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I Fear the Worst on a Day Like Tomorrow

I Fear the Worst on a Day Like Tomorrow. Monday, January 5, 2009. It's been, give or take a week or two, one year since I started this blog. I guess it's a time for reflection, but for the life of me I can't find a steady trajectory over the last twelve months. It's just been whirling and wandering and losing all conceivable sense of direction in a forest of mishap. There was an EP. There was a job. There was another year of Uni. There was an apartment. There were other things. Saturday, October 25, 2008.

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I Fear the Worst on a Day Like Tomorrow | adayliketomorrow.blogspot.com Reviews
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I Fear the Worst on a Day Like Tomorrow. Monday, January 5, 2009. It's been, give or take a week or two, one year since I started this blog. I guess it's a time for reflection, but for the life of me I can't find a steady trajectory over the last twelve months. It's just been whirling and wandering and losing all conceivable sense of direction in a forest of mishap. There was an EP. There was a job. There was another year of Uni. There was an apartment. There were other things. Saturday, October 25, 2008.
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1 one year gone
2 posted by
3 bailey
4 no comments
5 labels feelings
6 music
7 parties
8 stanza
9 we were incensed
10 by martyrs against
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one year gone,posted by,bailey,no comments,labels feelings,music,parties,stanza,we were incensed,by martyrs against,v=4bmbquvknyo,taxi driuer,film,2 comments,labels music,a rainy city,hats and coats,an unhappy ending,older posts,explain yourself,october
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I Fear the Worst on a Day Like Tomorrow | adayliketomorrow.blogspot.com Reviews

https://adayliketomorrow.blogspot.com

I Fear the Worst on a Day Like Tomorrow. Monday, January 5, 2009. It's been, give or take a week or two, one year since I started this blog. I guess it's a time for reflection, but for the life of me I can't find a steady trajectory over the last twelve months. It's just been whirling and wandering and losing all conceivable sense of direction in a forest of mishap. There was an EP. There was a job. There was another year of Uni. There was an apartment. There were other things. Saturday, October 25, 2008.

INTERNAL PAGES

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I Fear the Worst on a Day Like Tomorrow: February 2008

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I Fear the Worst on a Day Like Tomorrow. Sunday, February 17, 2008. It's Never Over": More on the magic of Jeff Buckley. It takes a special kind of person, I think, to write a song of such paradox with such confidence, but I say what is emotional pain but confident paradox? Would someone, some day have walked through his door and make it feel, to his hurt and yearning, that his lover had returned? Was the surety that it's never over virtue or vice? Monday, February 11, 2008. Subscribe to: Posts (Atom).

2

I Fear the Worst on a Day Like Tomorrow: June 2008

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I Fear the Worst on a Day Like Tomorrow. Sunday, June 29, 2008. El Orfanato. y por qué Películas Espantan. It isn't very often that a film experience is enhanced by a vocal and expressive cinema audience. I've only been privy to about three instances of that happening. The first two were due to the communal sense of fandom and wonder that came with seeing Harry Potter. Perhaps the physical presence of other filmgoers, the dark cinema and the atmosphere of engrossment thereby produced made the movie seem ...

3

I Fear the Worst on a Day Like Tomorrow: Robin Wood on "Taxi Driver"

http://adayliketomorrow.blogspot.com/2008/09/robin-wood-on-taxi-driver.html

I Fear the Worst on a Day Like Tomorrow. Wednesday, September 17, 2008. Robin Wood on "Taxi Driver". While rushing to finish a belated essay on famed film critic Robin Wood, I came across what I considered to be a rather interesting factoid. Wood contends that Martin Scorcese's Taxi Driver. Now, I must thank Mr. Wood for discovering and illustrating for me probably the main reason I think Taxi Driver. Is absolutely an incoherent film; such an amazing, stylish and masterfully created incoherent film that ...

4

I Fear the Worst on a Day Like Tomorrow: August 2008

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I Fear the Worst on a Day Like Tomorrow. Sunday, August 10, 2008. And the movies, like the world, turned black. It takes a lot to laugh, it takes even more to explain exactly what the beast that is film noir. Is The historical story, as I see it: film noir. Because they were the most convenient and appropriate examples of the "social fantastic" (Tom Conley), the things you have to look out for are:. A Dame With Big Eyes Who's Not What She Seems. One Or More Guns. Edward G. Robinson. Melbourne is home&#46...

5

I Fear the Worst on a Day Like Tomorrow: July 2008

http://adayliketomorrow.blogspot.com/2008_07_01_archive.html

I Fear the Worst on a Day Like Tomorrow. Saturday, July 19, 2008. The Thing About BATMAN. What for me vampires are to the world of ghouls, Batman. Is to the world of comics. They are both the key to unlocking the value of their respective mythological forms, because they exist so distinctly on a foundation of human struggles. They are, in their most fundamental form, elaborate symbolic stage plays for the innately pompous but nonetheless fascinating concepts of good, evil, belief and redemption. The thin...

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Hard-Boiled Detective Fiction and Film Noir: The cultural depiction of the death of the American Dream | Wonderbread

https://pleasantfluff.wordpress.com/2009/07/01/hard-boiled-detective-fiction-and-film-noir-the-cultural-depiction-of-the-death-of-the-american-dream

A collection of media review, criticism and analysis. Hard-Boiled Detective Fiction and Film Noir: The cultural depiction of the death of the American Dream. When Dashiell Hammet’s novel,. Was first published in 1929 it was heralded as a revolution of the detective fiction genre. The. Claimed it to be the best detective novel [they had] ever read and. Noted that it transcended the tawdry gum-shoeing of the ten-cent magazine (qtd. in Marling, Dashiell. 87) The exclusive and aristocratic. However, propelle...

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Notes on Exploitation Cinema | Wonderbread

https://pleasantfluff.wordpress.com/2010/07/16/notes-on-exploitation-cinema

A collection of media review, criticism and analysis. Notes on Exploitation Cinema. Industrial ideology behind the so-called ‘exploitation’ film. How to Undress in Front of Your Husband. 1937) and perhaps most incredibly,. The Strange Love Life of Adolf Hitler. What changed between Esper’s hey-day and the late nineteen fifties/early sixties that produced such a definitive delineation between pre- and post-Decision exploitation cinema? THE EXPLOITATION FILM AS HISTORY: Wild in the Streets, In the 1950s te...

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The Last Great American Films? Easy Rider, Two-Lane Blacktop, The Exorcist. | Wonderbread

https://pleasantfluff.wordpress.com/2010/07/14/the-last-great-american-films-easy-rider-two-lane-blacktop-the-exorcist

A collection of media review, criticism and analysis. The Last Great American Films? Easy Rider, Two-Lane Blacktop, The Exorcist. Denying that the period retrospectively known as the New Hollywood (often bookmarked for the sake of conceptual bookkeeping with the release of Arthur Penn’s. Michael Shedlin, in his overview ( Police Oscar ) of William Friedkin’s. 1971) and subsequent interview with Friedkin, post-. Notes that, in a statement bordering on the bleeding obvious, “the great majority of com...

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Wonderbread: The Next Generation | Wonderbread

https://pleasantfluff.wordpress.com/2009/07/14/wonderbread-the-next-generation

A collection of media review, criticism and analysis. Wonderbread: The Next Generation. Wonderbread, for the first time in full surround sound and Smell-O-Vision. A free-standing domain name and hosting autonomous of WordPress.com (incredibly generous though their pre-installed WordPress service happens to be), from which we’ll be doing our publishing and posting from now on. Catch us on the flipside: http:/ www.pleasantfluff.com. By Martin Kingsley on July 14, 2009. Leave a Reply Cancel reply.

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Drama, Narrative and Restricted Fields of Action | Wonderbread

https://pleasantfluff.wordpress.com/2009/07/12/drama-narrative-and-restricted-fields-of-action

A collection of media review, criticism and analysis. Drama, Narrative and Restricted Fields of Action. Critical couple David Bordwell. In their jointly authored textbook. Set entirely in a circus ring), Reginald Rose’s. Adapted into a single-set Academy Award-nominated ensemble film. Directed by Sidney Lumet. Adapted into the single-set film. Famously directed by Alfred Hitchcock. To simply name a few. Establishing a restricted field to mean the restriction of the narrative to the fewest possible se...

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The Herd: Summerland | Wonderbread

https://pleasantfluff.wordpress.com/2009/07/09/the-herd-summerland

A collection of media review, criticism and analysis. I promised you good people and The Herd that I would review their stunning album. That was about ten months ago. I’m sorry. I got distracted with uni and other writing projects and, after a while, I felt the moment had passed and it was too late. This morning, however, I was like ‘No, Dammit! That album is still awesome and the people must be told! 8217; So here it is. The Herd’s. Better late than never. Encapsulates everything that is great about.

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Astronomy Class: Exit Strategy | Wonderbread

https://pleasantfluff.wordpress.com/2008/09/15/astronomy-class-exit-strategy

A collection of media review, criticism and analysis. Astronomy Class: Exit Strategy. My sincerest apologies to. For my comments about them below. I have just listened to thier latest album. And retract what I said about them never quite reaching thier potential. Rest assured, a review of. Will be up soon, expounding its awesomeness! I have noticed, since my review of. Albums of the last couple of years. Settle in and get ready for some smooth, sunny, reggae and dub influenced hip-hop. Welcome to. But I&...

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The Eternal Return of the Dark Past | Wonderbread

https://pleasantfluff.wordpress.com/2008/10/23/the-eternal-return-of-the-dark-past

A collection of media review, criticism and analysis. The Eternal Return of the Dark Past. Neo-noir, its pitfalls and its triumphs in Rian Johnsons Brick. American cinema has been going to darker and darker places with the high school institution since the nineteen eighties tried to pass it off as a funland of pretty people and carefree antics. John Duigan’s. 1991) wanted to give the trope of high school romance the proper tragic angle of which Shakespeare found it so deserving. Todd Solondz’. Is hardly ...

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The Noir Protagonist With Reference to Neo-Noir and Gone Baby Gone (2007) | Wonderbread

https://pleasantfluff.wordpress.com/2009/07/11/the-noir-protagonist-with-reference-to-neo-noir-and-gone-baby-gone-2007

A collection of media review, criticism and analysis. The Noir Protagonist With Reference to Neo-Noir and Gone Baby Gone (2007). Traditionally, New York and Los Angeles have formed (and informed, with their distinctive architectural sensibilities) the environmental backbones for any number of films noir. Chicago, too, has had at least a little exposure in its time, on account of the masses of gangster lore directly associated with the Windy City. Boston, however? And directed by John Sturges. For all tha...

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I Fear the Worst on a Day Like Tomorrow

I Fear the Worst on a Day Like Tomorrow. Monday, January 5, 2009. It's been, give or take a week or two, one year since I started this blog. I guess it's a time for reflection, but for the life of me I can't find a steady trajectory over the last twelve months. It's just been whirling and wandering and losing all conceivable sense of direction in a forest of mishap. There was an EP. There was a job. There was another year of Uni. There was an apartment. There were other things. Saturday, October 25, 2008.

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