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Afrovocality | THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO AFRICAN DIASPORAS IN AMERICA AND EUROPE

The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. But what is this heritage? How does the legacy work when a vocalist sing? How does s/he connect her/his voice to this memory? How the vocal tradition can be used as an expression of new cultural identities? Tracing the presence both hystorical and geographical of African related vocal styles.

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Afrovocality | THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO AFRICAN DIASPORAS IN AMERICA AND EUROPE | afrovocality.com Reviews
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The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. But what is this heritage? How does the legacy work when a vocalist sing? How does s/he connect her/his voice to this memory? How the vocal tradition can be used as an expression of new cultural identities? Tracing the presence both hystorical and geographical of African related vocal styles.
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2 black vocality
3 multimedia
4 contemporary calls
5 research materials
6 project
7 contact me
8 credits
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Afrovocality | THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO AFRICAN DIASPORAS IN AMERICA AND EUROPE | afrovocality.com Reviews

https://afrovocality.com

The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. But what is this heritage? How does the legacy work when a vocalist sing? How does s/he connect her/his voice to this memory? How the vocal tradition can be used as an expression of new cultural identities? Tracing the presence both hystorical and geographical of African related vocal styles.

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Credits | Afrovocality

http://www.afrovocality.com/credits

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Voice Map | Afrovocality

http://www.afrovocality.com/voice-map

Emotional Geography of African American Vocality. What is the role of the voice (black or white, pure or sophisticated) in the construction of race and in the definition of racial relations? What part has the experience of slavery played in the shaping of African American vocal practices and in the formation of a singing aesthetics? Even though it is a collective recollection of a time of particular significance for the history of the United States, and for the history of slavery. A slave system does not...

3

Black Vocality 2013 | Afrovocality

http://www.afrovocality.com/black-vocality-2013

September 24-25, 2013. Black Vocality: Cultural Memory, Identities, and Practices of African-American Singing Styles. The Black Vocality symposium is part of the three-year project ROTVOSCIAME (The Role of Traditional Vocal Styles in Reshaping Cultural Identities Related to African Diasporas in America and Europe). Black Vocality – Cover. Black Vocality – Program. Video Excerpts (Presentations, Performances, Discussions, Q/A). Monica Hairston O’Connell. 8220;I Sing Forever: Perceptions and Performances o...

4

Contemporary Calls | Afrovocality

http://www.afrovocality.com/contemporary-calls

Our campaign was titled ‘ethnography of a sound with no presence,’ drawing from the work of anthropologist Paul Silverstein, who defined the presence of African immigrants in Southern Europe as a hidden presence, referring to their lack of rights, the refusal to recognize them as citizens, and their consequent invisibility. G Chiriacò, Fratello di latte. Archivi di voci nel soundscape delle spiagge salentine.

5

Multimedia | Afrovocality

http://www.afrovocality.com/multimedia

Lena McLin, one of the most prominent African-American vocal pedagogues. Freedom was a singsong. A Voice-Map of the ex-slaves interviews. A sound with no presence. Atse Tewodros Project, L’Aquila, July 23rd.

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Fred Kuwornu presenta Antonio Dikele Distefano | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/07/07/fred-kuwornu-presenta-antonio-dikele-distefano

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Fred Kuwornu presenta Antonio Dikele Distefano. Tag: Antonio Dikele Distefano. Asmarina e Dizioni Diasporiche: accenni da una conversazione in corso. Il 9 luglio, all’interno della rassegna Nero su Bianco dell’American Academy in Rome, quattro artisti italiani di origine africana (o di origini creole, nel caso di Stella Jean) si incontreranno per discutere de. Gli afro-italiani oggi nelle arti. Tratto da un libro di Enrico Bri...

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luglio | 2015 | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/07

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Archivio mensile: luglio 2015. Fred Kuwornu presenta Antonio Dikele Distefano. Inserisci il tuo indirizzo email per seguire questo blog e ricevere notifiche di nuovi messaggi via e-mail. Dizioni Diasporiche supporta la presentazione di "Asmarina" (di Alan Maglio e Medhin Paolos) a Napoli. Con DOCUCITY - Documentare la città,. E il Centro Studi Postcoloniali e di Genere ("L'Orientale", Napoli). C/o "Santa Fede Liberata".

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Più di due. Docucity, DCU e altri mondi | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/04/13/piu-di-due-docucity-dcu-e-altri-mondi

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Più di due. Docucity, DCU e altri mondi. Tag: cinema del reale. Asmarina e Dizioni Diasporiche: accenni da una conversazione in corso →. Dizioni Diasporiche parteciperà alla tavola rotonda “Frontiere di terra e d’acqua. L’emergenza flussi tra analisi giuridica, ricerca antropologica, accoglienza e rappresentazione”. Nell’ambito delle giornate di studio. DCU Docucity Culture Urbane. Appunti per la città. When the music changes,.

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maggio | 2015 | dizionidiasporiche

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Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Archivio mensile: maggio 2015. Asmarina e Dizioni Diasporiche: accenni da una conversazione in corso. Inserisci il tuo indirizzo email per seguire questo blog e ricevere notifiche di nuovi messaggi via e-mail. Dizioni Diasporiche supporta la presentazione di "Asmarina" (di Alan Maglio e Medhin Paolos) a Napoli. Con DOCUCITY - Documentare la città,. E il Centro Studi Postcoloniali e di Genere ("L'Orientale", Napoli).

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PROGETTO | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/progetto-2

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Questo blog va considerato anche come tentativo di rendere quelle categorie uno strumento interpretativo alla portata di un pubblico più vasto. Questa è in fondo la nostra battaglia culturale: erodere i confini in cui la ricerca italiana si è barricata. Portare all’attenzione di un più ampio numero di persone che parlano in italiano interrogativi, studi, valutazioni che provengono da altri contesti nazionali e linguist...E sul...

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aprile | 2015 | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/04

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Archivio mensile: aprile 2015. Più di due. Docucity, DCU e altri mondi. Inserisci il tuo indirizzo email per seguire questo blog e ricevere notifiche di nuovi messaggi via e-mail. Dizioni Diasporiche supporta la presentazione di "Asmarina" (di Alan Maglio e Medhin Paolos) a Napoli. Con DOCUCITY - Documentare la città,. E il Centro Studi Postcoloniali e di Genere ("L'Orientale", Napoli). C/o "Santa Fede Liberata".

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La visibilità differente dell’autrice postcoloniale | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/02/25/la-visibilita-differente-dellautrice-postcoloniale

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. La visibilità differente dell’autrice postcoloniale. Sono un’identità multipla. Dizioni del futuro →. Non è il libro che conta, ma l’aura del suo autore. Se l’aura non esiste ma il libro vende per qualche miracolo, i media inventano l’autore, così che lo scrittore finisce per vendere non solo il proprio lavoro ma anche se stesso, la propria immagine . Questo dichiara in un’intervista alla. E della fortunata quadrilogia de.

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febbraio | 2015 | dizionidiasporiche

https://dizionidiasporiche.wordpress.com/2015/02

Spazio di pratiche artistiche, analisi, scambi legati alla diaspora in Italia. Archivio mensile: febbraio 2015. La visibilità differente dell’autrice postcoloniale. Sono un’identità multipla. Inserisci il tuo indirizzo email per seguire questo blog e ricevere notifiche di nuovi messaggi via e-mail. Dizioni Diasporiche supporta la presentazione di "Asmarina" (di Alan Maglio e Medhin Paolos) a Napoli. Con DOCUCITY - Documentare la città,. E il Centro Studi Postcoloniali e di Genere ("L'Orientale", Napoli).

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Afrovocality | THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO AFRICAN DIASPORAS IN AMERICA AND EUROPE

The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. But what is this heritage? How does the legacy work when a vocalist sing? How does s/he connect her/his voice to this memory? How the vocal tradition can be used as an expression of new cultural identities? Tracing the presence both hystorical and geographical of African related vocal styles.

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