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VAUGHAN GUNSON » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/vaughan-gunson-i-get-paid
2005 & 2006. Uarr; Return to CONTENTS 2013. I get paid well for this job. I get paid well for this job. Of looking after art objects. That don’t breathe, don’t complain,. Don’t have wet eyes, or the fear of eternity. That don’t need to be consoled,. And don’t need to be told an answer. As to why no one has visited them today. The paintings don’t want to run away. The sculptures don’t need to be washed. You don’t have to assure the photograph. Of the woman that she looks good. There’s no sadness,.
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PAST ISSUES » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/past-issues
2005 & 2006. Permanent link to this article:. Http:/ 4thfloorjournal.co.nz/past-issues/. Editing, production, website design and site management by Whitireia Publishing. This website was produced by students of the Whitireia NZ Publishing Programme. For more information about our editing and publishing training, visit whitireiapublishing.co.nz. And the Graphene Theme.
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NAVINA CLEMERSON » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/navina-clemerson-dog
2005 & 2006. Uarr; Return to CONTENTS 2014. The new woman sometimes took him along in her car, which had a more interesting smell than the old lady’s people’s emanations, old food, pungent objects. He was used to sitting on the old lady’s lap while she drove, but this one wouldn’t have it; she relegated him to the back. He tried to get into the front, but she was adamant. 8217; they’d say, handing over the treat very tasty. After several evenings, he’d sit down as soon as they brought out the bag. This w...
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4th Floor 2011 » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/past-issues/4th-floor-2011
2005 & 2006. Uarr; Return to PAST ISSUES. Permanent link to this article:. Http:/ 4thfloorjournal.co.nz/past-issues/4th-floor-2011/. Editing, production, website design and site management by Whitireia Publishing. This website was produced by students of the Whitireia NZ Publishing Programme. For more information about our editing and publishing training, visit whitireiapublishing.co.nz. And the Graphene Theme.
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INTRODUCTION 2014 » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/introduction-2014
2005 & 2006. Uarr; Return to 4th Floor 2014. Tēnā tātou e tau mai, e pānui mai nei. Welcome to. 2014 a showcase of writing from the Whitireia New Zealand. Q Kia ora. Firstly, I was wondering where you get your ideas? A There’s this flat in Seddon Street. It has a long gravel. Drive fenced off with sheets of iron on both sides. Outside the front steps a dandelion and a metal bin,. Straight inside the front door is a galley kitchen. It’s modest,. In selecting work for. Or what sliced bread. We can feel love.
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MERCEDES WEBB PULLMAN » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/mercedes-webb-pullman-brothers
2005 & 2006. Uarr; Return to CONTENTS 2014. You used to buy each other a beer now and again in the RSA. Max’s war was Korea, after yours, but you never talked about war. There were all sorts of things you didn’t talk about, even though you were neighbours. His wife, Norma, went drinking with other men when Max was away on his long trips, driving a petrol tanker to small back-country service stations. You said nothing. Your wife talked it over with other neighbours, and one was deputised to speak to Norma...
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JANE BLAIKIE » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/jane-blaikie-wellington
2005 & 2006. Uarr; Return to CONTENTS 2014. So on this January morning we’ve been down to swim Balaena Bay. Children on floats, couples. The sun-drugged lounge on a changing-shed deck. Chat with a friend. Rocky beach, the water green like a weed-eating fish. And there’s Dave and Kathy. Standing by the outrigger, by the taupata. Dave, Kathy and I, by the taupata, and Kathy, who tears her hair, says No. And Dave says this MND, this bulbar palsy, and he looks at me. He’s been. Permanent link to this article:.
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PRIYARDARSHI RANMUTHU » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/priyardarshi-ranmuthu-chef
2005 & 2006. Uarr; Return to CONTENTS 2014. Thilake wiped his damp forehead with the back of his palm and stirred the rice in the cauldron. The wooden stirring rod made its way through the rice submerged in water. Thilake’s reddish brown face wore an emptiness and passivity. His arms did not let the stirring rod change its course, until the water started to simmer. Other days of the month Thilake’s name was never mentioned in the whispers or rumours. Occasionally stealing was reported from backyards ...
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VERNE BARRETT » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/verne-barrett-waiata
2005 & 2006. Uarr; Return to CONTENTS 2014. Waiata of Secret Wings. Inspired by Māori creation myths). Alone is the void te pō. Alone and void the taste of it;. Alone and void the touch, the smell. The hearing and the seeing of things unseen;. The dark sleeping void of the unborn world’s still dream. Alone is the secret world …. Alone and unknown are all things;. Until eye sees, tongue tastes,. Smell is known and ear hears;. Touch feels, and the world longs. For itself to be, giving birth.
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SIAN TORRINGTON » 4th Floor Literary Journal
http://4thfloorjournal.co.nz/sian-torrington-process
2005 & 2006. Uarr; Return to CONTENTS 2014. I am starting today I will put in here thinking there was confusion about how this would work. We are all special beings building sheds outside of any function. People can be made to work faster but art operates in this way. I will explore by making lists. Excavation stacking and protection. Support of formwork Striking of forms. Artists are people allowing materials. Sometimes I want to be forceful. The world is encouragement. The word is encouragement. Do not...
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