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600Hz

Friday, March 19, 2010. The blog has not been written in for some time: this is not due to a lack of musical activity, rather a flurry of intense musical activity which has left me with no time to update. Today I was comparing a jazz recording I did to some old Stan Getz/Sonny Sitt recordings. The difference was in the noise and fuzz - those old recordings were not clean by any means and mine was pristine clean. If I turned the drive down the result was better - more character, compression, glue. I panne...

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600Hz | 600hz.blogspot.com Reviews
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Friday, March 19, 2010. The blog has not been written in for some time: this is not due to a lack of musical activity, rather a flurry of intense musical activity which has left me with no time to update. Today I was comparing a jazz recording I did to some old Stan Getz/Sonny Sitt recordings. The difference was in the noise and fuzz - those old recordings were not clean by any means and mine was pristine clean. If I turned the drive down the result was better - more character, compression, glue. I panne...
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600Hz | 600hz.blogspot.com Reviews

https://600hz.blogspot.com

Friday, March 19, 2010. The blog has not been written in for some time: this is not due to a lack of musical activity, rather a flurry of intense musical activity which has left me with no time to update. Today I was comparing a jazz recording I did to some old Stan Getz/Sonny Sitt recordings. The difference was in the noise and fuzz - those old recordings were not clean by any means and mine was pristine clean. If I turned the drive down the result was better - more character, compression, glue. I panne...

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1

600Hz: February 2010

http://600hz.blogspot.com/2010_02_01_archive.html

Monday, February 8, 2010. City at War Mastering. My 4-track broke - channel 2 died. So I couldn't finish transferring the old City at War recordings onto computer. But today I got to borrow my friend Alex's, and my very good luck allowed it to be the exact same model as I have, allowing the dbx system to work and I know the playback speed will be right. I mastered to an RMS of 20-22dB. It will be quiet, but commercial appeal has had nothing to do with this project. Links to this post.

2

600Hz: January 2010

http://600hz.blogspot.com/2010_01_01_archive.html

Wednesday, January 13, 2010. A chordal idea that makes me happy. What links these three songs? You only have to listen to the first 20 seconds or so of each track to see what I am talking about). MGMT - Electric Feel. John Frusciante - Unreachable. The chord changes in these songs all give me a similar feeling that makes me very happy . the essence is all three have a strong chord change on beat 4 of the bar. In Africa and Unreachable, it hits chord I on beat 4, the strongest chord of all! Most of the fo...

3

600Hz: Projects, Projects, Projects

http://600hz.blogspot.com/2009/12/projects-projects-projects.html

Monday, December 7, 2009. Projects, Projects, Projects. Live Recording of the Marsden Lee's. My good friends, Aaron, Jared, and Paul are in a quite fantastic pop/indie band. We are planning to record a studio track in the next few weeks. I recorded their live show to have a reference point, as as they say, practice makes perfect! My vantage point from the wings (which happened to be the pool table room, and I was kinda in the way):. Sarah - The Marsden Lee's. By Adam Friend Audio. Last, I present to you ...

4

600Hz: A 414 discovery

http://600hz.blogspot.com/2009/12/414-discovery.html

Tuesday, December 1, 2009. My tascam 414 has dbx noise reduction built in. Tape has a significant noise floor - hiss. The louder you record to tape, the better the signal:noise ratio. Dbx reduces the hiss by compressing the audio on the way in (pre-tape) by a 2:1 ratio to ensure the soft parts of the program are recorded at a healthy level above the noise floor. Then when the tape is played back the audio is. Alternatively, I can record to tape with the NR off and playback with NR on - I then score expan...

5

600Hz: Recording City at War

http://600hz.blogspot.com/2009/11/recording-city-at-war.html

Sunday, November 29, 2009. Recording City at War. John Frusciante's Niandra Lades and Usually Just a T-shirt. And Elliot Smith's Roman Candle. Were all recorded on such machines. In the photo you see 2 small mixers which each combined 2 mics to one output. Drum kit. One overhead (sm57), and one kick mic (a beat up phillips karaoke mic that was lying around). 2 guitar amp mics (sm58) and a DI'd acoustic on some occasions. I haven't mixed it yet, but from the first listen, it worked! Stay tuned for sound.

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600Hz

Friday, March 19, 2010. The blog has not been written in for some time: this is not due to a lack of musical activity, rather a flurry of intense musical activity which has left me with no time to update. Today I was comparing a jazz recording I did to some old Stan Getz/Sonny Sitt recordings. The difference was in the noise and fuzz - those old recordings were not clean by any means and mine was pristine clean. If I turned the drive down the result was better - more character, compression, glue. I panne...

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