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19th X 21st Century Poetic Crossings | Program arranged by the Division on 19thC American Literature

Program arranged by the Division on 19thC American Literature

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Bios of Participants | 19th X 21st Century Poetic Crossings

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19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Is an Assistant Professor of English at Brown University, specializing in nineteenth-century (African) American cultural productions. He has received fellowships from the American Antiquarian Society, New-York Historical Society, and Library Company of Philadelphia. He is the editor of. Blue Notes: Essays, Interviews, and Commentaries. Examines the ocularcentric roots of American anti-slavery rhetoric.

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mlmcgill | 19th X 21st Century Poetic Crossings

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19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Session 319: Friday 9 Jan. 5:15-6:30 pm. 114 VCC West. December 4, 2013. There has been a resurgence of interest among contemporary poets in nineteenth-century American poetry. This panel brings together poets and critics to explore the generative power and long reach of nineteenth-century poems and the challenge contemporary poetry poses to literary critics to rethink the history of American poetry.

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Further Resources | 19th X 21st Century Poetic Crossings

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19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Contemporary poems and volumes of poems that strongly engage 19th-century materials and 19th-century poetry include:. Camille Dungy, Suck on the Marrow. Red Hen Press, 2010). Vievee Francis, Blue Tail Fly. Wayne State, 2006). Amaud Jamaul Johnson, Darktown Follies. Tupelo Press, 2013). Douglas Kearney, “Swimchant for Nigger Merfolk: An Aquaboogie Set in Lapis”. In The Black Automaton. Fence Books, 2009).

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2014 Roundtable | 19th X 21st Century Poetic Crossings

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19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Literature and Media in the 19thC United States. Session 414: Friday 10 Jan. 2014, 5:15-6:30 pm. Chicago A-B (Marriott). Jonathan Elmer (Indiana University), “Poe’s Ear”. Teresa Goddu (Vanderbilt University), “Antislavery Media”. Naomi Greyser (University of Iowa), “A Paper Trail of Tears: Sympathetic Grounds, the History of Emotion, and Affect Studies as Media Studies”. Reading at the Social Limit. Stanf...

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Session 319: Friday 9 Jan. 5:15-6:30 pm.; 114 VCC West | 19th X 21st Century Poetic Crossings

https://19thcamlitdiv.wordpress.com/2013/12/04/session-414-515-630-pm

19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Session 319: Friday 9 Jan. 5:15-6:30 pm. 114 VCC West. December 4, 2013. There has been a resurgence of interest among contemporary poets in nineteenth-century American poetry. This panel brings together poets and critics to explore the generative power and long reach of nineteenth-century poems and the challenge contemporary poetry poses to literary critics to rethink the history of American poetry.

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Talks – Brian Hochman

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Assistant Professor of English, Georgetown University. 8220;Wiretapping Judith Coplon.”. Secrecy, Security, and the Public. Trowbridge Initiative in American Culture, University of Illinois at Urbana-Champaign, Urbana IL (October 2016). 8220;The Wiretapper’s Nest.”. Sound in Theory, Sound in Practice. Sound Studies Cluster, Bard College, Annandale-on-Hudson NY (April 2016). 8220;Shelf Life: The Sound of Race on Wax, 1890/2015.”. Race and Media Theory. 8220;Wiretapping Auditory Knowledge.”. 8220;A Nation ...

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19th X 21st Century Poetic Crossings | Program arranged by the Division on 19thC American Literature

19th X 21st Century Poetic Crossings. Program arranged by the Division on 19thC American Literature. Session 319: Friday 9 Jan. 5:15-6:30 pm. 114 VCC West. December 4, 2013. There has been a resurgence of interest among contemporary poets in nineteenth-century American poetry. This panel brings together poets and critics to explore the generative power and long reach of nineteenth-century poems and the challenge contemporary poetry poses to literary critics to rethink the history of American poetry.

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