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Karla-Art of Africa

History of African art is discussed and analyzed. Friday, December 2, 2011. Julie Mehretu was born in 1970 in Ethiopia, the first child of an Ethiopian college professor and a white American teacher. They fled Ethiopia in 1977 and moved to East Lansing, Michigan. She studied at University Cheik Anta Diop, Dakar, earned a BA from Kalamazoo College, Michigan, and an MFA from Rhode Island School of Design. 8221; She is from Ethiopian, however she considers herself American, having grown up in the US. Th...

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Karla-Art of Africa | africanarthistory.blogspot.com Reviews
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History of African art is discussed and analyzed. Friday, December 2, 2011. Julie Mehretu was born in 1970 in Ethiopia, the first child of an Ethiopian college professor and a white American teacher. They fled Ethiopia in 1977 and moved to East Lansing, Michigan. She studied at University Cheik Anta Diop, Dakar, earned a BA from Kalamazoo College, Michigan, and an MFA from Rhode Island School of Design. 8221; She is from Ethiopian, however she considers herself American, having grown up in the US. Th...
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Karla-Art of Africa | africanarthistory.blogspot.com Reviews

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History of African art is discussed and analyzed. Friday, December 2, 2011. Julie Mehretu was born in 1970 in Ethiopia, the first child of an Ethiopian college professor and a white American teacher. They fled Ethiopia in 1977 and moved to East Lansing, Michigan. She studied at University Cheik Anta Diop, Dakar, earned a BA from Kalamazoo College, Michigan, and an MFA from Rhode Island School of Design. 8221; She is from Ethiopian, however she considers herself American, having grown up in the US. Th...

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Karla-Art of Africa: September 2011

http://www.africanarthistory.blogspot.com/2011_09_01_archive.html

History of African art is discussed and analyzed. Friday, September 30, 2011. Week 6 - Comparison. If you were to see a Ci Wara. The Bamana, a people living in Côte d'Ivoire, use the Ci Wara masquerade as an initiation for teenage boys. During their education the teens learn to dance the Ci Wara and learn to become good husbands, providers, and farmers. Friday, September 23, 2011. Week 5 - Masquerades. 8221; There is a way, a tradition, the maskers must perform in order to invoke the spirit. This is ...

2

Karla-Art of Africa: Week 12 -- Rotimi Fani-Kayode

http://www.africanarthistory.blogspot.com/2011/11/week-12-rotimi-fani-kayode.html

History of African art is discussed and analyzed. Sunday, November 13, 2011. Week 12 - Rotimi Fani-Kayode. Unfortunately I was unable to see the Haitian Art exhibit at the Waterloo Center for the Arts. They were in the process of setting up for an event and they would not let us in. So, I will focus my blog on Rotimi Fani-Kayode. 8220; It is important to know that he kept faith with many of the values that his background had given him. 8230;Leaving Africa as an exile at the age of eleven meant that he wa...

3

Karla-Art of Africa: December 2011

http://www.africanarthistory.blogspot.com/2011_12_01_archive.html

History of African art is discussed and analyzed. Friday, December 2, 2011. Julie Mehretu was born in 1970 in Ethiopia, the first child of an Ethiopian college professor and a white American teacher. They fled Ethiopia in 1977 and moved to East Lansing, Michigan. She studied at University Cheik Anta Diop, Dakar, earned a BA from Kalamazoo College, Michigan, and an MFA from Rhode Island School of Design. 8221; She is from Ethiopian, however she considers herself American, having grown up in the US. Th...

4

Karla-Art of Africa: Week 10 -- The "Other"

http://www.africanarthistory.blogspot.com/2011/10/week-10-other.html

History of African art is discussed and analyzed. Saturday, October 29, 2011. Week 10 - The "Other". In Ivory: African Portrayals of the Portuguese. By Suzanne Blier and Mami Wata Shrines: Exotica and the Construction of Self. Blier presents examples for each people that shows the cultural integration the African people used in their art. One of those examples is the ivory figural carvings of the Beni. October 30, 2011 at 6:22 PM. This comment has been removed by the author. October 30, 2011 at 6:24 PM.

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Karla-Art of Africa: Week 7 -- Yoruba Spirituality

http://www.africanarthistory.blogspot.com/2011/10/week-7-yoruba-spirituality.html

History of African art is discussed and analyzed. Saturday, October 8, 2011. Week 7 - Yoruba Spirituality. The Yoruba people are a large, agricultural society descendant from the Ile Ife community. They are a deeply spiritual people and look to their ancestors and other spirits to guide them through this world. The people use a variety of artifacts to ensure a balance between this world and the spiritual world. The divination tray, or Opon Ifa,. Their focus is on how to interact with the ashe. There are ...

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nikki-artsofaftica.blogspot.com nikki-artsofaftica.blogspot.com

Nikki-Arts of Africa: November 2011

http://nikki-artsofaftica.blogspot.com/2011_11_01_archive.html

Friday, November 11, 2011. Artists vs. Individuality. Both articles consisted of sexual nature that creates both controversy and strong point that was established through these artworks and the artists’ ‘so-called’ identity. The point of this blog and much of the topic discussed, is that of the fact that stereotyping and assuming an identity of someone will never change no matter the artist or subject, because that is what we, as the audience and crowd are programmed to learn/know. What is there identity?

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Nikki-Arts of Africa: Week 9 - African Connections

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Friday, October 14, 2011. Week 9 - African Connections. There are many different routes one can take when connecting what is known already about African arts and what is continuing to be seen and read. One thing that I’ve realized and observed so far about African culture is how sacred the rituals and beliefs of certain societies are. Participants actually believe and/or mock the act of spirits coming to visit the ceremony which takes place by physically possessing individuals and speaking and acting thr...

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Nikki-Arts of Africa: September 2011

http://nikki-artsofaftica.blogspot.com/2011_09_01_archive.html

Thursday, September 29, 2011. Baule vs. Mossi. Two objects that I would like to focus on are the Biiga. Figures made by the Mossi peoples as well as the Blolo Bla/Bian. Spirit Spouses) figures made by the Baule peoples. Although they are two diverse doll sculptures made by different cultures, they both signify some similarities, yet differences in meaning and relevance. The dream partner is always described as very beautiful and the Blolo. Some noticeable exterior details on the Biiga. Characteristics&#4...

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Nikki-Arts of Africa: Baule vs. Mossi

http://nikki-artsofaftica.blogspot.com/2011/09/baule-vs-mossi.html

Thursday, September 29, 2011. Baule vs. Mossi. Two objects that I would like to focus on are the Biiga. Figures made by the Mossi peoples as well as the Blolo Bla/Bian. Spirit Spouses) figures made by the Baule peoples. Although they are two diverse doll sculptures made by different cultures, they both signify some similarities, yet differences in meaning and relevance. The dream partner is always described as very beautiful and the Blolo. Some noticeable exterior details on the Biiga. Characteristics&#4...

nikki-artsofaftica.blogspot.com nikki-artsofaftica.blogspot.com

Nikki-Arts of Africa: Contemporary Artist Controversies

http://nikki-artsofaftica.blogspot.com/2011/11/contemporary-artist-controversies.html

Thursday, November 3, 2011. In the third reading that was assigned, it was apparent how these artists confront assumptions and projections. It was evident that Ouattara became very frustrated quickly with the interviewer (Thomas McEvilley) asking questions such as, “Where did you grow up? 8221;, “Where did you go to school? 8221; and so on. Santoni simply wanted to talk about his art. Why is that important anyways? November 8, 2011 at 7:03 AM. Subscribe to: Post Comments (Atom). I'm currently a junior at...

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Verbal and Visual - Defining Boundaries in African Art

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Defining Boundaries in African Art. Overview of the Collection. World and Spirit World. National Museum of African Art. The Boundaries Between the Verbal and the Visual. There is a boundary in African art between the verbal message of an object and its visual aesthetic. Often times messages are depicted by the combination of images as apposed to words. The use of proverbs is especially prevalent in African societies. Click images to learn more. Create a free website. Create your own free website.

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Male and Female - Defining Boundaries in African Art

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Defining Boundaries in African Art. Overview of the Collection. World and Spirit World. National Museum of African Art. The Boundaries Between Men and Women. With this focus on a woman's fertility, comes the reverence of the mother. Often times in African cultures mothers are honored and held of high esteem for their contribution to society. Click images to learn more. Paris, France: Terrail/Edigroup, 2007) p. 202. Create a free website. Create your own free website. Start your own free website.

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Overview of the Collection - Defining Boundaries in African Art

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Defining Boundaries in African Art. Overview of the Collection. World and Spirit World. National Museum of African Art. Overview of the Collection. This online African art collection explores the many boundaries within African art and African culture. This collection first explores the boundaries between the visual and the verbal. Different societies in Africa deal with the verbal and the visual in many different ways. The objects chosen for this exhibit. Next, the collection looks at people within the s...

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Nikki-Arts of Africa: October 2011

http://nikki-artsofaftica.blogspot.com/2011_10_01_archive.html

Friday, October 28, 2011. Interculturation and The "Other". Foreign cultures into their own visual structures so it gave them familiarity and understanding to the distant culture. Varying strategies were used among the differing African peoples. The travel of these pale-skinned peoples related to aspects of life and death and crossroads as the travel was made across the seas. In regards to the first article, some examples of the Benin people incorporating that perception and influence. There are many dif...

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Karla-Art of Africa

History of African art is discussed and analyzed. Friday, December 2, 2011. Julie Mehretu was born in 1970 in Ethiopia, the first child of an Ethiopian college professor and a white American teacher. They fled Ethiopia in 1977 and moved to East Lansing, Michigan. She studied at University Cheik Anta Diop, Dakar, earned a BA from Kalamazoo College, Michigan, and an MFA from Rhode Island School of Design. 8221; She is from Ethiopian, however she considers herself American, having grown up in the US. Th...

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