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Mark Alburger: July 2008
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Thursday, July 31, 2008. July 31 - Of Mouse and Mice. Back before music notation software was generally used, score for Mice and Men. Was written in pencil directly as full orchestration roughly over six summers (Act I - 1987, II - 88, III - 89, IV - 90, V Scene 1 - 91, V 2 - 92, although the work extended to a completion date of October 5, 1992). As of today (with MM. Which evolved into the present procedure) conceived as piano-vocal "short scores," then subsequently orchestrated. Tuesday, July 29, 2008.
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Mark Alburger, 2010: November 22 - Beauty Everywhere
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Mark Alburger, 2010. Monday, November 22, 2010. November 22 - Beauty Everywhere. Begin editing Psalm 41. The first 10 pages) and get the hard-working Phillip George in gear to write the Oakland East Bay Semi-Symphony performance of last night for Commuter Times (which won't run until two Thursdays from now), but is immediately available at 21st-centurymusic.blogspot.com. And eventually at 21st-centurymusic.com. Diablo for Samantha's dictation / solfege on John Williams's Hook. Watch Crash Demented Videos.
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MARK ALBURGER, 2014: January 1 - in a word I resume
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MARK ALBURGER, 2014. January 1 - in a word I resume. Yes, well, onward we go at. With a whole lotta other websites below. January 1 - in a word I resume. View my complete profile. Simple template. Powered by Blogger.
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Mark Alburger: May 2008
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Saturday, May 31, 2008. May 31 - More Of Mice and Mordake. Page 11 of Mice and Men. Act V, Scene 2 prepared for publication, then off to see. Meghan Dibble (of Estragon Waiting for Godot. Fame, as well as Steven Clark's Dionysus. And the Child in Sheli Nan's Saga. Among other wonderful roles) briefly (cooling heels with newspapers and blogging, while she and Harriet have a meeting re upcoming auditions) in the foggy-windy Monterey district of San Francisco,. Pilate in Erling's Sub Pontio Pilato. Happy Bi...
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Mark Alburger, 2009: January 2009
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Mark Alburger, 2009. Saturday, January 31, 2009. January 31 - Diocle[t](s)ian. Up seemingly ridiculously early, and out the door with H (at least the traffic is congenial at such hour) for our first rehearsal at Chamber Arts, in Berkeley, San Francisco Cabaret Opera's production of Henry Purcell's Dioclesian and the ten-minute version of my Diocletian, with Harriet March Page, Kathleen Cornelius, Maria Mikheyenko, Erin Lahm, Marilyn Pratt, Allison Collins,. Friday, January 30, 2009. Home most of the day,...
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Mark Alburger: January 2013
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Tuesday, January 1, 2013. Mark Alburger (b. April 2, 1957, Upper Darby, PA) is an eclectic American composer of postminimal, postpopular, and postcomedic sensibilities. He is Founder and Music Director of San Francisco Composers Chamber Orchestra and The Opus Project, Music Director and Resident Composer of San Francisco Cabaret Opera / Goat Hall Productions, and Editor-Publisher of 21st-Century Music Journal. Other notable works include. Mary Had a Little Lamb. The Pied Piper of Hamelin. Fallen Angels ,...
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Mark Alburger: October 2008
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Friday, October 31, 2008. October 31 - Wilderness of Sin. Finish the orchestration of Moses and Aaron. XVII Ritournello - "Would That We Had Died". And begin that of. XVIII Interlude - "How Long" (Wander in the Wilderness). Between, do most of the Chronicle section for the December 2008 issue of 21st-Century Music (work-in-progress at 21st-centurymusic.blogspot.com. And eventually at 21st-centurymusic.com. And in print), while the rain continues to fall on a rainy Halloween home with Harriet. Oh yes, and...
markalburger2010.blogspot.com
Mark Alburger, 2010: November 2010
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Mark Alburger, 2010. Saturday, November 27, 2010. November 27 - Music, Pictures, Words, Videos. Past and Upcoming Events. Complete Works (In Progress, Always). Http:/ en.wikipedia.org/wiki/Mark Alburger. 21st-Century Music (Online Versions of the Monthly Journal). In Progress, Always). San Francisco Composers Chamber Orchestra). San Francisco Cabaret Opera / Goat Hall Productions). Friday, November 26, 2010. November 26 - Reunions. Up at the crack of midday (hard to tell in this weather),. Youth Room, and.
