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Early Morning Discussions

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Friday, September 5, 2014. Alpers: Kepler's Model of the Eye. Alpers: ChapterTwo : Kepler's Model of the Eye and the Nature of Picturing in the North. This is Chapter Two of Sventlana Alpers' "The Art of Describing: Dutch Art in the Seventeenth Century", 1983. Quoted text is in YELLOW. Text quoted from other authors is in Orange. Gerard Dou, "Poulterer's Shop", c. 1670. The maid servants in th...

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Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Friday, September 5, 2014. Alpers: Kepler's Model of the Eye. Alpers: ChapterTwo : Kepler's Model of the Eye and the Nature of Picturing in the North. This is Chapter Two of Sventlana Alpers' The Art of Describing: Dutch Art in the Seventeenth Century, 1983. Quoted text is in YELLOW. Text quoted from other authors is in Orange. Gerard Dou, Poulterer's Shop, c. 1670. The maid servants in th...
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Early Morning Discussions | aesthetics-l.blogspot.com Reviews

https://aesthetics-l.blogspot.com

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Friday, September 5, 2014. Alpers: Kepler's Model of the Eye. Alpers: ChapterTwo : Kepler's Model of the Eye and the Nature of Picturing in the North. This is Chapter Two of Sventlana Alpers' "The Art of Describing: Dutch Art in the Seventeenth Century", 1983. Quoted text is in YELLOW. Text quoted from other authors is in Orange. Gerard Dou, "Poulterer's Shop", c. 1670. The maid servants in th...

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Early Morning Discussions: Index

http://aesthetics-l.blogspot.com/2011/09/index.html

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Monday, September 19, 2011. On the Relation of Perspective to Character. Perspectives on the Last Supper. End of the Matter. The Birth and Rebirth of Pictorial Space. Upper Church of San Francesco, Assisi. Giotto: The Arena Chapel. Giotto: Bardi and Peruzzi Chapels. Late 14th C. Painting and the Meaning of the Picture. The Development of the Theory of Artificial Perspective. The Age of Insight.

2

Early Morning Discussions: Alpers: Kepler's Model of the Eye

http://aesthetics-l.blogspot.com/2014/09/alpers-keplers-model-of-eye.html

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Friday, September 5, 2014. Alpers: Kepler's Model of the Eye. Alpers: ChapterTwo : Kepler's Model of the Eye and the Nature of Picturing in the North. This is Chapter Two of Sventlana Alpers' "The Art of Describing: Dutch Art in the Seventeenth Century", 1983. Quoted text is in YELLOW. Text quoted from other authors is in Orange. Gerard Dou, "Poulterer's Shop", c. 1670. The maid servants in th...

3

Early Morning Discussions: November 2013

http://aesthetics-l.blogspot.com/2013_11_01_archive.html

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Saturday, November 30, 2013. Gombrich: The Quest for Spirituality. Gombrich: - The Quest for Spirituality. This is Chapter Four of E.H. Gombrich's "Preference for the Primitive". Quoted text is in YELLOW. Text quoted from other authors is in GREEN. Rogier Van Der Weyden, Adoration from the Columba Altarpiece, 1460. These figures, including the Duke, page, and onlooker, do feel anxiety ridden,.

4

Early Morning Discussions: July 2013

http://aesthetics-l.blogspot.com/2013_07_01_archive.html

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Monday, July 29, 2013. Kandel : The Depiction of the Psyche in Art. Kandel : The Depiction of the Psyche in Art This is Chapter 9 of Eric Kandel's "The Age of Insight : The Quest to Understand the Unconscious in Art, Mind, and Brain". Quoted text is in YELLOW. Text quoted from other authors is in GREEN. Oskar Kokoschka, 1907. This chapter is about Oskar Kokoschka who:. 8220;psychological tin c...

5

Early Morning Discussions: Kemp: Linear Perspective from Rubens to Turner

http://aesthetics-l.blogspot.com/2012/04/kemp-linear-perspective-from-rubens-to.html

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Monday, April 23, 2012. Kemp: Linear Perspective from Rubens to Turner. This is Chapter 3 of Martin Kemp's "The Science of Art". Quoted text is in YELLOW. Text quoted from other authors is in GREEN. Jumping back to Kemp's introduction, we recall that he wrote:. Such a complex and knowing relationship to the text as to leave no doubt that Rubens' intellectual involvement was considerable.".

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EMULATION: October 2013

http://emulatio.blogspot.com/2013_10_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Emulation X.1 The Theater of Aspirations. The Carracci and their Models I. Annibale Carracci, Pietà. Those on the way) was competitive among the students, but also competitive with respect to the past and present; Agostino designed their impresa. Whose motto Contentione Perfectus. T]he stylistic polemic in which the Carracci were engaged did not...

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EMULATION: AN ACADEMY OF EMULATION

http://emulatio.blogspot.com/2015/05/an-academy-of-emulation.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. AN ACADEMY OF EMULATION. What Would An Academy Of Emulation Look Like? The Reasons We Learn To Draw:. If we can’t see, we can’t understand. If we don’t understand, we won’t remember. Memory is the mother of the Muses. The Role Of Drawing In Making Art:. Invention is the search. Invention is not a priori. I what you draw conditions what you invent.

emulatio.blogspot.com emulatio.blogspot.com

EMULATION: October 2014

http://emulatio.blogspot.com/2014_10_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Praising and Burying Carlo Fontana at the Accademia di San Luca. For three solid days this past week Rome’s vestige of the Accademia di San Luca in Borromini's Palazzo Carpegna hosted mostly Italian speakers (with a handful of Germans, a couple of Americans, and one Frenchman) for a conference. Bernini privileged in the artistic act. Implici...

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EMULATION: Laudata Siena

http://emulatio.blogspot.com/2015/06/laudato-siena.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. The World Pope Francis Advocates Already Exists: It’s Called Tuscany. Encyclical Letter Laudato Si’. Of The Holy Father Francis, 18 June 2015. View of Siena from the south. With the release of Pope Francis’ encyclical on the environment. The Virtues of the well-governed city on the left,. And their effects on city and countryside on the right.

emulatio.blogspot.com emulatio.blogspot.com

EMULATION: Virtuosity and Emulation

http://emulatio.blogspot.com/2015/06/virtuosity-and-emulation.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. Follow-up to An Academy of Emulation. Rubens, The Feast of Venus. Techniques Necessary for Invention. Rotating figures in space. Spatial layering in Rubens. Anatomy (some telltale display, e.g. a prominent knee). Perspective (even if, and generally more commonly, fragmentary). Materials and textures (the “still life” aspect). That's an oxymoron,...

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EMULATION: May 2014

http://emulatio.blogspot.com/2014_05_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. THIS STRIFE IS GOOD FOR MORTALS. Works and Days 24, at Perseus). And in truth that struggle for the crown of glory is noble and best deserves the victory in which even to be worsted by one's predecessors brings no discredit. My post from 2011. And as of 4 June on the Artist Daily. Longinus, On the Sublime. Trans W. Rhys Roberts,. XIII, my italics.

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EMULATION: May 2015

http://emulatio.blogspot.com/2015_05_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. AN ACADEMY OF EMULATION. What Would An Academy Of Emulation Look Like? The Reasons We Learn To Draw:. If we can’t see, we can’t understand. If we don’t understand, we won’t remember. Memory is the mother of the Muses. The Role Of Drawing In Making Art:. Invention is the search. Invention is not a priori. I what you draw conditions what you invent.

emulatio.blogspot.com emulatio.blogspot.com

EMULATION: February 2014

http://emulatio.blogspot.com/2014_02_01_archive.html

To match or surpass (a person or achievement), typically by imitation; from Latin aemulat- 'rivaled, equaled,' from the verb aemulari, from aemulus 'rival' —OED. London Talks About Emulation. I’ll be speaking in London next Monday at INTBAU’s conference. Unpacking and Rethinking “Pastiche”. And Tuesday at Notre Dame’s London Center. Both talks are open to the public, but Notre Dame requires reservations (see flyer image), and INTBAU’s talk will be the last of a group of three. Subscribe to: Posts (Atom).

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Adding Beauty to your Life and Environment. Webster’s dictionary defines aesthetics as: 1 : a branch of philosophy dealing with the nature of beauty, art, and taste and with the creation and appreciation of beauty 2 : a particular theory or conception of beauty or art 3 : a pleasing appearance or effect : BEAUTY. 2011 Aesthetics, Inc. - Denton, Nebraska.

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Early Morning Discussions

Chapter-by-chapter responses to various books relating to art, history, and aesthetics. The Index is found here. Friday, September 5, 2014. Alpers: Kepler's Model of the Eye. Alpers: ChapterTwo : Kepler's Model of the Eye and the Nature of Picturing in the North. This is Chapter Two of Sventlana Alpers' "The Art of Describing: Dutch Art in the Seventeenth Century", 1983. Quoted text is in YELLOW. Text quoted from other authors is in Orange. Gerard Dou, "Poulterer's Shop", c. 1670. The maid servants in th...

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Portraits für Electronic Beats Magazin 2011-14. Panoramen, Berlin-Mitte 1979. Portraits Leipziger Studenten 1976. Installation Kunst am Bau. Zyklus “Industrial Vegetation” 2001-2009. 8220;Ready Found” – Installationen. MIT ÄSTHETIK FÄNGT ALLES AN Das Luftschloss, Berlin 1993. Die Kommentarfunktion ist geschlossen. Hans Martin Sewcz 2015.

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HANS MARTIN SEWCZ

Portraits für Electronic Beats Magazin 2011-14. Panoramen, Berlin-Mitte 1979. Portraits Leipziger Studenten 1976. Installation Kunst am Bau. Zyklus “Industrial Vegetation” 2001-2009. 8220;Ready Found” – Installationen. MIT ÄSTHETIK FÄNGT ALLES AN Das Luftschloss, Berlin 1993. Die Kommentarfunktion ist geschlossen. Hans Martin Sewcz 2015.

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