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Aaron Koblin

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Aaron Koblin

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Aaron Koblin

P.o.●●●● 997

Mon●●●ose , California, 91021-0997

UNITED STATES

818●●●700
sp●●●●●●@yahoo.com

View this contact

Aaron Koblin

P.o.●●●● 997

Mon●●●ose , California, 91021-0997

UNITED STATES

818●●●700
sp●●●●●●@yahoo.com

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Aaron Koblin | aaronkoblin.com Reviews
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1 Media Art
2 Design
3 Yahoo!
4 Google
5 Aaron Koblin
6 Sheep Market
7 Flight Patterns
8 UCLA
9 Digital Art
10 Information Aesthetics
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aaron koblin,work,information,sandbox
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Aaron Koblin | aaronkoblin.com Reviews

https://aaronkoblin.com

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sandbox.aaronkoblin.com sandbox.aaronkoblin.com

Aaron Koblin - Sand Box

This page contains experiments and works in progress. Please see aaronkoblin.com.

INTERNAL PAGES

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1

Aaronetrope

http://www.aaronkoblin.com/Aaronetrope

2

Flight Patterns - Aaron Koblin

http://www.aaronkoblin.com/work/faa

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3

Aaron Koblin - The Sheep Market

http://www.aaronkoblin.com/work/thesheepmarket

Is a collection of 10,000 sheep made by workers on Amazon's Mechanical Turk. Workers were paid 0.02 ($USD) to draw a sheep facing to the left. Animations of each sheep's creation may be viewed at TheSheepMarket.com. If you please- draw me a sheep . . .’. That doesn't matter. Draw me a sheep . . .’. Processing drawing tool for recording sheep animations. Laboral Centro de Arte, Gijon, Spain. Japan Media Arts Festival, Tokyo, Japan. Apex Gallery, New York, USA. ElectroFringe, New Castle, Australia.

4

Aaron Koblin - Radiohead - House Of Cards

http://www.aaronkoblin.com/work/rh/index.html

Director of Technology - House of Card's Music video, interactive data viewer, and source code. With Director James Frost. And a bunch of other great people. Were used to create a 3D data music video for the band Radiohead. The project was launched as an Open Source. Project on Google Code. An interactive online viewer (created along with Aaron Meyers. Allows for 3D investigation of the data online. Full credits and more pictures here.

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Ten Thousand Cents

http://www.tenthousandcents.com/index2.html

Back to interactive page. Ten Thousand Cents, 2008. Drawn by 10000 anonymous artists, Custom software, Variable Size. Are all $100. The work is presented as a video piece with all 10,000 parts being drawn simultaneously. The project explores the circumstances we live in, a new and uncharted combination of digital labor markets, crowdsourcing, virtual economies, and digital reproduction. Collection Period: 2007/11 - 2008/03. Total paid labor: 10000 cents. Number of countries involved: 51. Ten Thousand Cen...

mediastorm.newdesignhigh.com mediastorm.newdesignhigh.com

Mediastorm New Design: September 2013

http://mediastorm.newdesignhigh.com/2013_09_01_archive.html

Vimeo Mediastorm New Design. Friday, September 27, 2013. Tribeca Films Storyscapes Festival. Was last April. Tribeca Films, and other traditional film organizations such as the IFP and Sundance Films are moving towards supporting transmedia project. The clip above is from the Storyscapes Festival. Ingrid Kopp from Tribeca describes the projects as:. What is out of your control? Here are some other examples from PC Magazine. Visitors to “A Journal of Insomnia,” part of the. Section of the forthcoming.

sightsoundmica.org sightsoundmica.org

SSI8 » SSI1

http://www.sightsoundmica.org/ssi1

October 20 – november 2, 2006. FLADRY JONES] from SSI2. SSI8 opens november 15, 2015. Jsloan [at] mica [dot] edu. Maryland Institute College Of Art.

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Edu Pou | aderwise.com

http://www.aderwise.com/edu-pou

Stay informed on our latest news! Executive Creative Director / The Barbarian Group. Edu Pou was born under the sign of Aquarius in the small town of Parets del Vallès on a Saturday of the 20th Century. He has been in advertising for almost 20 years, but he still keeps the excitement of a newbie. Nike - Write the Future. Photo credit: adsoftheworld.com" title=" width="288" height="223" /. Volkswagen - Think Small. Wrangler - Follow the Yellow Brick Road. Burger King - Whopper Sacrifice. Halo 3 - Believe.

visiblecertainty.blogspot.com visiblecertainty.blogspot.com

visible certainty: Presenting Your Work pt 2

http://visiblecertainty.blogspot.com/2015/04/presenting-your-week.html

Arch390/790 Visible Certainty University of Wisconsin-Milwaukee SARUP Chris Cornelius, Associate Professor. Presenting Your Work pt 2. 01 "Throughout architecture's long history, representation is one of the first areas in which ideological changes manifest themselves." Should all theses be explored through representation? Would a more critical practice be formed? How can working this way advance the discipline? Why, or why not? What are some effective framing techniques? Should it be different? 07 "Two ...

visiblecertainty.blogspot.com visiblecertainty.blogspot.com

visible certainty: Avoiding Digital Pitfalls

http://visiblecertainty.blogspot.com/2015/04/avoiding-digital-pitfalls.html

Arch390/790 Visible Certainty University of Wisconsin-Milwaukee SARUP Chris Cornelius, Associate Professor. Picon- 1.Picon suggests: "Architecture is neither a collection of things nor a set of rules.Architecture might very well be grounded in virtual reality." In what ways are we as designers able to depart from standards of "structure" to create virtual works of architecture? Are these works as architecturally relevant as ones that are structurally mitigated? 5 "Architectural form used to appear as the...

visiblecertainty.blogspot.com visiblecertainty.blogspot.com

visible certainty: Week 10 Muybridge and Movement

http://visiblecertainty.blogspot.com/2015/03/week-10-muybridge-and-movement.html

Arch390/790 Visible Certainty University of Wisconsin-Milwaukee SARUP Chris Cornelius, Associate Professor. Week 10 Muybridge and Movement. Movement is often attributed to being perceived uniquely by both observer and the designer. How does architecture imply movement differently/similarly to these two groups? Ie spaces, structure, dynamics, etc). Movement can require two or more objects to interact with each other; spatially and physically. How does architecture interact with people? Regarding paintings...

visiblecertainty.blogspot.com visiblecertainty.blogspot.com

visible certainty: Presenting Your Work

http://visiblecertainty.blogspot.com/2015/04/agrest-representation-as-articulation.html

Arch390/790 Visible Certainty University of Wisconsin-Milwaukee SARUP Chris Cornelius, Associate Professor. Agrest: Representation as articulation between theory and practice. 1 Agrest says "Architecture is produced in three different registers through three different texts: drawing, writing, and building." Comparatively does one of these three registers more effectively represent Architecture than the others? And that of the observer. Tufte: The Cognitive Style of PowerPoint: Pitching Out Corrupts Within.

visiblecertainty.blogspot.com visiblecertainty.blogspot.com

visible certainty: Experimental Architecture

http://visiblecertainty.blogspot.com/2015/05/experimental-architecture.html

Arch390/790 Visible Certainty University of Wisconsin-Milwaukee SARUP Chris Cornelius, Associate Professor. 1 "Generic programs - stores, bars, apartments, office buildings, theatres - provide a rich ground for examination." cross referencing with the ideology that the regulatory constraints in architecture predict the "preset functional assumptions", what is the validity in excitement for future architecture? Will these iterations be only left at the aspect of academia or theory? My thoughts veering int...

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