joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/soundslikethefuture.html
Sounds like the future. Sounds like the future. Sounds like the future. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/timetravel.html
Sounds like the future. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/bio.html
Joshua Penrose, a native of Columbus, Ohio, began studying piano at the age of 5. He has also studied percussion performance, music composition, and electronic music. After serving as a Russian linguist in the United States Navy, he has continued making interactive sonic art and sound-based installations. He currently teaches digital art, and approaches to new media as a lecturer at The Ohio State University. Contact: joshua.penrose@gmail.com. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/streetcrossings.html
Sounds like the future. Is a sound installation a duet. The work performs alongside an existing gesture of municipal aesthetics in the urban soundscape of downtown Nashville. Electronic bleeps and blips punctuate the urban traffic drone when it is time to cross the street. This work fills and extends that moment with a superimposed sonic layer. A multi-channel soundtrack activates the power dynamic of this auditory relationship, and momentarily surprises and delights.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/writing.html
Putting the Pieces Together: Investigating Concatenative Sound Synthesis. Graduate Composition Recital Paper. Critical discussion of the four major works presented on November 18th, 2007. Who's Picking Up the Bill? Contemporary Cultural Policy and its Ramifications for American Concert Music. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/afferentdata.html
Engages the camera as a means of mediating imperceptible and automatic movement of the human body into a generative instrument for executing a real-time sound environment. Even in intended stillness, the lens of the camera captures another reality: the subtle movements the body makes to remain upright; the expansion and contraction in breathing. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/links.html
Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/teaching.html
Columbus College of Art and Design. Media Studies 3134: Interactive Design I. The Ohio State University. Art 551: New Media. Approaches to new media, digital control of objects, video, and sound in installation events, performances, and exhibitions. Art 350: Introduction to Digital Image Manipulation. Introduction to creating and manipulating graphic images using Photoshop; includes input/output of digital work as it applies to artists. Art 452: 3D Computer Sculpture.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/hotline.html
Sounds like the future. Site: in conversation with adam bachman.
joshuapenrose.com
joshuapenrose
http://www.joshuapenrose.com/earlierworks.html
Created for the Radiohead Nude. Remix event. This rendering was created through an original software instrument, utilizing Diemo Schwarts' CataRT. Concatenative synthesis system. Uploaded 18 April 2008. audio. Percussion Trio, performed by William W. Georg, Thomas Nixon, and Shawn Rardon. audio. Laptop trio, performed by Adam Bachman, Joshua Penrose, and Kyle Vinton. audio. 8-channel interactive sound installation. video. 8-channel digital audio. audio. Site: in conversation with adam bachman.
SOCIAL ENGAGEMENT