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Arthur Haywood Fine Art: EXHIBITIONS
http://www.ahaywoodfineart.com/p/exhibitions.html
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ARTHUR HAYWOOD: Examining Highlights On A Portrait
http://arthaywood.blogspot.com/2014/06/examining-highlights-on-portrait.html
Friday, June 13, 2014. Examining Highlights On A Portrait. The shape of a highlight is determined by the shape of objects in the environment surrounding the form that a highlight is seen upon and by a viewer's spatial relation to those factors. Since specular reflection is a mirror-like reflection of light, the light that is diffusely reflected off of the objects in the environment has an impact on the shape of highlights seen on a form. Examining Highlights on Eyes. Examining Highlights on Skin. The bri...
ARTHUR HAYWOOD: Studying The Texture of Fur
http://arthaywood.blogspot.com/2014/12/studying-texture-of-fur.html
Tuesday, December 23, 2014. Studying The Texture of Fur. I have recently been studying the texture of fur while working on a commissioned painting of two dogs. This post describes how I approached representing the texture of fur. My thought process for modeling fur was greatly enhanced by Scott Waddell's Still Life Demonstration. Video on representing fur and Doug Flynt's. Advice to focus on considering the texture of fur in terms of planes. The Process I Used. Then I tried my best to model a sculptural ...
ARTHUR HAYWOOD: February 2014
http://arthaywood.blogspot.com/2014_02_01_archive.html
Sunday, February 9, 2014. I have been experimenting with different ways to advance my block-ins after I place my large shapes and have found that combining the two-dimensional and three-dimensional phase at an earlier stage in the block-in process has allowed me to increase the pace that I proceed through a block-in. An example and explanation of this process is below. Combining Two-Dimensional Thinking With Three-Dimensional Thinking. And if one retains clarity of the character of the shapes while they ...
ARTHUR HAYWOOD: May 2015
http://arthaywood.blogspot.com/2015_05_01_archive.html
Saturday, May 2, 2015. It is a special honor that I will have a group of my drawings and paintings on display at The Philadelphia Sketch Club this June. The exhibition "Study to Synthesis" focuses on classical studies that have significantly informed the depictions of aspiration in the narrative portraits on display. Each of these studies was created with the intent to develop technical skill in representing the particular character of each subject in a believable way. The understanding gained fr...
ARTHUR HAYWOOD: May 2014
http://arthaywood.blogspot.com/2014_05_01_archive.html
Saturday, May 10, 2014. Although the graphite medium can be difficult to control, the tools are not the enemy, they are the artist's friends but one just has to get to know them first. By becoming familiar with how graphite can be manipulated and practicing simple exercises with the graphite medium one can better control the results of one's drawing. So it is important to know how to manipulate the pressure on one's drawing materials to result in the values that one intends to produce. Holding the pencil...
ARTHUR HAYWOOD: June 2014
http://arthaywood.blogspot.com/2014_06_01_archive.html
Friday, June 13, 2014. Examining Highlights On A Portrait. The shape of a highlight is determined by the shape of objects in the environment surrounding the form that a highlight is seen upon and by a viewer's spatial relation to those factors. Since specular reflection is a mirror-like reflection of light, the light that is diffusely reflected off of the objects in the environment has an impact on the shape of highlights seen on a form. Examining Highlights on Eyes. Examining Highlights on Skin. The bri...
ARTHUR HAYWOOD: December 2014
http://arthaywood.blogspot.com/2014_12_01_archive.html
Tuesday, December 23, 2014. Studying The Texture of Fur. I have recently been studying the texture of fur while working on a commissioned painting of two dogs. This post describes how I approached representing the texture of fur. My thought process for modeling fur was greatly enhanced by Scott Waddell's Still Life Demonstration. Video on representing fur and Doug Flynt's. Advice to focus on considering the texture of fur in terms of planes. The Process I Used. Then I tried my best to model a sculptural ...
ARTHUR HAYWOOD: Interpreting The Palette
http://arthaywood.blogspot.com/2014/08/interpreting-palette.html
Monday, August 18, 2014. I have recently been transitioning into grayscale painting and have been utilizing sculptural thought processes to facilitate that transition. This post describes a process that is aimed at using paint to create a three-dimensional illusion by utilizing the concept of value darkening as form turns away from the light. Using the Palette to Apply Paint. Harold Speed has noted in his book Oil Painting Techniques and Materials. In instances where I need to turn a form away from the l...
ARTHUR HAYWOOD: Investigating The Position Of High Form Lights
http://arthaywood.blogspot.com/2013/11/investigating-position-of-high-form.html
Saturday, November 23, 2013. Investigating The Position Of High Form Lights. My instructors at The Cambridge Street Studios explained to me, a process for identifying the high form light on a form by reverse engineering from the relationship of a highlight to the light source. Footnotes are included in this post to indicate which sentences in this post are summarizations of ideas that the instructors at The Cambridge Street Studios have explained to me. An example of a specular reflection on a sphere.
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Arthur Haywood Fine Art
Arthur Haywood Illustration
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Sysadmin. Linux nerd. Aspiring duct-tape programmer. I'm a Chicago-based sysadmin/"DevOps" professional. Some of my professional interests include:. Some of my personal interests include:. This website is simplistic because it reflects my belief in simple, understandable tools and processes. Also, I'm not so great with HTML/CSS. ;). The links above have more information on some of my side projects, my résumé, and contact info.
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