3amhelquin.blogspot.com

3 a.m. Helquin

The Virginia Quarterly Review. Echion / Ekhion: "[son] of the viper (. Udaeus / Oudaios: "the black one" or "the infernal one" (? Chthonius / Khthonios: "of the earth (underground)". Hyperenor: "over, above" "a man". Pelorus / Peloros: "giant". I]t was only when I sweated my way into it that I realized one of the most fundamental rules of comics storytelling: start the story as late as possible. Mark Waid at Kung Fu Monkey. Soulshake," Peggy Scott and Jo Jo Benson. Nothing to Be Done.

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3 a.m. Helquin | 3amhelquin.blogspot.com Reviews

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The Virginia Quarterly Review. Echion / Ekhion: [son] of the viper (. Udaeus / Oudaios: the black one or the infernal one (? Chthonius / Khthonios: of the earth (underground). Hyperenor: over, above a man. Pelorus / Peloros: giant. I]t was only when I sweated my way into it that I realized one of the most fundamental rules of comics storytelling: start the story as late as possible. Mark Waid at Kung Fu Monkey. Soulshake, Peggy Scott and Jo Jo Benson. Nothing to Be Done.

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3 a.m. Helquin | 3amhelquin.blogspot.com Reviews

https://3amhelquin.blogspot.com

The Virginia Quarterly Review. Echion / Ekhion: "[son] of the viper (. Udaeus / Oudaios: "the black one" or "the infernal one" (? Chthonius / Khthonios: "of the earth (underground)". Hyperenor: "over, above" "a man". Pelorus / Peloros: "giant". I]t was only when I sweated my way into it that I realized one of the most fundamental rules of comics storytelling: start the story as late as possible. Mark Waid at Kung Fu Monkey. Soulshake," Peggy Scott and Jo Jo Benson. Nothing to Be Done.

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3amhelquin.blogspot.com

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3 a.m. Helquin: April 2009

http://3amhelquin.blogspot.com/2009_04_01_archive.html

Echion / Ekhion: "[son] of the viper (. Udaeus / Oudaios: "the black one" or "the infernal one" (? Chthonius / Khthonios: "of the earth (underground)". Hyperenor: "over, above" "a man". Pelorus / Peloros: "giant". Subscribe to: Posts (Atom). View my complete profile. A personal journal in which quotable passages, literary excerpts, and comments are written.

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3 a.m. Helquin: May 2008

http://3amhelquin.blogspot.com/2008_05_01_archive.html

Can be characterized as an avant garde. Poetry movement of the late 20th century and the early 21st century. Its first practitioners practiced an aesthetic dedicated to the exploration of "the inappropriate" in all of its guises. Their method was to mine the Internet with odd search terms then distill the results into often hilarious and sometimes disturbing poems, plays, and other texts. Are poetic verses made primarily from the subject lines of spam e-mail messages. Formerly known as Decoration Day.

3

3 a.m. Helquin: List #2

http://3amhelquin.blogspot.com/2009/04/list-2.html

Echion / Ekhion: "[son] of the viper (. Udaeus / Oudaios: "the black one" or "the infernal one" (? Chthonius / Khthonios: "of the earth (underground)". Hyperenor: "over, above" "a man". Pelorus / Peloros: "giant". Subscribe to: Post Comments (Atom). View my complete profile. A personal journal in which quotable passages, literary excerpts, and comments are written.

4

3 a.m. Helquin: May 2009

http://3amhelquin.blogspot.com/2009_05_01_archive.html

The Virginia Quarterly Review. Subscribe to: Posts (Atom). View my complete profile. A personal journal in which quotable passages, literary excerpts, and comments are written.

5

3 a.m. Helquin: September 2008

http://3amhelquin.blogspot.com/2008_09_01_archive.html

To read a poem should be an experience, like experiencing an act' [Wallace Stevens, 'Adagia,' Collected Poetry and Prose. The idea of the artwork as an experience also produces a basis for aesthetic judgment. One can (and should) ask, 'Does this artwork provide a unique, distinctive experience, one that hasn't already been experienced, known, understood? On Difficulty in Poetry". The artist: disciple, abundant, multiple, restless. The true artist: capable, practicing, skillful;. Works like a true Toltec *.

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gaslithome.blogspot.com

Too Far from Home

http://gaslithome.blogspot.com/2008/08/what-they-see-by-light-of-candles-i-was.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Sunday, August 17, 2008. What they see by the light of candles. I was the old woman. At the ends of driveways. Glancing back to my darkened house. Where I watched them from windows. Onto the world, unseen because you can’t see inside. When the lights are out. They wonder when there is no garbage. Nor on Monday morning when the trucks pass by. They ask if I’m alive in here. Or so I imagine. I’ll be found one day. When someone follows a nose.

gaslithome.blogspot.com

Too Far from Home: Sons

http://gaslithome.blogspot.com/2008/09/sons.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Friday, September 19, 2008. For my sons, and my grandson, not-yet-born. I wake in the morning. His voice in my body. A language I can’t follow. A crescendo, a leaky instrument. He was a boy with a voice. For an Adam’s apple and words. That hit the window like sleet. He left me remembering. The quiet thrum of rain. The day he was born. The blade that saved him. After a dive to grab his waving arms. In that water and blood. Photo by Sally Mann.

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Too Far from Home: November 2008

http://gaslithome.blogspot.com/2008_11_01_archive.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Wednesday, November 12, 2008. The ribs are a fragile cage. For her heart’s urgings. Eyes, brow, hands. Tongue, lashings of teeth-. Scarred knuckle, muscle. Control, those abs. Pects, the six-pack. She hears their music. In her ears and heart’s distal. Pulse, your ancient cadence. Back to the cave. Wednesday, November 12, 2008. Links to this post. Subscribe to: Posts (Atom). Wood s lot : : "the fitful tracing of a portal". Joy Harjo's Web Log.

gaslithome.blogspot.com

Too Far from Home

http://gaslithome.blogspot.com/2008/11/hairline-fracture-ribs-are-fragile-cage.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Wednesday, November 12, 2008. The ribs are a fragile cage. For her heart’s urgings. Eyes, brow, hands. Tongue, lashings of teeth-. Scarred knuckle, muscle. Control, those abs. Pects, the six-pack. She hears their music. In her ears and heart’s distal. Pulse, your ancient cadence. Back to the cave. Wednesday, November 12, 2008. I wish I had words to describe how much I love this. You're not changing it too much, are you? Okay, maybe I won't cry...

gaslithome.blogspot.com

Too Far from Home: June 2008

http://gaslithome.blogspot.com/2008_06_01_archive.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Thursday, June 26, 2008. My grandparents, Reg and Ethel Drew, called this place "The Old Country". They spoke of it constantly. It took me a very long time to realize that this meant that they longed for it, always. We drank warm, brown beer at a pub on the undercliff. Played darts a little drunk. Walked your ground; breathed your air. Thursday, June 26, 2008. Links to this post. Labels: Best Grandparents Ever Award. Ethel May Scoble Drew.

gaslithome.blogspot.com

Too Far from Home: time is a wolf

http://gaslithome.blogspot.com/2009/02/time-is-wolf.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Monday, February 9, 2009. Time is a wolf. Time is a wolf in a cave. A few beats away. From my heart’s twelve. Where you will be blamed. Because I was not found. You swore it was the last time. And so did I. Time I said it’s forever. And you said it was. But we both knew. It was a wolf. I want to know. Will I move past your body. Or will my own half-cells. When I was a girl. You told me time was forever. And still wolves found me. Time is a wolf.

gaslithome.blogspot.com

Too Far from Home: September 2008

http://gaslithome.blogspot.com/2008_09_01_archive.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Friday, September 19, 2008. For my sons, and my grandson, not-yet-born. I wake in the morning. His voice in my body. A language I can’t follow. A crescendo, a leaky instrument. He was a boy with a voice. For an Adam’s apple and words. That hit the window like sleet. He left me remembering. The quiet thrum of rain. The day he was born. The blade that saved him. After a dive to grab his waving arms. In that water and blood. Photo by Sally Mann.

gaslithome.blogspot.com

Too Far from Home: August 2008

http://gaslithome.blogspot.com/2008_08_01_archive.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Sunday, August 17, 2008. What they see by the light of candles. I was the old woman. At the ends of driveways. Glancing back to my darkened house. Where I watched them from windows. Onto the world, unseen because you can’t see inside. When the lights are out. They wonder when there is no garbage. Nor on Monday morning when the trucks pass by. They ask if I’m alive in here. Or so I imagine. I’ll be found one day. When someone follows a nose.

helquinartifex.livejournal.com

helquinartifex - Profile

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Created on 13 March 2006 (#9765027). Last updated on 20 June 2009. Follow us on Facebook. Follow us on Twitter. 1999 LiveJournal, Inc.

gaslithome.blogspot.com

Too Far from Home

http://gaslithome.blogspot.com/2008/08/late-fragment-and-did-you-get-what-you.html

Too Far from Home. The Life and Times of a Nomadic Solipsist. Thursday, August 14, 2008. And did you get what. You wanted from this life, even so? And what did you want? To call myself beloved, to feel myself. Beloved on the earth. Thursday, August 14, 2008. Very interesting and thought provoking blog! The pictures are amazing as well! August 16, 2008 at 12:56 AM. August 17, 2008 at 12:14 AM. Subscribe to: Post Comments (Atom). Wood s lot : : "the fitful tracing of a portal". ALONE ON A BOREAL STAGE.

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3 a.m. Helquin

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