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Classic Stagecraft, Immersive Worlds. The Spectators’ Guild presents plays in atmospheric and significant spaces offering each audience member the chance of adventure. We are building a dynamic guild of artists, actors and audience members who will have the opportunity to participate and collaborate before, during and after the production, and to own and influence the direction and programming of future work. Together we can change expectations of how text based theatre is experienced and received. The m...

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The Spectators' Guild

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The Spectators' Guild

Harry Ross

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Lo●●on , Engels, WC1X 9NG

GB

44.7●●●●5868
h.●●●●●●@gmail.com

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Classic Stagecraft, Immersive Worlds. The Spectators’ Guild presents plays in atmospheric and significant spaces offering each audience member the chance of adventure. We are building a dynamic guild of artists, actors and audience members who will have the opportunity to participate and collaborate before, during and after the production, and to own and influence the direction and programming of future work. Together we can change expectations of how text based theatre is experienced and received. The m...
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1 join us
2 your name
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6 charlotte westenra
7 co artistic director
8 helen scarlett o'neill
9 harry ross
10 executive producer
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join us,your name,name@email com,submitting form,form received,charlotte westenra,co artistic director,helen scarlett o'neill,harry ross,executive producer,director,designer,producer,wwwvenicepreserved co uk
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Home | thespectatorsguild.org Reviews

https://thespectatorsguild.org

Classic Stagecraft, Immersive Worlds. The Spectators’ Guild presents plays in atmospheric and significant spaces offering each audience member the chance of adventure. We are building a dynamic guild of artists, actors and audience members who will have the opportunity to participate and collaborate before, during and after the production, and to own and influence the direction and programming of future work. Together we can change expectations of how text based theatre is experienced and received. The m...

LINKS TO THIS WEBSITE

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/associates

A central drive of the The Spectators' Guild is a belief in engagement with the community that surrounds the site of each performance to create an ongoing cultural legacy once we have closed any production. For Venice Preserv'd we are working with a group of 35 Young People from Greenwich and Lewisham in workshops and rehearsals so they can form an integral part of the performance for its 7 week run. Their first performance is aimed for The Tall Ships Regatta in September this year.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/tickets.html

Please click here for more information on tickets. Click on each date to purchase tickets. Previews 24th April - 29th April.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/ticketinfo

Performances 24th April- 8th June. Please scroll down for full information about tickets. If you have any further questions please call 44 (0) 20 7193 7937. The performance of Venice Preserv’d will start at 19.30 at Paynes and Borthwick Wharf. You are invited to join the Doge at the prow of the Cutty Sark at 18:45 for the Carnival procession. Latecomers will be admitted, however you may be held outside of a scene to prevent disruption and distraction. Admittance is via the alley by Watergate St.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/travel

TO VENICE ON THAMES. Our performance of Thomas Otway's Venice Preserv'd will start at 19:30. The house will be open from 19:15. The performance will run for 2 hours 30 minutes including interval. The first 30 minutes of the performance has limited seating, if you are less able to stand, notify our stewards and they will ensure you have somewhere to sit. Blankets also available on request. Some of the performance is outside. Paynes and Borthwick Wharf. 15 minute walk from P&B). 15 minute walk from P&B).

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/credits

By THOMAS OTWAY (click names to expand). According to Oliver Goldsmith, Otway was, next to Shakespeare, the greatest genius England has produced in tragedy . Prologue and text prepared by. A film based on Mojo Mickybo has been produced by Working Title, directed by Terry Loane. HARRY ROSS for The Spectators' Guild. Harry Ross is Executive Director of The Spectators’ Guild. Charlotte Westenra is Co-Artistic Director of The Spectators’ Guild. Tricycle), When Five Years Pass (Arcola), Gladiator Games - nomi...

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/venue

Hover to reveal Venice in London. Our carnival parade will lead you through the streets of maritime Greenwich to the historic Paynes and Borthwick. Wharf where our production will unfold. The site has had many past lives as a ship engine factory, a meat storage facility and a paper warehouse. Now it comes to life again as a bustling Venetian metropolis. We are grateful to our founding sponsors Paynes and Borthwick LLP. A partnership between United House. And LaSalle Investment Management.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/ticketinfo.html

Performances 24th April- 8th June. Please scroll down for full information about tickets. If you have any further questions please call 44 (0) 20 7193 7937. The performance of Venice Preserv’d will start at 19.30 at Paynes and Borthwick Wharf. You are invited to join the Doge at the prow of the Cutty Sark at 18:45 for the Carnival procession. Latecomers will be admitted, however you may be held outside of a scene to prevent disruption and distraction. Admittance is via the alley by Watergate St.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/gettingready

To enter the Serene Republic you will need to present your proof of purchase (emailed to you by ticketscript) and your flag-fan Carnival Ball ticket which was emailed to you after you completed our Serene Security Census. If you have not yet completed this, you can do so here. If you have purchased on behalf of others, it is your responsibility to ensure that either they complete the census, or that you complete it on their behalf. Our meeting point will be the prow of the Cutty Sark by Greenwich station.

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/cast

Doctor Who, Holby City, Bellamy's People, Mongrels, Mouth to Mouth, Grange Hill (BBC); The Bill (ITV); Skins (Company Pictures). The Case of Mr H, The Aeneid, Richest Man in Britain, Sacred Hearts, No. 1 Ladies Detective Agency, Snake, Short Ride to Dusseldorf, The Lysistrata Project, Four Four Straight-Town, Hold My Breath (All for BBC Radio); Currently the voice of JACKfm2 107.9fm. 2005 Norman Beaton Fellowship Award winner;. Theatre includes: Henry V (Michael Grandage Company),The Tempest. Television ...

venicepreservd.co.uk venicepreservd.co.uk

Venice Preserv'd

http://www.venicepreservd.co.uk/about

What type of place is this surrounded by water and time venice preserv’d - we are in a place where the old preserve so the young must stand up and take what is rightfully theirs the future - the time could be then or it could be now morally corrupt and under the threat of flood what’s new in that ". Eliot from the Prologue by Owen McCafferty. In a company led by the classical stars of tomorrow including Jessie Buckley. Classic stagecraft meets site responsive event theatre. Welcome to the Serene Republic.

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Classic Stagecraft, Immersive Worlds. The Spectators’ Guild presents plays in atmospheric and significant spaces offering each audience member the chance of adventure. We are building a dynamic guild of artists, actors and audience members who will have the opportunity to participate and collaborate before, during and after the production, and to own and influence the direction and programming of future work. Together we can change expectations of how text based theatre is experienced and received. The m...

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