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July « 2016 « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/07
Dukot (Paul Soriano, 2016). July 24, 2016. August 9, 2016. A thriller, the movie boasts of suspense-inducing ambient sounds, quick cuts to speed up the action, sometimes dizzying but functional use and stringing of different shots for shifts in visual distance, familial and group tensions, and a decent cast to give life and make the movie more heart-wrenching. Bing Pimentel, Ricky Davao, and Enrique Gil particularly stand out. Looking presentable even in plain shorts, shirts, and sando. I think it was a ...
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August « 2016 « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/08
Tuos (Derick Cabrido, 2016). August 10, 2016. February 26, 2017. Barbie Forteza as Dowokan, the next-in-line binukot princess in the movie magic-realist drama. This entry was posted in movies. Die Beautiful (Jun Lana, 2016). January 20, 2017. Seklusyon (Erik Matti, 2016). December 29, 2016. Every Room Is A Planet (Malay Javier, 2016). November 30, 2016. 2 Cool 2 Be 4gotten (Petersen Vargas, 2016). November 23, 2016. Mixed Shorts Reviews #1. November 7, 2016. Die Beautiful (Jun Lana, 2016). August 10, 2016.
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Mixed Shorts Reviews #1 « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/11/07/shorts-mix-reviews-1
Mixed Shorts Reviews #1. November 7, 2016. December 3, 2016. Two Men and a Wardrobe (Roman Polanski). The stink and poison creeping from an immoral, self-centered city are a lot more sickeningly fearful than the onslaught of raging waters. The Big Shave (Martin Scorsese). J’ai faim, J’ai froid (Chantal Akerman). This entry was posted in movies. The Woman Who Left (Lav Diaz, 2016). 2 Cool 2 Be 4gotten (Petersen Vargas, 2016). Leave a Reply Cancel reply. Enter your comment here. Address never made public).
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The Woman Who Left (Lav Diaz, 2016) « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/10/23/the-woman-who-left-lav-diaz-2016
The Woman Who Left (Lav Diaz, 2016). October 23, 2016. January 17, 2017. The Woman Who Left. Meanwhile in one short scene, we glimpse Rodrigo’s psyche when he confides to a priest. He proclaims his moral confusion, yet such struggle is tainted with arrogance and laziness. His seemingly innocent questions arrive as a philosophical joust with a priest, empty inquiries, not a realization of his errors or a sudden regrowth of conscience, but could be a mockery of the priest’s beliefs. Mixed Shorts Reviews #1.
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September « 2016 « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/09
Isla (Celso Ad Castillo. 1985). September 20, 2016. February 1, 2017. It’s not just this impression that it contains plenty of sex scenes and nudity that should make you search for a rare copy of Isla. This entry was posted in movies. Till We Meet Again (Elwood Perez, 1985). September 1, 2016. September 2, 2016. Till We Meet Again. It moves and entertains you unlike what many Star Cinema rom-coms superficially do. It’s primarily the combined skills of the director, editor, writers, and actors w...Later, ...
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Every Room Is A Planet (Malay Javier, 2016) « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/11/30/every-room-is-a-planet-malay-javier-2016
Every Room Is A Planet (Malay Javier, 2016). November 30, 2016. January 17, 2017. White hallways. Botticelli’s The Birth of Venus. A city skyline at night, seen through a condominium unit’s glass panel walls. Antoinette Taus’s solid, sexy woman’s back. Quark Henares wearing goggles coming out of the bathroom. I’m enumerating stored images–residue-memory of this animal-structure of a film– Every Room Is A Planet. Every Room is a Planet. This entry was posted in movies. Seklusyon (Erik Matti, 2016). The Wo...
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Jauja (2015, Lisandro Alonso) « Space Aso Reviews
https://spaceaso25.wordpress.com/2015/06/07/jauja-lisandro-alonso
Jauja (2015, Lisandro Alonso). June 7, 2015. March 1, 2016. This entry was posted in movies. Junkopia (Short Film, Chris Marker). Mula Sa Kung Ano Ang Noon (2015, Lav Diaz). Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.
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October « 2016 « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/10
The Woman Who Left (Lav Diaz, 2016). October 23, 2016. January 17, 2017. The Woman Who Left. Meanwhile in one short scene, we glimpse Rodrigo’s psyche when he confides to a priest. He proclaims his moral confusion, yet such struggle is tainted with arrogance and laziness. His seemingly innocent questions arrive as a philosophical joust with a priest, empty inquiries, not a realization of his errors or a sudden regrowth of conscience, but could be a mockery of the priest’s beliefs. January 20, 2017. Isla ...
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Seklusyon (Erik Matti, 2016) « Space Aso Reviews
https://spaceaso25.wordpress.com/2016/12/29/seklusyon-erik-matti-2016
Seklusyon (Erik Matti, 2016). December 29, 2016. February 17, 2017. Erik Matti’s Seklusyon is a thematic expansion of his short film Vesuvius, a hate-letter to the ensnaring pageantry and hypocrisy of established religions, a call for incredulity, an exposé of convents and seminaries as towers also inhabited by tortured souls. This entry was posted in movies. Every Room Is A Planet (Malay Javier, 2016). Die Beautiful (Jun Lana, 2016). Leave a Reply Cancel reply. Enter your comment here. January 20, 2017.
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Fargo (1996, Coen Brothers) « Space Aso Reviews
https://spaceaso25.wordpress.com/2015/11/15/fargo-coen-brothers
Fargo (1996, Coen Brothers). November 15, 2015. May 8, 2016. William H. Macy plays a car salesman who is in debt (and later will be in ‘deep shit’). To come up with big money, he hatches this plan to have thugs kidnap his wife, and to have his father-in-law pay the ransom. His solution to his problem is complicated by the fact that the criminals whom he hired to execute the plan are stupid, careless, and clumsy. This entry was posted in movies. Taklub (2015, Brilliante Mendoza). Leave a Reply Cancel reply.