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Mostly Musical Theater

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A2View | Mostly Musical Theater | a2view.com Reviews
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Mostly Musical Theater
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A2View | Mostly Musical Theater | a2view.com Reviews

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Mostly Musical Theater

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Thoroughly Gorgeous “Millie” at The Village Players (Review) | A2View

http://a2view.com/2015/05/10/thoroughly-gorgeous-millie-at-the-village-players-review

Thoroughly Gorgeous “Millie” at The Village Players (Review). May 10, 2015. Posted by ronannarbor in Community Theater. Tags: The Village Players. Kudos to director Kevin Lee Branshaw, Choreographer Valerie Mould, and Musical Director (and conductor of offstage orchestra) Dennis Penney for getting everything right with this production. So for now, Millie rules Woodward. And you should absolutely not miss it — even if it takes you an hour to get there from Ann Arbor…. Thoroughly Modern Millie continues at...

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Uncategorized | A2View

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This HMS Pinafore is smooth sailing at UMGASS. April 9, 2016. Posted by ronannarbor in Uncategorized. Guest review by Wendy Wright. Director, David Andrews keeps the pace brisk and the choreography by Beth Shippey Ballback and Phillip Rhodes is fun and doesn’t push the multigenerational cast beyond their abilities. I loved the gorgeous set by Laura Strowe and the colorful and detailed costumes by Marilyn Gouin. HMS Pinafore continues at the Lydia Mendelssohn Theater through April 10th with matinees both ...

3

Community Theater | A2View

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8220;Camelot” at Downriver Actors Guild is solid classic musical theater (review). May 14, 2016. Posted by ronannarbor in Community Theater. Michael Suchyta turns in a delicious evil-fringed performance as illegitimate son Mordred, Glen Reynolds is very funny as Pellinore, and Barbara Day has a wonderful moment as food-obsessed Morgan Le Fey (in a sequence normally cut by most productions). Just follow Lancelot’s costumes as he goes from full-knightware to more relaxed looks later in the production.

4

The Village Players | A2View

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Thoroughly Gorgeous “Millie” at The Village Players (Review). May 10, 2015. Posted by ronannarbor in Community Theater. Tags: The Village Players. Kudos to director Kevin Lee Branshaw, Choreographer Valerie Mould, and Musical Director (and conductor of offstage orchestra) Dennis Penney for getting everything right with this production. So for now, Millie rules Woodward. And you should absolutely not miss it — even if it takes you an hour to get there from Ann Arbor…. Thoroughly Modern Millie continues at...

5

Theatre | A2View

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Daniel Clair and Kyrie Bristle shine in “Leap of Faith” – Croswell Opera House, review. July 16, 2016. Posted by ronannarbor in Croswell Opera House. Leap of Faith the musical. Leap of Faith continues at Croswell Opera House through July 24th.Croswell.org or 517-264-SHOW for tickets. Stratford Festival 2016 – A sampler (Reviews). June 18, 2016. Posted by ronannarbor in A Little Night Music. As You Like It. Shakespeare in Love the play. June 3, 2016. Posted by ronannarbor in musical theater. I’ll start by...

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Victorian Opera: Sweeney Todd review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/19/victorian-opera-sweeney-todd-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: Sweeney Todd review. July 19, 2015. Sterling musicianship, high production values and a quirky, highly talented cast bring out the compelling lustre in Stephen Sondheim and Hugh Wheeler’s dark operetta. Which is put to excellent use in this handsome, expertly realised production. Masterfully thorough preparation by musical director Phoebe Briggs results in a highly polished performance of the fiendishly ...

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The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015] – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/06/24/the-australian-ballet-alexei-ratmanskys-cinderella-review-2015

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015]. June 24, 2015. A second opportunity arose to see. A visit made all the sweeter by the surprise appearance of Madeleine Eastoe in the title role. Nominated for a Helpmann Award. After such shared joy, the crushing disappointment of her loss after midnight is particularly affecting. Daniel Gaudiello, who danced The Prince in the 2013 premiere. Retains a...

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Strictly Ballroom the Musical review [Melbourne] – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/01/18/strictly-ballroom-the-musical-review-melbourne

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Strictly Ballroom the Musical review [Melbourne]. January 18, 2015. Boasting lavish designs and sensational choreography,. Strictly Ballroom the musical. Arrives in Melbourne a polished, pristine panoply of pleasures. The cherished story sees restless young dancer Scott Hasting yearn to move beyond the confines of the strictly ballroom by dancing his own steps. Scott finds a willing accomplice in wallflower Fran, att...

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Opera Australia Announces Season 2016 – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/08/12/opera-australia-announces-season-2016

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Opera Australia Announces Season 2016. August 12, 2015. Anniversary year, Opera Australia presents a range of mainstage operas and special events, while continuing to take opera to regional centres. Sydney’s year of opera begins with recent oft-seen productions. Directed by Gale Edwards,. Elijah Moshinsky’s much-praised 1920s version of. The Barber of Seville. Returns to Sydney. Francesca Zambello’s 2005 production of.

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Simon Parris – Simon Parris: Man in Chair

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Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. I have appeared in about 40 productions over the past thirty-three years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables. Bangarra Dance Theatre: OUR Land People Stories review [Melbourne]. September 3, 2016. In a hi...

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Opera – Simon Parris: Man in Chair

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Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Melbourne Opera: Tannhäuser review. August 18, 2016. Melbourne Opera makes a quantum leap in scale of production, crossing Collins St to present a majestic, immensely satisfying production of Tannhäuser at the Regent Theatre. Victorian Opera: Laughter and Tears review. August 14, 2016. Victorian Opera: The Pied Piper review. July 29, 2016. Roberto Alagna in Concert review [Melbourne 2016]. July 28, 2016. July 17, 2016.

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Simon Gleeson: Elements album review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/09/simon-gleeson-elements-album-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Simon Gleeson: Elements album review. July 9, 2015. Acclaimed singing actor Simon Gleeson shares an eclectic mix of heartfelt ballads in his debut album. Music theatre audiences who have heard Gleeson’s extraordinary voice live in the theatre will welcome the chance to listen and re-listen to him sing on this recording. Are from roles he has played on stage. Foremost is Bring Him Home, the prayer he currently sings e...

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Victorian Opera: I Puritani review – Simon Parris: Man in Chair

https://simonparrismaninchair.com/2015/07/03/victorian-opera-i-puritani-review

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: I Puritani review. July 3, 2015. A triumphant success, Victorian Opera’s one-night concert presentation of. Was a finely honed musical showcase focused on the splendour and beauty of the voice. Freed from the trappings of a fully staged production, Bellini’s gloriously melodious music more than stood up to having the spotlight shone directly on orchestra, chorus and soloists. The focal point of the conce...

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West End – Simon Parris: Man in Chair

https://simonparrismaninchair.com/category/west-end

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. In The Heights review [London 2016]. January 25, 2016. While music theatre fans across the globe wait to have the chance to see Hamilton, we still have the zesty, heartfelt pleasure of In The Heights to enjoy. New Adventures: Matthew Bourne’s Sleeping Beauty review. January 25, 2016. The Royal Ballet: Rhapsody / The Two Pigeons review. January 24, 2016. Donmar Warehouse: Les Liaisons Dangereuses review. January 23, 2016.

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Welcome to my blog about a music video production for Atomic Kittens 'its ok'. Monday, 7 April 2014. Final Cut This is the final cut of our music video to the track 'It's OK' by Atomic Kitten. Final digi pack and lyrics book. Here is a video displaying all of our ancillary texts:. Sunday, 6 April 2014. Eval 1 - Conventions. In What Ways Does Your Media Product Use, Develop or Challenge Forms and Conventions of Real Media Products? Lip syncing and looking. Into the camera lens - an example of. This means ...

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A2View | Mostly Musical Theater

Into the Woods at Croswell Opera House (review). May 10, 2015. Posted by ronannarbor in musical theater. Tags: Croswell Opera House. Hard to believe that Sondheim’s “Into the Woods” is 28 years old, right? I saw that original production in NYC 28 years ago several times while I was in grad school, and I’ve probably seen 40 productions in between. And none of them has been as picture perfect a copy of the original Broadway production as the current sublime Croswell Opera House offering. The too-long-as-it...

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Jewish Witnesses for Peace and Friends

Jewish Witnesses for Peace and Friends, Fall 2006. How the Vigils Started. Members of Jewish Witnesses and Friends for Peace take this opportunity to respond to the letter of December 15th, 2004, signed by 34 leaders of the local Jewish and Christian clergy, condemning our weekly non-violent vigils at Beth Israel Synagogue. We also respond to the Ann Arbor City Council resolution and the Ann Arbor News Editorial. Beth Israel Congregation Rabbi Robert Dobrusin, in his 2003 Yom Kippur sermon stated, insuri...

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