DIALOG WITH BOYD NIELSON. These—three studies—for the Lola Ridge / Gwendolyn. Mayday. Earlier anticipating it. Today celebrating. Baltimore. Freddie Gray. Ferguson. Michael Brown. .
damnthecaesars.blogspot.com
damn the caesars: MICHAEL CROSS | IN FELT TREELING | WORKING NOTES
http://damnthecaesars.blogspot.com/2009/03/michael-cross-in-felt-treeling-working.html
Friday, March 13, 2009. MICHAEL CROSS IN FELT TREELING WORKING NOTES. In a recent review. Of George Albon's Momentary Songs. Michael Cross writes, "When I’m really listening. To Oppen [not Albon], I find it difficult to read anything. Announces itself as a careful project that unfolds with a keen awareness of the material force of language and the need to develop a language that might adequately respond to the present cultural moment. As a Libretto reminds us also that the composition of such work typica...
