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Cultural identity: The westernisation of Indian films

Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Thursday, 30 April 2009. Where am i at with the study.

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Cultural identity: The westernisation of Indian films | alishba-crs.blogspot.com Reviews

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Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Thursday, 30 April 2009. Where am i at with the study.

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Cultural identity: The westernisation of Indian films | alishba-crs.blogspot.com Reviews

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Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Thursday, 30 April 2009. Where am i at with the study.

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Cultural identity: The westernisation of Indian films: April 2009

http://alishba-crs.blogspot.com/2009_04_01_archive.html

Thursday, 30 April 2009. Where am i at with the study. So far i have done textual analysis (at the moment the t.a for 2 films is on paper which i will be transfering onto the blog soon) and collected institutional data for all three films. I have also collected and commented on popular criticism for the three films using on-line reviews and YouTube user comments. I will now be trying to find film theories in general. Rang de basanti- popular criticism. On the BBC Movies website:. Maybe diaspora don&#8217...

2

Cultural identity: The westernisation of Indian films: May 2009

http://alishba-crs.blogspot.com/2009_05_01_archive.html

Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Subscribe to: Posts (Atom). View my complete profile.

3

Cultural identity: The westernisation of Indian films: Don- popular criticism continued

http://alishba-crs.blogspot.com/2009/04/don-popular-criticism-continued.html

Sunday, 26 April 2009. Don- popular criticism continued. Http:/ www.youtube.com/watchv=W4 pwGwiIZE&feature=PlayList&p=9B7062A2869580F2&playnext=1&playnext from=PL&index=43. Dilipkul: don is cooler than any hollywood movie. Immediately someone attempts to compare the film to a hollywood movie, showing the extent to which bollywood films face competition from western films and thus the directors perhaps try to imitate them in order to satisfy their audience). ZainUddinKhan: hmmm greatest movie ever:).

4

Cultural identity: The westernisation of Indian films: March 2009

http://alishba-crs.blogspot.com/2009_03_01_archive.html

Friday, 27 March 2009. Original 1978 Don trailer. Http:/ www.youtube.com/watch? Rang de basanti- (Institutional data). Rakesh Omprakash Mehra (screenplay). Tata Elxsi Visual Computing Lab. Gaurav Digital sound re-recording. Sony Music soundtrack released by - only 2 other companies invovled, shows it is more of an 'art house' film rather than one targeted at the mass audience. 701,666 (USA) (29 January 2006) (61 Screens). 163;221,226 (UK) (29 January 2006) (38 Screens). Thursday, 26 March 2009. 2007) (Ge...

5

Cultural identity: The westernisation of Indian films: film styles

http://alishba-crs.blogspot.com/2009/05/film-styles.html

Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Subscribe to: Post Comments (Atom).

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Cultural identity: The westernisation of Indian films

Thursday, 7 May 2009. Bengali motion-picture director, writer, and illustrator who brought the Indian . 160;to world recognition with . 160;(1955; . The Song of the Road. And its two sequels, known as the Apu Trilogy. As a director Ray was noted for his humanism, his versatility, and his detailed control over his films and their music. He was one of the greatest filmmakers of the 20th century. Http:/ facstaff.gpc.edu/ jriggs/film1301/notes10.htm. Thursday, 30 April 2009. Where am i at with the study.

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