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| By @burbagea | adamburbage.wordpress.com Reviews
https://adamburbage.wordpress.com
By @burbagea
adamburbage.wordpress.com
March | 2013 |
https://adamburbage.wordpress.com/2013/03
I’m a City Boy at Heart. Thursday March 28, 2013. For Gurdeep Mattu (and after John James). A little ancilliary light is admitted, and reminds you that memories are physical before they are anything the city is a heart shaded, and diffuse jittery with sangfroid, a blip of hindrance anticipated in the monochrome sunset chequered now with the sugar lights of taxi cabs evening: sweet loss billows across the fleshy spaces the human moment refined out of existence and not soon enough. 4 March, 2013.
Salt |
https://adamburbage.wordpress.com/2013/12/01/salt
Sunday December 1, 2013. Moving in clarified grace along. The starbright concourse, only. Renaming predicaments, and the. Moods they broach, poached in. The night’s enclosure, don’t you. See – I’m in Baltimore! The sidewalk, pyramids seem. To claw the gale, an imperial. Sunrise blackened on the. Wind, and words wheel like the. Heart, startled over the. Land, and the rain-shadows. That link the city’s coral. Lights. In a bar by a park. Beyond the frosted awning. A giant air-vent smotes the. A Diary, 2013.
| By @burbagea | Page 2
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24 October, 2013. Monday October 28, 2013. In the grip of red memory. Mannequins stand in for construction. Dam the drawling city’s pale signature. In the crabby sun its. The tall limbless casing. A smile rides like a tide. The blanched mirror blooms. Inside its own light. In the street where we are placed. We miss each other. To dreams of simple malice. The scholar tuned like a radio. The corkscrew frequencies of the gut. Transmitted in the restaurant’s. In your stray climbing. Under the tireless quarry.
January | 2014 |
https://adamburbage.wordpress.com/2014/01
16 December, 2013. Monday January 6, 2014. The lone and pristine van exits. Your imagination the way it came in. Banishing an ancient quietness. It is a test of your severity. The way the lights climb out. An unbreakable symbol of your reticence. I get into trouble at both ends. Of my life, caught, an object. In search of a subject. Or unable to recognise). The conditions to exacerbate. Tired of secret histories. There are only secrets and histories. Long miles that harbour no resentment.
December | 2013 |
https://adamburbage.wordpress.com/2013/12
Boxing Day, #Dialogues. Thursday December 26, 2013. Ravaged by cold,. When the phone rings. Your voice is abbreviated. In the way oceans contain. All noise, no signal. The wet, fierce pretence. Of covering the earth. Sunday December 1, 2013. Moving in clarified grace along. The starbright concourse, only. Renaming predicaments, and the. Moods they broach, poached in. The night’s enclosure, don’t you. See – I’m in Baltimore! The sidewalk, pyramids seem. To claw the gale, an imperial. Follow “”. Get every ...
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19
Within These Latter Days: The Chapel of the Opened Book
http://withinthese.blogspot.com/p/the-chapel-of-opened-book.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). The Chapel of the Opened Book. Full inspiration of the Scriptures. Right division of the Scriptures. Deity of the Lord Jesus Christ. All sufficiency of His one sacrifice. About this poem sequence.
Within These Latter Days: 96. A Recipe for a Smoked Haddock Risotto
http://withinthese.blogspot.com/2014/04/96-recipe-for-smoked-haddock-risotto.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Friday, 11 April 2014. 96 A Recipe for a Smoked Haddock Risotto. At this point it is time. To stop and eat again –. We must hold together. The next valley is the one after supper. Next open the w...
Within These Latter Days: 100+3. Feelings & Words Now, Spilt Milk
http://withinthese.blogspot.com/2014/04/1003-feelings-words-now-spilt-milk.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Friday, 18 April 2014. 100 3 Feelings and Words Now, Spilt Milk. Labels: phrases from previous arranged across page with infill. Subscribe to: Post Comments (Atom). About this poem sequence.
Within These Latter Days: postscript
http://withinthese.blogspot.com/2014/04/postscript.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Wednesday, 30 April 2014. OK, yes, it's ended. Just below in fact. As I keep saying, please give me your responses to this sequence, or I shall fear the worst . . . About this poem sequence.
Within These Latter Days: 100. Noi, i puerili, gli infalsifabili
http://withinthese.blogspot.com/2014/04/100-noi-i-puerili-gli-infalsifabili.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Tuesday, 15 April 2014. 100 Noi, i puerili, gli infalsifabili. Hundredth – how. Nothing – no. Labels: 2 words per line 10 paras and ambient soundtrack. Subscribe to: Post Comments (Atom). 87 Circ...
Within These Latter Days: 100+4. Just Thinking, Everything Stripped out in Failure Is Painful, We See
http://withinthese.blogspot.com/2014/04/1004-just-thinking-everything-stripped.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Saturday, 19 April 2014. 100 4 Just Thinking, Everything Stripped out in Failure Is Painful, We See. Sometimes repetition, not damaged. Yeah, writhing here – oh let it be hopeful. 100 4 Just Thin...
Within These Latter Days: 100+7. How Many Words?
http://withinthese.blogspot.com/2014/04/1007-how-many-words.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Tuesday, 22 April 2014. 100 7 How Many Words? Don’t have to. Labels: 2 words per line 10 paras and ambient soundtrack. Subscribe to: Post Comments (Atom). About this poem sequence. 87 Circumstanc...
Within These Latter Days: 100+1. Every Day, the Last Day, Whilst Gently Bouncing Here
http://withinthese.blogspot.com/2014/04/1001-every-day-last-day-whilst-gently.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Wednesday, 16 April 2014. 100 1 Every Day, the Last Day, Whilst Gently Bouncing Here. 8220;OK, so here we are. No escape from this feast. Nor its feet. This is,. 8220;Look, listen, whatever ̵...
Within These Latter Days: 100+5. To Experiment w/ an Ever More Limited Lexis; or, To Experiment Even More
http://withinthese.blogspot.com/2014/04/1005-to-experiment-w-ever-more-limited.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Sunday, 20 April 2014. 100 5 To Experiment w/ an Ever More Limited Lexis; or, To Experiment Even More. 8220;Why doesn’t the outsideness press in more here? Except really there’s no need now.
Within These Latter Days: 99. A Falsified Description
http://withinthese.blogspot.com/2014/04/99-falsified-description.html
Within These Latter Days. A poem committed against purity, precision, perfection) (a sequence of 100 poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott). Monday, 14 April 2014. 99 A Falsified Description. Beautiful, still and strange. True as cancer and very fragmented. Nobody has read the wonder of this city through. About this poem sequence.
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ADAM BUNSCH (1896 - 1969) - Strona główna - Artysta malarz, dramaturg i pedagog
ADAM BUNSCH (1896 - 1969). Strona główna - Artysta malarz, dramaturg i pedagog. Życiorys artystyczny - Adam Bunsch. Galeria - obrazy, witraże, pastele, drzeworyty i rysunki. Wystawy i inne wydarzenia. Artykuły i notatki o Artyście i Jego pracach. Kontakt z prowadzącym stronę. Dramat - Przyszedł na Ziemię Święty. Strona główna - Artysta malarz, dramaturg i pedagog. Sztuka bez odbiorcy nie istnieje. Autoportret z Żoną (1923/24). Prace Adama Bunscha można oglądnąć w. Ale również spotykać w muzeach.
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09052015, Warszawa, Plażowa, Jazzpospolita [ - Jazzpospolita w Plażowej ]. 169; ADAM BURAKOWSKI ]. Fotografie chronione prawem autorskim. Kopiowanie, powielanie, rozpowszechnianie bez zgody autora zabronione. Złamanie zakazu będzie naruszeniem praw majątkowych autora oraz osób trzecich i skutkować będzie roszczeniami finansowymi.
Adam Burakowski FOTOGRAFIA
Fotografie chronione prawem autorskim. Kopiowanie, powielanie, rozpowszechnianie bez zgody autora zabronione.
| By @burbagea
Monday March 31, 2014. I do not think we can hope for any better things now. We shall stick it out to the end, but we are getting weaker, of course, and the end cannot be far. It seems a pity, but I do not think I can write more. *. Thursday 4 January, 1872. Saturday 6 January, 1872. Sunday 7 January, 1872. Tuesday 9 January, 1872. During his final, fatal expedition to the South Pole in 1912, Scott kept a diary. These are the last words recorded there before he perished, along with the rest of the gr...
ADAM BURCH ACTING WEBSITE
Now Casting - Adam Burch Resume
Adam Burd
David Ramirez - Fables. David Ramirez is a singer/songwriter from Austin, TX. We tracked in Avast! Studio A and did overdubs in Studio B. Full album release on 8.28.15. Zubatto Syndicate 2 by Zubatto Syndicate Zubatto Syndicate is back! We recorded in Avast! Studio A and mixed at Whiney Cat Audio. Lost Wisdom - No End is a Dead End. No End is a Dead End [EP] by Lost Wisdom Lost Wisdom is the recording project of Taylor Delph. Mastered at Whiney Cat Audio. ORPHANS. - Unlikely Descents. Tom Eddy - Poems.
adam burde
Hosted on raspberry pi nginx somewhere in san francisco. C) 2015 adam burde.
Adam Burdeshaw's Stories | Space/Time Odyssey
Adam Burdeshaw's Stories. If Dogberry Had a Blog. September 18, 2014. September 18, 2014. Dogberry in much ado. Much ado about nothing. William shakespeare and dogberry. From How to Practice ‘Vigitance’ without Offending Anyone. Sleep freely and without conviction:. How to deal with vagrants, thieves, and the like:. To stop a thief one must verify his thievery, and this can only be accomplished by letting him steal; if you stop him in the act, he ceases to be a thief. You then would commit a grave of...
