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absent interfaces

Zagreb Artists' Lab - evaluation notes 10.12.2008. Just a few notes taken during our evaluation talks about the artists' lab format:. The labs should be an opportunity for new input for the participating artists;. Labs should be a hybrid format - not deciding in advance where it is on the spectre between open lab and workshop as two extremes, but deciding based on people's initial input;. Accessible working space is a must;. Time-management (and a person designated for the task), not content moderation;.

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Zagreb Artists' Lab - evaluation notes 10.12.2008. Just a few notes taken during our evaluation talks about the artists' lab format:. The labs should be an opportunity for new input for the participating artists;. Labs should be a hybrid format - not deciding in advance where it is on the spectre between open lab and workshop as two extremes, but deciding based on people's initial input;. Accessible working space is a must;. Time-management (and a person designated for the task), not content moderation;.
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absent interfaces | absentinterfaces.blogspot.com Reviews

https://absentinterfaces.blogspot.com

Zagreb Artists' Lab - evaluation notes 10.12.2008. Just a few notes taken during our evaluation talks about the artists' lab format:. The labs should be an opportunity for new input for the participating artists;. Labs should be a hybrid format - not deciding in advance where it is on the spectre between open lab and workshop as two extremes, but deciding based on people's initial input;. Accessible working space is a must;. Time-management (and a person designated for the task), not content moderation;.

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absent interfaces: Zagreb Artists' Lab 08.12.2008

http://absentinterfaces.blogspot.com/2008/12/zagreb-artists-lab-08122008.html

Zagreb Artists' Lab 08.12.2008. Morning visit to the studio of Silvio Vujicic. Afternoon discussion session at the Center for Drama Art. What makes you decide to use a tool? Especially a software tool for rehearsal work? Process of semiotization of theatrical act depend on the audience subtracting some elements present; while with use of technology makes it hard to ignore (noise of projector, for example). Generic/specific tool; custom tool. Reappropriation of available tools/gadgets.

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absent interfaces: July 2008

http://absentinterfaces.blogspot.com/2008_07_01_archive.html

Steering group meeting at Celra 11.-13. July 2008. Present: Toni Cots, Andrea Bozic, Aylin Kalem, Ivana Ivkovic, Heine Røsdal Avdal and Luea Ritter. Subscribe to: Posts (Atom). Steering group meeting at Celra 11.-13. July 2008. Absent Interfaces is supported by.

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absent interfaces: ABSENT INTERFACES Zagreb Artists' Lab, 07.-12.12.2008

http://absentinterfaces.blogspot.com/2008/12/absent-interfaces-zagreb-artists-lab-07.html

ABSENT INTERFACES Zagreb Artists' Lab, 07.-12.12.2008. Following a series of activities including labs, residencies, workshops,. Seminars and presentations in Zagreb, Vienna, Istanbul, Barcelona and. During 2005-2008, the Centre for Drama Art. Artists' lab in December 2008 with participants: Daniel Aschwanden. A), Heine Avdal. N/B), Alain Baumann. Toni Cots (S), Philipp. HR), Ibrahim Quraishi. Rosa Sanchez (S), Zeljka. HR), Daniel Turing (D), Silvio Vujicic. HR), Julia Willms. Center for Drama Art Zagreb.

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absent interfaces: Steering group meeting at Celra 11.-13. July 2008

http://absentinterfaces.blogspot.com/2008/07/steering-group-meeting-at-celra-11-13.html

Steering group meeting at Celra 11.-13. July 2008. Present: Toni Cots, Andrea Bozic, Aylin Kalem, Ivana Ivkovic, Heine Røsdal Avdal and Luea Ritter. Http:/ hav8.blog124.fc2.com. July 15, 2008 at 12:08 PM. Subscribe to: Post Comments (Atom). Steering group meeting at Celra 11.-13. July 2008. Absent Interfaces is supported by.

5

absent interfaces: Zagreb Artists' Lab - evaluation notes 10.12.2008

http://absentinterfaces.blogspot.com/2008/12/zagreb-artists-lab-evaluation-notes.html

Zagreb Artists' Lab - evaluation notes 10.12.2008. Just a few notes taken during our evaluation talks about the artists' lab format:. The labs should be an opportunity for new input for the participating artists;. Labs should be a hybrid format - not deciding in advance where it is on the spectre between open lab and workshop as two extremes, but deciding based on people's initial input;. Accessible working space is a must;. Time-management (and a person designated for the task), not content moderation;.

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aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: February 2008

http://aylinkalem.blogspot.com/2008_02_01_archive.html

Thursday, February 28, 2008. Isadora Yazılımıyla Dans Çalışmaları Atölyesi - Armando Menicacci. Paris 8 Üniversitesi Médiadanse Laboratuvarı’nın ve d-flesh adlı grubun direktörlüğünü yapan Armando Menicacci, santralistanbul’da düzenlenen bu atölye için özel olarak geliyor. Atölyelere katılım ve daha fazla bilgi için:. Friday, February 15, 2008. Bodig and ART ON STAGE. 20 Mart – 20 Nisan 2008. Sergi – performanslar – atölye – buluşma. Ura, studio live, garantiplatform. Açılışını Türkiye'nin en yenilikçi b...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: September 2008

http://aylinkalem.blogspot.com/2008_09_01_archive.html

Monday, September 8, 2008. A series of events on "bodies and technologies" 15-25 September Istanbul. A series of events on “Bodies and Technologies”. 8220;Bedenler ve Teknolojiler” üzerine bir dizi etkinlik. Within the frame of Absent Interfaces Lab Project. Absent Interfaces Lab Projesi kapsamında. Partners: boDig (Istanbul), cdu (Zagreb), l’animal a l’esquena (Girona-Celrà). Ortaklar: boDig (Istanbul), cdu (Zagreb), l’animal a l’esquena (Girona-Celrà). Http:/ www.bodig.org/. Subscribe to: Posts (Atom).

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: March 2008

http://aylinkalem.blogspot.com/2008_03_01_archive.html

Thursday, March 27, 2008. An interview on harS with the choreographer Aydın Teker and the dancer/musician Ayşe Orhon - 23.03.2008. Photo credit: Ebru Anıt Ahunbay. An unusual relation with a harp…. In your previous work aKabı, the choreographic writing was based on the relation of the body with shoes of unusual heights. Here, you expose a body in its relation to the harp as a huge instrument. What is the drive behind establishing particular relations with objects in your choreographic creation? Yes, that...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: An Interview with Akram Khan - Radikal - 29.04.2010

http://aylinkalem.blogspot.com/2010/05/interview-with-akram-khan-radikal-29.html

Monday, May 17, 2010. An Interview with Akram Khan - Radikal - 29.04.2010. Akram Khan: “Yolculuğa çıkabilmeniz için yuvanızın neresi olduğunu bilmeniz gerekir.”. Geleneksel bir dans formu olan Katak’ın çağdaş dans üretiminizde nasıl bir yeri var? Çağdaş dans ve Katak arasında bir paralellik var mı? Dansınızda el jestlerini bolca kullanıyorsunuz. Çağdaş dansta bununla pek karşılaşmıyoruz. Bu size göre dansınızda tamamlayıcı bir öğe mi? Tüm Hint dansı formlarında kodlanmış el jestlerini kullanıyoruz.Ça...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: April 2009

http://aylinkalem.blogspot.com/2009_04_01_archive.html

Saturday, April 25, 2009. BoDig (Istanbul)@Pixelist: Electronic Arts and Subcultures Festival. BoDig is participating to Pixelist Festival with a workshop and performance extract. Workshop: Interactive Play with Movement. An interactive dance performance: The Knot Theory (an extract). Knot: Is it a problem that needs to be solved? Or a connector that binds the torn? Can it be both? 8220;The Knot Theory” is a search with body language that goes deep in a well of possibilities. Surgery: Ercan Cihandide, M&...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: Fransa’nın “dans ve yeni teknolojiler” alanındaki öncü topluluğu Cie Mulleras Talimhane Tiyatrosu’nda.

http://aylinkalem.blogspot.com/2009/06/fransann-dans-ve-yeni-teknolojiler.html

Saturday, June 6, 2009. Fransa’nın “dans ve yeni teknolojiler” alanındaki öncü topluluğu Cie Mulleras Talimhane Tiyatrosu’nda. BoDig (beden odaklı ifadeler girişimi derneği), Fransız Kültür Merkezi desteği ve Kurye Organizasyon işbirliğiyle Cie Mulleras’ın “Traces-96 Détails” adlı dans ve multimedya gösterisini sunuyor. Topluluk ile ilgili yurtdışı basından kesitler:“Mulleras yenilikçi, ve bilgisayar teknolojisini ilginç şekillerde kullanan az sayıdaki topluluklardan.”The London Times. 8220;Mulleras, Avr...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: boDig (Istanbul)@Pixelist: Electronic Arts & Subcultures Festival

http://aylinkalem.blogspot.com/2009/04/bodig-istanbulpixelist-electronic-arts.html

Saturday, April 25, 2009. BoDig (Istanbul)@Pixelist: Electronic Arts and Subcultures Festival. BoDig is participating to Pixelist Festival with a workshop and performance extract. Workshop: Interactive Play with Movement. An interactive dance performance: The Knot Theory (an extract). Knot: Is it a problem that needs to be solved? Or a connector that binds the torn? Can it be both? 8220;The Knot Theory” is a search with body language that goes deep in a well of possibilities. Surgery: Ercan Cihandide, M&...

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: August 2008

http://aylinkalem.blogspot.com/2008_08_01_archive.html

Sunday, August 10, 2008. BoDig 08 – “ara-yüz(süz)”. Istanbul, 15-25 September 2008. Multidisciplinary artistic creation platform boDig is organizing a series of events called “boDig 08” on “bodies and technologies” within the frame of the International Project “Absent Interfaces Lab”. The partners include L'animal a l'esquena (Celrà/Girona) http:/ www.lanimal.org/. And Centre for Drama Art (Zagreb) http:/ www.cdu.hr/. Dr Bernhard Serexhe (Head Curator, ZKM- Media Museum). Defne Ayas (Curator, PERFORMA).

aylinkalem.blogspot.com aylinkalem.blogspot.com

Aylin Kalem: May 2009

http://aylinkalem.blogspot.com/2009_05_01_archive.html

Friday, May 1, 2009. BoDig@Tunis (8ème Rencontres Chorégraphiques de Carthage). Les Rencontres Chorégraphiques de Carthage. Danse et Nouvelles Technologies. THE KNOT THEORY / Düğüm Teorisi. Konsept ve koreografi: Beliz Demircioğlu Cihandide (Güneş Çağlar ile). Ses ve etkileşim tasarımı: Selçuk Artut. Görsel ve etkileşim tasarımı kontrolü: Ahmet Güzererler. Operasyon: Ercan Cihandide ve ekibi. 3 Mayıs19:00Ibn Rachiq / Tunus. Festival programı için: http:/ www.nesselfen.org/rcc09/mod.php? Holder of BA degr...

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Zagreb Artists' Lab - evaluation notes 10.12.2008. Just a few notes taken during our evaluation talks about the artists' lab format:. The labs should be an opportunity for new input for the participating artists;. Labs should be a hybrid format - not deciding in advance where it is on the spectre between open lab and workshop as two extremes, but deciding based on people's initial input;. Accessible working space is a must;. Time-management (and a person designated for the task), not content moderation;.

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