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MUS170: Musical Acoustics (Fall 2014)

MUS170: Musical Acoustics (Fall 2014). Tuesday, December 2, 2014. Please read chapter 7. A sinusoidal plane wave at 40 Hz. has an SPL of 80 decibels. How far does the air move? Ie, what is its RMS displacement? What is the change in SPL (in dB) if the wave maintains this RMS displacement, but the frequency changes to 80 Hz? How many dB less does a cardioid microphone pick up from an incoming sound 90 degrees (pi/2 radians) off-axis, compared to a signal coming in frontally (at the angle of highest gain)?

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MUS170: Musical Acoustics (Fall 2014) | acousticsucsd.blogspot.com Reviews

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MUS170: Musical Acoustics (Fall 2014). Tuesday, December 2, 2014. Please read chapter 7. A sinusoidal plane wave at 40 Hz. has an SPL of 80 decibels. How far does the air move? Ie, what is its RMS displacement? What is the change in SPL (in dB) if the wave maintains this RMS displacement, but the frequency changes to 80 Hz? How many dB less does a cardioid microphone pick up from an incoming sound 90 degrees (pi/2 radians) off-axis, compared to a signal coming in frontally (at the angle of highest gain)?

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MUS170: Musical Acoustics (Fall 2014) | acousticsucsd.blogspot.com Reviews

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MUS170: Musical Acoustics (Fall 2014). Tuesday, December 2, 2014. Please read chapter 7. A sinusoidal plane wave at 40 Hz. has an SPL of 80 decibels. How far does the air move? Ie, what is its RMS displacement? What is the change in SPL (in dB) if the wave maintains this RMS displacement, but the frequency changes to 80 Hz? How many dB less does a cardioid microphone pick up from an incoming sound 90 degrees (pi/2 radians) off-axis, compared to a signal coming in frontally (at the angle of highest gain)?

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MUS170: Musical Acoustics (Fall 2014): October 2014

http://acousticsucsd.blogspot.com/2014_10_01_archive.html

MUS170: Musical Acoustics (Fall 2014). Thursday, October 30, 2014. Just Intonation App / Compilation! Thought you might be interested in a simple program I wrote (back in '09.) for calculating Just Intonation scales based on overtones. The link is here: http:/ www.joemariglio.com/winter09 10/scale calc browser/. In case you want the non-browser version: OSX. Increase number of vertical bars (tones equal temperament). Reset number of vertical bars to 2. C" - clear scale buffer. Tuesday, October 28, 2014.

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MUS170: Musical Acoustics (Fall 2014): September 2014

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MUS170: Musical Acoustics (Fall 2014). Wednesday, September 24, 2014. Welcome to MUS170 / ICAM103: Musical Acoustics. Here's a little information regarding the way grades will be calculated:. Will be taken each class. In my experience, there is no better marker for class engagement than attendance. If you know you will miss a class ahead of time, send Tina, Kevin, or me an email in advance and we will spare you, if you deserve it. Almost every week there will be a. These will generally be assigned on.

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MUS170: Musical Acoustics (Fall 2014): DIY Resources

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MUS170: Musical Acoustics (Fall 2014). Sunday, November 9, 2014. Here are some resources, both online and local, that might be helpful as you plan your projects. There are plenty of avenues to explore here, so we caution you to be realistic in evaluating what you’ll have the time and ability to pull off. Happy adventuring! Learn to solder in 1980:. Subscribe to: Post Comments (Atom). Acoustics Animations by Dan Russell. Exercise 6: Final Project Proposals. Yaybahar by Görkem Şen.

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MUS170: Musical Acoustics (Fall 2014): Exercise 5

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MUS170: Musical Acoustics (Fall 2014). Monday, November 3, 2014. A stretched violin string has 50 N tension and 1x10 (-2) kg / m linear density. What is the propagation speed of a transverse wave traveling on this string? Violin strings are typically 60 cm long. What is the frequency in hertz of the first mode on the string? How about the third? Another string on the violin has the same length and tension, but its linear density is instead (4.44x10 (-3) kg / m). November 3, 2014 at 5:05 PM.

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MUS170: Musical Acoustics (Fall 2014): Acoustics Animations by Dan Russell

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MUS170: Musical Acoustics (Fall 2014). Monday, November 17, 2014. Acoustics Animations by Dan Russell. Here are some wonderfully demonstrative animated gifs by Dan Russell, acoustics professor at Penn State:. Http:/ www.acs.psu.edu/drussell/demos.html. I find these to be helpful when I'm trying to picture simple wave interactions. Hours of wavy entertainment! For example, here's what breaking the sound barrier looks like:. Subscribe to: Post Comments (Atom). Acoustics Animations by Dan Russell.

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Things made by Joe Mariglio. A Few New Synth Projects. Here are photos of a few new synth projects I'm working on at my "micro-cottage" in Escondido. Continue reading →. May 17, 2016. May 22, 2016. Through a chance interaction, I rediscovered an album I made when I was 15 years old. Struck by how relevant it still is to my aesthetics, I decided to release a remastered and restored version on Risky Forager Records. Continue reading →. January 5, 2016. May 17, 2016. Continue reading →. July 4, 2015. In thi...

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acousticsucsd.blogspot.com

MUS170: Musical Acoustics (Fall 2014)

MUS170: Musical Acoustics (Fall 2014). Tuesday, December 2, 2014. Please read chapter 7. A sinusoidal plane wave at 40 Hz. has an SPL of 80 decibels. How far does the air move? Ie, what is its RMS displacement? What is the change in SPL (in dB) if the wave maintains this RMS displacement, but the frequency changes to 80 Hz? How many dB less does a cardioid microphone pick up from an incoming sound 90 degrees (pi/2 radians) off-axis, compared to a signal coming in frontally (at the angle of highest gain)?

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Acoustic Summer was formed on November 1, 2010 in Redding, CA. With a passion for music, Gil Murray and Sandy Babcock formed a partnership for music and fun. November 2011 bass player Michael Wopat became a member of the band followed by Karen Coffey, vocalist, harmonia and guitar player in May 2013. Together they work to bring joy, happiness and fun through music! We can be contacted at 530-604-5502 or email us at: info@acousticsummer.com. Acoustic folk rock, Indie, R&B, covers, originals (Wow!

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