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ALGIBEIRA

Spotify - Random Favorites. The Crimson Petal and the White. But you’ve allowed yourself to be led astray, and it’s too late to turn back now. Michel Faber - The Crimson Petal and the White. The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. That depends a...

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ALGIBEIRA | algibeira.blogspot.com Reviews
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Spotify - Random Favorites. The Crimson Petal and the White. But you’ve allowed yourself to be led astray, and it’s too late to turn back now. Michel Faber - The Crimson Petal and the White. The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. That depends a...
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ALGIBEIRA | algibeira.blogspot.com Reviews

https://algibeira.blogspot.com

Spotify - Random Favorites. The Crimson Petal and the White. But you’ve allowed yourself to be led astray, and it’s too late to turn back now. Michel Faber - The Crimson Petal and the White. The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. That depends a...

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1

ALGIBEIRA: 09/2010 - 10/2010

http://algibeira.blogspot.com/2010_09_01_archive.html

That time of year thou mayst in me behold. When yellow leaves, or none, or few, do hang. Upon those boughs which shake against the cold,. Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day. As after sunset fadeth in the west;. Which by and by black night doth take away,. Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire,. That on the ashes of his youth doth lie,. As the death-bed, whereon it must expire,.

2

ALGIBEIRA: 02/2013 - 03/2013

http://algibeira.blogspot.com/2013_02_01_archive.html

Spotify - Random Favorites. Spotify - Random Favorites. Penso logo sou perigoso, principalmente para mim próprio . . . . . . . . . . . . . . . . . . . . . . . . . . I think, therefore I'm dangerous (mostly to myself). Ver o meu perfil completo.

3

ALGIBEIRA: 04/2010 - 05/2010

http://algibeira.blogspot.com/2010_04_01_archive.html

Nada me prende a nada. Quero cinquenta coisas ao mesmo tempo. Anseio com uma angústia de fome de carne. O que não sei que seja -. Durmo irrequieto, e vivo num sonhar irrequieto. De quem dorme irrequieto, metade a sonhar. Fecharam-me todas as portas abstractas e necessárias. Correram cortinas de todas as hipóteses que eu poderia ver da rua. Não há na travessa achada o número da porta que me deram. Acordei para a mesma vida para que tinha adormecido. Até os meus exércitos sonhados sofreram derrota. E aqui ...

4

ALGIBEIRA: 05/2013 - 06/2013

http://algibeira.blogspot.com/2013_05_01_archive.html

Penso logo sou perigoso, principalmente para mim próprio . . . . . . . . . . . . . . . . . . . . . . . . . . I think, therefore I'm dangerous (mostly to myself). Ver o meu perfil completo.

5

ALGIBEIRA: 08/2011 - 09/2011

http://algibeira.blogspot.com/2011_08_01_archive.html

The Crimson Petal and the White. But you’ve allowed yourself to be led astray, and it’s too late to turn back now. Michel Faber - The Crimson Petal and the White. The Crimson Petal and the White. Penso logo sou perigoso, principalmente para mim próprio . . . . . . . . . . . . . . . . . . . . . . . . . . I think, therefore I'm dangerous (mostly to myself). Ver o meu perfil completo.

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ALGIBEIRA

Spotify - Random Favorites. The Crimson Petal and the White. But you’ve allowed yourself to be led astray, and it’s too late to turn back now. Michel Faber - The Crimson Petal and the White. The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. That depends a...

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