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Stewart+Trish Scambler

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. Stewart and Trish Scambler have worked from a studio in Palmyra, Western Australia since 1992. Prior to that Stewart operated Makaiigama pottery in Serpentine Western Australia. The notions of sustainability are carried into the discipline of using only Australian materials and where possible Australian made equipment. The wood used in the kiln is replaced by planting in...

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CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. Stewart and Trish Scambler have worked from a studio in Palmyra, Western Australia since 1992. Prior to that Stewart operated Makaiigama pottery in Serpentine Western Australia. The notions of sustainability are carried into the discipline of using only Australian materials and where possible Australian made equipment. The wood used in the kiln is replaced by planting in...
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Stewart+Trish Scambler | stscambler.com.au Reviews

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CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. Stewart and Trish Scambler have worked from a studio in Palmyra, Western Australia since 1992. Prior to that Stewart operated Makaiigama pottery in Serpentine Western Australia. The notions of sustainability are carried into the discipline of using only Australian materials and where possible Australian made equipment. The wood used in the kiln is replaced by planting in...

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CERAMICS AND THE ART OF CRAFT — Stewart+Trish Scambler

http://www.stscambler.com.au/ceramics-and-the-art-of-craft

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. At that time, and into the 20th century, the art schools in our state capital cities had literally thousands of students doing drawing courses by correspondence, and practising woodcarving, leatherwork and pottery in suburban and regional outposts. In the first half of the 20th century there were many small ‘art’ potteries in Australia, mak...

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Fire Eye — Stewart+Trish Scambler

http://www.stscambler.com.au/fire-eye

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. An exhibition of woodfired ceramics by Stewart Scambler. Gallows Gallery Glyde St, Mosman Park, Perth November 10-27, 2005. 20 a elvira street palmyra wa 6157.

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Wood Fired — Stewart+Trish Scambler

http://www.stscambler.com.au/woodfired

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. In many ways firing with wood seems easy, just put the work in the kiln light a big fire at one end, fire for two to three days and there you have it fired glazed and decorated work all in one go. The reality is much more daunting. As the work is essentially a result of the clay and ash the selection of both is critical to the outcome. 20 a elvira street palmyra wa 6157.

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STILL, LIKE A ROCK IN THE LANDSCAPE — Stewart+Trish Scambler

http://www.stscambler.com.au/still-like-a-rock-in-the-landscape

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. STILL, LIKE A ROCK IN THE LANDSCAPE. An interview with Stewart Scambler. Robert Cook: Why don’t we start in a kind of random way? I remember you saying once how environmental responsibility is increasingly important to you and your way of making. How is this concern currently being played out in your practice? Robert Cook: What does the Bolgart clay do for you? Stewart: ...

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Maiolica — Stewart+Trish Scambler

http://www.stscambler.com.au/maiolica

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. Trish and Stewart operate Bohemian Ceramics, a short run production studio located in Palmyra. Their current work is Maiolica Production Ware and one off unique pieces, decorated by Trish and thrown by Stewart. 20 a elvira street palmyra wa 6157.

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andrea-ceramics.blogspot.com andrea-ceramics.blogspot.com

Andrea Vinkovic ceramics: tutorials

http://andrea-ceramics.blogspot.com/p/tutorials.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. About the Glaze tests. Recently I had a chat with my friends and fellow potters, and the conversation turned to glazes and glaze tests. We all have favorite ways to test, record and document the glazes.and during the conversation I promised to write a blog about my way of testing and documenting. As some test tiles just came out of the kiln, it is a perfect opportunity to tell you about it. First, about the test tiles:. It is ...

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Andrea Vinkovic ceramics: Intuitive Sense of Connection went to the ball....

http://andrea-ceramics.blogspot.com/2015/06/intuitive-sense-of-connection-went-to.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Sunday, 28 June 2015. Intuitive Sense of Connection went to the ball. And it looked good with the disco lights on at the Astral, Crown Perth for the Artitude 2015. Subscribe to: Post Comments (Atom). If at first you dont succeed. Intuitive Sense of Connection went to the ball. Australian Ceramics on flickr. GARY JACKSON: FIRE WHEN READY POTTERY. Clay WA on pinterest. Simple template. Powered by Blogger.

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Andrea Vinkovic ceramics: Mother

http://andrea-ceramics.blogspot.com/p/mother.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. This Easter I was invited to make a work for The Stations of the Cross exhibition held at Wesley Uniting Church in Perth. I have accepted after a serious consideration and soul search. T. O tell the truth, I didn't even know the meaning of The Stations of the Cross until I did some research. I accepted without any idea how to approach the theme, but knowing that it will be a spiritual challenge as well as artistic one. Mother ...

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Andrea Vinkovic ceramics: Wedding

http://andrea-ceramics.blogspot.com/2015/05/wedding.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Saturday, 23 May 2015. I don't usually post about private life, but on this occasion I am making an exception, as it was an exceptional event. On Sunday 25th April my son married his beautiful girlfriend. To commemorate the occasion, I made little vases for each guest. I threw them on the wheel from 230g of white stoneware clay. I used every lump, no rejects, no fuss. Here are the results:. In the kiln before the glaze firing:.

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Andrea Vinkovic ceramics: January 2014

http://andrea-ceramics.blogspot.com/2014_01_01_archive.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Thursday, 30 January 2014. After several attempts at prototypes, I am finally happy with curves, thickness and the shape of my triangles. It is great to be making in clay again, although it is hard to imagine how the finished object will look. Image in my mind is still pretty vague. And it keeps changing. Plaster moulds are ready, and making begins:. Pressing coils in the mould. Notice the clay triangle at the top? Drying near...

andrea-ceramics.blogspot.com andrea-ceramics.blogspot.com

Andrea Vinkovic ceramics: August 2013

http://andrea-ceramics.blogspot.com/2013_08_01_archive.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Saturday, 31 August 2013. Gateway 21 was exhibited at Gomboc Gallery. Sculpture Survey, Perth, Western Australia, in 2012. Now it has a home in my garden. It is made from wheel thrown stoneware clay, and glazed with 2 superimposed glazes to create dynamic surface. At a first glance, many people think it is made from shells. A beginner’s guide to constructing the universe. The mathematical archetypes of nature, art and science.

andrea-ceramics.blogspot.com andrea-ceramics.blogspot.com

Andrea Vinkovic ceramics: Intuitive Sense of Connection

http://andrea-ceramics.blogspot.com/p/intuitive-sense-of-connection.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Intuitive Sense of Connection. Friday, 3 October 2014. Here and Now 14 has ended and Shape of Thought. Has been taken apart to transport back to the studio. For some time now I have been pondering how to improve the design, and the obvious conclusion is to replace the brackets with the sturdier, welded construction. I have even done a welding for sculptors workshop in anticipation of the next challenge. If you remember, I have...

andrea-ceramics.blogspot.com andrea-ceramics.blogspot.com

Andrea Vinkovic ceramics: Shape of Thought

http://andrea-ceramics.blogspot.com/p/shape-of-thought.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Monday, 14 October 2013. We are rapidly moving to the present time with this blog. From now on, we are live on air, figuratively speaking. I am intrigued by making larger objects – always difficult in clay – from smaller components. As I look through my inspirational images collections on computer and in books, I am particularly drawn to. I want to make spherical form reminiscent of seeds, pollen, planktons. Here is my version:.

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Andrea Vinkovic ceramics: And than, there are days like this

http://andrea-ceramics.blogspot.com/2015/07/and-than-there-are-days-like-this.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. Friday, 17 July 2015. And than, there are days like this. This is how it went into the kiln:. This is how it came out of the kiln:. 19 July 2015 at 13:20. Disappointing, yet still unique and interesting. 19 July 2015 at 20:34. I will attempt again, when I get the kiln working. those things come in threes ( I wonder what will be the third one). 26 July 2015 at 16:12. Better luck next time. :(. 8 September 2015 at 19:22.

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Andrea Vinkovic ceramics: Vortex

http://andrea-ceramics.blogspot.com/p/vortex.html

Intuitive Sense of Connection. Memories of the Ocean. Standing at Waters Edge. How do you start working on a new project? Does it follow as an extension of the previous one like a variation on a theme, or is it a new beginning? A bit of both? As soon as work for the Stations of the Cross was finished I had to refocus and start considering work for 30. I was thinking of creating a work which emerges from the ground, when I stumbled upon a small book of patterns called Kaleidometrics by Sheilah Shaw. There...

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Stewart+Trish Scambler

CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. CERAMICS AND THE ART OF CRAFT. STILL, LIKE A ROCK IN THE LANDSCAPE. Stewart and Trish Scambler have worked from a studio in Palmyra, Western Australia since 1992. Prior to that Stewart operated Makaiigama pottery in Serpentine Western Australia. The notions of sustainability are carried into the discipline of using only Australian materials and where possible Australian made equipment. The wood used in the kiln is replaced by planting in...

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