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vipul rikhi

In the Space between Singing and Listening. First published in Aalaap Magazine in April 2014). Haan kahun toh hai nahin. Na bhi kahyo nahin jaaye. Haan aur na ke beech mein. Mora satguru raha samaaye. 8216;Yes’ doesn’t quite catch it. 8216;No’ is not quite right. The space between ‘yes’ and ‘no’. Is where my true guru hides. About these things for so long. There’s nothing like real experience. I was practically meeting Kabir for the first time. Jahaan lag mann ki daud. Daud thake mann sthir bhaya. Chaala...

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vipul rikhi | vipulrikhi.blogspot.com Reviews

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In the Space between Singing and Listening. First published in Aalaap Magazine in April 2014). Haan kahun toh hai nahin. Na bhi kahyo nahin jaaye. Haan aur na ke beech mein. Mora satguru raha samaaye. 8216;Yes’ doesn’t quite catch it. 8216;No’ is not quite right. The space between ‘yes’ and ‘no’. Is where my true guru hides. About these things for so long. There’s nothing like real experience. I was practically meeting Kabir for the first time. Jahaan lag mann ki daud. Daud thake mann sthir bhaya. Chaala...

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1 vipul rikhi

2 daudat daudat daudiya

3 kabir bahut bhatkiya

4 and the prakriti

5 feeling

6 dariya leher samaaye

7 email this

8 blogthis

9 share to twitter

10 share to facebook

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vipul rikhi,daudat daudat daudiya,kabir bahut bhatkiya,and the prakriti,feeling,dariya leher samaaye,email this,blogthis,share to twitter,share to facebook,share to pinterest,labels reflection,two tempos,i am,labels poetry,a wooden house,prologue,death

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vipul rikhi | vipulrikhi.blogspot.com Reviews

https://vipulrikhi.blogspot.com

In the Space between Singing and Listening. First published in Aalaap Magazine in April 2014). Haan kahun toh hai nahin. Na bhi kahyo nahin jaaye. Haan aur na ke beech mein. Mora satguru raha samaaye. 8216;Yes’ doesn’t quite catch it. 8216;No’ is not quite right. The space between ‘yes’ and ‘no’. Is where my true guru hides. About these things for so long. There’s nothing like real experience. I was practically meeting Kabir for the first time. Jahaan lag mann ki daud. Daud thake mann sthir bhaya. Chaala...

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vipulrikhi.blogspot.com

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vipul rikhi: October 2014

http://vipulrikhi.blogspot.com/2014_10_01_archive.html

Of men, women and relationships). Listening to the woes of a certain woman friend about the wretched emotional quotient of the men she’s been involved with - a classic male-female paradigm! I came up with this theory of two tempos on the spot. It’s pretty simple (even men can grasp it - unless they’re in the middle of a cricket or football match). And women can get into a funk about ‘not wanting to appear needy’. Predictably, this kind of thing goes nowhere. 8217; or ‘what does she want from me?

2

vipul rikhi: October 2013

http://vipulrikhi.blogspot.com/2013_10_01_archive.html

A dreamer caught in reality. Eternity caught in time. A desert caught in an oasis. A poem caught in a rhyme. I am that which cannot be. What I am cannot be told. I am that and this is me. This was I but that is old. In speaking of those days I do not wish to say that they were unhappy. They weren’t. But they weren’t happy either. In fact those were our dog-days. Days that we have barked ourselves by. On a Winter's Night. Prologue and first act of a love drama in verse (sort of): On a Winters Night. It wi...

3

vipul rikhi: A Wooden House

http://vipulrikhi.blogspot.com/2013/10/a-wooden-house.html

In speaking of those days I do not wish to say that they were unhappy. They weren’t. But they weren’t happy either. In fact those were our dog-days. Days that we have barked ourselves by. But me, I’m content with a river. Give me my river, I say, and you can keep your salt and your lover. I choose a life of austerity if I have to, for the sake of my river. The CD-cassette-player-man pays the rent on time. It is grossly disproportionate to the amount of profits he makes on the shop. It is the rent...As a ...

4

vipul rikhi: In Hot Water

http://vipulrikhi.blogspot.com/2013/10/this-is-act-1-of-radio-play-i-wrote-in.html

This is Act 1 of a radio play I wrote in April 2007 for the BBC International Radio Playwriting Competition. Mr Chatterjee, a Bengali Indian, recently husband. Mrs Chatterjee, another Bengali Indian, recently wife. Yves, a French tourist, interested in the mysteries of Tantric sex. Maya, a young American seeker, with the stars of enlightenment in her eyes. Tenzin Norbu-la, an elderly Buddhist monk. Swami Drown-ananda, a venerable Indian yogi in the nude. In a heavy Bengali Indian accent. To show you my l...

5

vipul rikhi: House out of Time

http://vipulrikhi.blogspot.com/2013/10/house-out-of-time.html

House out of Time. This extract is from a novel called House out of Time. This is part of Chapter 6. The Pigeon among the Cats. When Mr Shah came to, he perceived a few people gathered around him, while most others carried on with their hurried movement hither and fro. His office bag with the tiffin case containing his lunch was beside him on the floor. It took him a couple of minutes to figure out where he was. He was on the floor of a Metro platform. He was on his back because…. Or a graph of progress?

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In the Space between Singing and Listening. First published in Aalaap Magazine in April 2014). Haan kahun toh hai nahin. Na bhi kahyo nahin jaaye. Haan aur na ke beech mein. Mora satguru raha samaaye. 8216;Yes’ doesn’t quite catch it. 8216;No’ is not quite right. The space between ‘yes’ and ‘no’. Is where my true guru hides. About these things for so long. There’s nothing like real experience. I was practically meeting Kabir for the first time. Jahaan lag mann ki daud. Daud thake mann sthir bhaya. Chaala...

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