justineachambers.blogspot.com
jac projects: 'Copy' and Collaboration - May 30, 2010
http://justineachambers.blogspot.com/2011/10/copy-and-collaboration.html
Sunday, October 9, 2011. Copy' and Collaboration - May 30, 2010. By Justine A. Chambers. Let my playing be my learning, and my learning be my playing.". Huizinga, Johan. Homo Ludens(1938). The above-mentioned format asks secondary creators to fulfill and/or supplement the vision of the primary creator. In my own practice, I wish to open up the idea of the primary creator. If there is in fact one primary creative voice, can the work itself be considered collaborative? Justine A. Chambers. Propeller Center...
justineachambers.blogspot.com
jac projects: April 2012
http://justineachambers.blogspot.com/2012_04_01_archive.html
Saturday, April 14, 2012. Check out my new blog at:. Justine A. Chambers. Links to this post. Subscribe to: Posts (Atom). Miguel Gutierrez and The Powerful People. Andrea Zittel - A to Z. Mono clothing - heather martin. Contemporary dance video database. Idle' review - plank magazine. Caesura' review - Vancouver Sun July 2010. This time' review - The Dance Current. Caesura' review - The Georgia Straight July 2010. Contemporary technique classes vancouver. Lynda Gaudreau: Compagnie de Brune.
justineachambers.blogspot.com
jac projects: jac teaches at working class
http://justineachambers.blogspot.com/2011/11/jac-teaches-at-working-class.html
Sunday, November 13, 2011. Jac teaches at working class. November 21, 2011. 12 drop in / $100 class card of 10. Justine A. Chambers. Subscribe to: Post Comments (Atom). Miguel Gutierrez and The Powerful People. Andrea Zittel - A to Z. Mono clothing - heather martin. Contemporary dance video database. Idle' review - plank magazine. Caesura' review - Vancouver Sun July 2010. This time' review - The Dance Current. Caesura' review - The Georgia Straight July 2010. Contemporary technique classes vancouver.
justineachambers.blogspot.com
jac projects: April 2011
http://justineachambers.blogspot.com/2011_04_01_archive.html
Saturday, April 30, 2011. Rehearsal Research - Notes on a Residency by Sarah Todd. Excerpt of 'Rehearsal Research - Notes on a Residency'. Justine A. Chambers. Links to this post. Jac projects: Rehearsal Research - Western Front. Jac projects: Rehearsal Research - Western Front. Justine A. Chambers. Links to this post. Rehearsal Research - Western Front. Justine A. Chambers. Links to this post. Tuesday, April 19, 2011. April 18, 2011 - Enters and Exits research Western Front. Enters and Exits - research.
justineachambers.blogspot.com
jac projects: January 2010
http://justineachambers.blogspot.com/2010_01_01_archive.html
Monday, January 18, 2010. COPY - Dance Lab images January 2010. Justine A. Chambers. Links to this post. One The Other - excerpts. Justine A. Chambers. Links to this post. Wednesday, January 13, 2010. COPY RESEARCH: January 8, 2010. Justine A. Chambers. Links to this post. CONTEMPORARY TECHNIQUE SERIES - January 18 to February 11. Justine A. Chambers. Links to this post. Subscribe to: Posts (Atom). Miguel Gutierrez and The Powerful People. Andrea Zittel - A to Z. Mono clothing - heather martin. I have a ...
justineachambers.blogspot.com
jac projects: September 2011
http://justineachambers.blogspot.com/2011_09_01_archive.html
Saturday, September 17, 2011. Miguel Gutierrez - The Perfect Dance Critic. The Perfect Dance Critic. The perfect dance critic does not exist. The perfect dance critic has an awareness of what the postmodern movement in dance expressed, achieved, and how it lives in our consciousness today. The perfect dance critic does not live in a time warp that shuttles him between now at City Center and 1950 when he irreversibly decided what dance was, is, and can only be. The perfect dance critic can articulate the ...
justineachambers.blogspot.com
jac projects: August 2011
http://justineachambers.blogspot.com/2011_08_01_archive.html
Monday, August 22, 2011. Way Out West - Mascall Dance. August 23-25, 2011. Http:/ www.mascalldance.ca/way-out-west/. Working Class - TSV. October 17, 19, 21, 24, 26. 12 drop in / $100 class card of 10. Http:/ www.trainingsocietyofvancouver.ca/workingclass.html. Justine A. Chambers. Links to this post. Sunday, August 14, 2011. In Response to Lynda Gaudreau's 0101. IN RESPONSE TO 0101. Justine A. Chambers. Expectations of the society in which it is presented.”. To download a pdf of this writing:. Justine A...
justineachambers.blogspot.com
jac projects: March 2011
http://justineachambers.blogspot.com/2011_03_01_archive.html
Wednesday, March 30, 2011. Enters and Exits (working title). In observation of these behaviours a number of narratives are present. Through the subversion of these physical behaviours (using the tasks of reorganization, repatterning, and distilling the movements.even creating an 'exquisite' corpse of physical acts) I am curious about what new narratives may or may not arise.is the order in which we see the actions necessary to create an intended narrative? Can this subversion obliterate narrative? I have...
justineachambers.blogspot.com
jac projects: June 2010
http://justineachambers.blogspot.com/2010_06_01_archive.html
Wednesday, June 2, 2010. Contemporary technique series - june 7- july 1, 2010. Justine A. Chambers. Links to this post. Subscribe to: Posts (Atom). Miguel Gutierrez and The Powerful People. Andrea Zittel - A to Z. Mono clothing - heather martin. Contemporary dance video database. Idle' review - plank magazine. Caesura' review - Vancouver Sun July 2010. This time' review - The Dance Current. Caesura' review - The Georgia Straight July 2010. Contemporary technique classes vancouver. Justine A. Chambers.
justineachambers.blogspot.com
jac projects: Miguel Gutierrez - The Perfect Dance Critic
http://justineachambers.blogspot.com/2011/09/miguel-gutierrez-perfect-dance-critic.html
Saturday, September 17, 2011. Miguel Gutierrez - The Perfect Dance Critic. The Perfect Dance Critic. The perfect dance critic does not exist. The perfect dance critic has an awareness of what the postmodern movement in dance expressed, achieved, and how it lives in our consciousness today. The perfect dance critic does not live in a time warp that shuttles him between now at City Center and 1950 when he irreversibly decided what dance was, is, and can only be. The perfect dance critic can articulate the ...
