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Almanac on contemporary instruments

Almanac on contemporary instruments. Quests for musical instrument design. Variations on “drawing” for the instrument designer. Original (“drawing”) found on p. 17 of: Maclagan, D. (2013). Line Let Loose: Scribbling, Doodling and Automatic Drawing. Reaktion Books. Variations by Till Bovermann. Continue reading →. 2015, Sarah-Indriyati Hardjowirogo. It’s a musical instrument if it is used as a musical instrument. What are the actions and procedures associated with musical instruments? And, finally, how ha...

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Almanac on contemporary instruments | 3dminalmanac.wordpress.com Reviews

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Almanac on contemporary instruments. Quests for musical instrument design. Variations on “drawing” for the instrument designer. Original (“drawing”) found on p. 17 of: Maclagan, D. (2013). Line Let Loose: Scribbling, Doodling and Automatic Drawing. Reaktion Books. Variations by Till Bovermann. Continue reading →. 2015, Sarah-Indriyati Hardjowirogo. It’s a musical instrument if it is used as a musical instrument. What are the actions and procedures associated with musical instruments? And, finally, how ha...

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Almanac on contemporary instruments | 3dminalmanac.wordpress.com Reviews

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Almanac on contemporary instruments. Quests for musical instrument design. Variations on “drawing” for the instrument designer. Original (“drawing”) found on p. 17 of: Maclagan, D. (2013). Line Let Loose: Scribbling, Doodling and Automatic Drawing. Reaktion Books. Variations by Till Bovermann. Continue reading →. 2015, Sarah-Indriyati Hardjowirogo. It’s a musical instrument if it is used as a musical instrument. What are the actions and procedures associated with musical instruments? And, finally, how ha...

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Experimentalism | Almanac on contemporary instruments

https://3dminalmanac.wordpress.com/2015/02/01/experimentalism

Almanac on contemporary instruments. Quests for musical instrument design. 2014, Gina Emerson. The term ‘experimental’ appears frequently in new music discourse but is rarely clearly defined. Applied to the practice of designing contemporary musical instruments, experimentalism can be seen to manifest itself in two central ways:. 1 as an approach to the acts of composing and inventing, i.e. a kind of ‘experimental aesthetic’ or mode of thought; and. An act the outcome of which is unknown. You are comment...

2

Contemporary Instruments: Notes from a Bricoluthier | Almanac on contemporary instruments

https://3dminalmanac.wordpress.com/2015/02/23/bricoluthier

Almanac on contemporary instruments. Quests for musical instrument design. Contemporary Instruments: Notes from a Bricoluthier. 2015, Ken Butler. Given the constant output of large variety of sonic devices from contemporary technology, an important distinction in characterizing a contemporary musical instrument, in my mind, is the clarification of the overlap and characteristics of an instrument” for making music and a controller for making sounds. Ken Butler’s Hybrid Visions. Characterized by his obsess...

3

On hacking instruments | Almanac on contemporary instruments

https://3dminalmanac.wordpress.com/2015/04/04/on-hacking-instruments

Almanac on contemporary instruments. Quests for musical instrument design. 2015, Victor Zappi. The diffusion of this black box phenomenon relates to changes in technology itself: complex and fragile integrated circuits have replaced discrete logic; software in many digital instruments is hard-coded and closed, especially on commercial systems; general-purpose computers are increasingly used instead of self-contained single-purpose hardware. The ways this technology is currently used prove its remarka...

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Inspiration | Almanac on contemporary instruments

https://3dminalmanac.wordpress.com/inspiration

Almanac on contemporary instruments. Quests for musical instrument design. To get inspired, we collected some of the many subjects for the almanac on the following pages:. Quests for musical instrument design. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new posts via email.

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What if your instrument is invisible? | Almanac on contemporary instruments

https://3dminalmanac.wordpress.com/2015/02/15/what-if-your-instrument-is-invisible

Almanac on contemporary instruments. Quests for musical instrument design. What if your instrument is invisible? 2014, Dafna Naphtali. As an electronic musician, I am largely occupied with capturing and manipulation of sound in real time — the sound of instruments being played by other musicians. I am also a vocalist, and often my instrument(s) are perceived as being “invisible”. Real-time live sound processing. Dafna Naphtali in concert at Skolska, Prague , Nov. 2010. In the mid-90’s, a few instrumental...

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3rd place for PushPull at the Guthman Instrument Competition | 3DMIN

http://www.3dmin.org/3rd-place-for-pushpull-at-the-guthman-instrument-competition

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback.

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Activities | 3DMIN

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Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. Contact in musical interaction.

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Concert Series: Bjørnar Habbestad on 10.11.2014 | 3DMIN

http://www.3dmin.org/concert-series-bjornar-habbestad-on-10-11-2014

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. 10112014, doors open 6pm.

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Public Performances and Activities | 3DMIN

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Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. At ICMC/SMC in Athens.

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Project Partners | 3DMIN

http://www.3dmin.org/about/projectpartners

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. Division I and III.

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Complexity in musical performance | 3DMIN

http://www.3dmin.org/activity/3dmin-concert-series/complexity-in-musical-performance

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. 24112014 doors open 6pm. A Fes...

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3DMIN Concert Series | 3DMIN

http://www.3dmin.org/activity/3dmin-concert-series

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. Bjørnar Habbestad (NO) perform...

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TTT | 3DMIN

http://www.3dmin.org/activity/3dmin-concert-series/concert-ttt

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. 18052014, Doors open: 20h.

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Open call for the Almanac on contemporary musical instruments | 3DMIN

http://www.3dmin.org/open-call-for-the-almanac-on-contemporary-musical-instruments

Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Influx Loose Control, Gain Influence. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. Find the complete call here.

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Design, Development and Dissemination of New Musical Instruments. History and Documention of Musical Instruments. Open Development and Design. Sonic interventions in dance improvisation. Spatial Sound Control and Auralization. The Embodiment Of Sound. Complexity in musical performance. Contact in musical interaction. Performative differences in the acoustic and digital domain. A concert evening on Communication, Improvisation, Feedback. Public Performances and Activities. In the project Design, Developme...

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Almanac on contemporary instruments

Almanac on contemporary instruments. Quests for musical instrument design. Variations on “drawing” for the instrument designer. Original (“drawing”) found on p. 17 of: Maclagan, D. (2013). Line Let Loose: Scribbling, Doodling and Automatic Drawing. Reaktion Books. Variations by Till Bovermann. Continue reading →. 2015, Sarah-Indriyati Hardjowirogo. It’s a musical instrument if it is used as a musical instrument. What are the actions and procedures associated with musical instruments? And, finally, how ha...

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