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Aideen Doran

Audio visual commission, August 2016. Oblomov’s Dream: An Art Practice-Led Enquiry Into Radical Boredom in the Network World. Paper published in A Peer Reviewed Journal About Excessive Research. Screening at Pig Rock Bothy, National Galleries of Scotland, Edinburgh, July 2016. Essay commissioned by MAP Magazine as part of the. Project, August 2016. Included in the limited edition publication Endnotes,. Footnoting the Archive: Endnotes. Group show at The Cass Sculpture Foundation, Spring 2017.

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Aideen Doran | adoran.co.uk Reviews

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Audio visual commission, August 2016. Oblomov’s Dream: An Art Practice-Led Enquiry Into Radical Boredom in the Network World. Paper published in A Peer Reviewed Journal About Excessive Research. Screening at Pig Rock Bothy, National Galleries of Scotland, Edinburgh, July 2016. Essay commissioned by MAP Magazine as part of the. Project, August 2016. Included in the limited edition publication Endnotes,. Footnoting the Archive: Endnotes. Group show at The Cass Sculpture Foundation, Spring 2017.

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Aideen Doran | adoran.co.uk Reviews

https://adoran.co.uk

Audio visual commission, August 2016. Oblomov’s Dream: An Art Practice-Led Enquiry Into Radical Boredom in the Network World. Paper published in A Peer Reviewed Journal About Excessive Research. Screening at Pig Rock Bothy, National Galleries of Scotland, Edinburgh, July 2016. Essay commissioned by MAP Magazine as part of the. Project, August 2016. Included in the limited edition publication Endnotes,. Footnoting the Archive: Endnotes. Group show at The Cass Sculpture Foundation, Spring 2017.

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About ÃÂ¢ÃÂÃÂ¢ Aideen Doran

http://adoran.co.uk/about

Aideen Doran is a Northern Irish artist, living and working in Scotland. She has recently completed a practice based PhD in Visual Art at Northumbria University, having previously studied at the Glasgow School of Art and the University of Ulster in Belfast. Or at greater length via email.

2

Im Bau ÃÂ¢ÃÂÃÂ¢ Aideen Doran

http://adoran.co.uk/uncategorized/im-bau

Solo project at Grand Union, Birmingham. Im Bau was an experimental research project, investigating the city as a space for artistic, economic and ideological production. It responded specifically to the shifting fabric of the city of Birmingham, critiquing its contemporary urban culture of regeneration through research into the archival traces of the city’s urban past, and its past visions of the future city. It takes its title from a chance encounter with the Soviet magazine.

3

The Revolutionary Machine ÃÂ¢ÃÂÃÂ¢ Aideen Doran

http://adoran.co.uk/uncategorized/the-revolutionary-machine

3 channel digital video with single channel of audio. 1045 minutes, 2014. Production supported by the Arts Council of Northern Ireland and the British Council, Britto Arts Trust and Galway Arts Centre. Images as installed in Galway Arts Centre in the two person show, The Ghost in the Machine, with Marianne Keating in September 2014. Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on Google (Opens in new window).

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After Hours I ÃÂ¢ÃÂÃÂ¢ Aideen Doran

http://adoran.co.uk/uncategorized/after-hours-i

Two person show with Fiona Chambers. Glasgow Project Room, June 2014. Details of works from left to right:. Information pp 178-179,. Digital print on cotton, dowel and fixings. Information pp 156-157,. Digital print on cotton, dowel and fixings. Study for Player Piano (Conlon Nancarrow). Digital video, 03.30 minutes, Sony Bravia flat screen monitor, beanbag. Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on Google (Opens in new window).

5

Set Background ÃÂ¢ÃÂÃÂ¢ Aideen Doran

http://adoran.co.uk/uncategorized/set-background

Group show at Embassy Gallery, Edinburgh. From left to right:. Images from the British Library’s copy of Ted Nelson’s. Computer Lib/Dream Machines,. Digital print on nylon, 300 x 200 cm. Digital print on nylon, 300 x 200 cm. PUSH/POP/STACK, installation view of digital video, 9.13 minute duration. Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to share on Google (Opens in new window).

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Nathan Jones – The Testimony of Structure: Codecs and Contemporary Poetry – Excessive research

https://transmedialeblog.wordpress.com/2015/10/22/nathan-jones-the-testimony-of-structure-codecs-and-contemporary-poetry

Liverpool, UK, November 3-5, 2015. Nathan Jones – The Testimony of Structure: Codecs and Contemporary Poetry. 2015), Alexander Galloway proposes four regimes for art, based on their political and aesthetic incoherence or coherence. For example, is proposed to be. Aligned to a dogma and. It makes sense. Galloway finishes by proposing that it is to the dirty regime of. Artworks of the regime of. Exhibits precisely these qualities by disclosing, as a facet of the poems the formerly withdrawn aspects of rela...

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Nathan Jones – The Testimony of Structure: Codecs and Contemporary Poetry – Excessive research

https://transmedialeblog.wordpress.com/2015/10/22/nathan-jones-the-testimony-of-structure-codecs-and-contemporary-poetry/comment-page-1

Liverpool, UK, November 3-5, 2015. Nathan Jones – The Testimony of Structure: Codecs and Contemporary Poetry. 2015), Alexander Galloway proposes four regimes for art, based on their political and aesthetic incoherence or coherence. For example, is proposed to be. Aligned to a dogma and. It makes sense. Galloway finishes by proposing that it is to the dirty regime of. Artworks of the regime of. Exhibits precisely these qualities by disclosing, as a facet of the poems the formerly withdrawn aspects of rela...

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Tessa Zettel & Sumugan Sivanesan – Plan Bienen: Exchange and reciprocity in the more-than-human city – Excessive research

https://transmedialeblog.wordpress.com/2015/10/12/tessa-zettel-sumugan-sivanesan-plan-bienen-exchange-and-reciprocity-in-the-more-than-human-city

Liverpool, UK, November 3-5, 2015. Tessa Zettel and Sumugan Sivanesan – Plan Bienen: Exchange and reciprocity in the more-than-human city. This paper reflects on an ongoing artistic research project, Plan Bienen, outlining the terrain in which it operates and sharing some of its initial outcomes. The project is a collaboration between its authors, Sydney-based artists and writers, which developed from a 3-month residency undertaken in 2014 at the ZK/U the Centre for Art and Urbanistics, Berlin. Our resea...

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platform arts After Hours - platform arts

http://platformartsbelfast.com/project/hours

Larr; Reassemble for Purpose. Graduate Residency Exhibition →. Fiona Chambers and Aideen Doran. 6 – 21 March 2015. Opening 6 – 9pm, Thursday 5 March. Company Registration number: NI072553 Charity Reg Number XT17713.

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Aideen Doran

Audio visual commission, August 2016. Oblomov’s Dream: An Art Practice-Led Enquiry Into Radical Boredom in the Network World. Paper published in A Peer Reviewed Journal About Excessive Research. Screening at Pig Rock Bothy, National Galleries of Scotland, Edinburgh, July 2016. Essay commissioned by MAP Magazine as part of the. Project, August 2016. Included in the limited edition publication Endnotes,. Footnoting the Archive: Endnotes. Group show at The Cass Sculpture Foundation, Spring 2017.

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