AMERICANSOFTWAREPOETRY.COM

American Software

EMMA WEDGWOOD DARWIN [ALONE IN HER WRITING CHAMBER, JUNE 4, 1856]. TS Eliot [Crossing Piccadilly Circus on a Windy Afternoon]. I have no memories per se. At least not [any that I remember]. Or look back on] with any degree. Of clarity [as if I could tell you what I know]. Or how things happened] that is [so to speak]. The sequence of events. You know [the time it takes] or [maybe took]. To realize that I had changed in some way. Or saw others change in some way. And write down all the precise details].

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American Software | americansoftwarepoetry.com Reviews

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EMMA WEDGWOOD DARWIN [ALONE IN HER WRITING CHAMBER, JUNE 4, 1856]. TS Eliot [Crossing Piccadilly Circus on a Windy Afternoon]. I have no memories per se. At least not [any that I remember]. Or look back on] with any degree. Of clarity [as if I could tell you what I know]. Or how things happened] that is [so to speak]. The sequence of events. You know [the time it takes] or [maybe took]. To realize that I had changed in some way. Or saw others change in some way. And write down all the precise details].

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1 american software

2 henry crawford

3 for them

4 no comments

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6 this or that

7 these memories

8 the gentlest theft

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american software,henry crawford,for them,no comments,one after another,this or that,these memories,the gentlest theft,on weekends,and nights,in the seats,to the floor,for the bomb,on the radio,he was dead,here,nowadays,things are automated,i am shaky

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American Software | americansoftwarepoetry.com Reviews

https://americansoftwarepoetry.com

EMMA WEDGWOOD DARWIN [ALONE IN HER WRITING CHAMBER, JUNE 4, 1856]. TS Eliot [Crossing Piccadilly Circus on a Windy Afternoon]. I have no memories per se. At least not [any that I remember]. Or look back on] with any degree. Of clarity [as if I could tell you what I know]. Or how things happened] that is [so to speak]. The sequence of events. You know [the time it takes] or [maybe took]. To realize that I had changed in some way. Or saw others change in some way. And write down all the precise details].

INTERNAL PAGES

americansoftwarepoetry.com

1

American Software: Kurt Cobain [1994]

http://www.americansoftwarepoetry.com/2013/07/kurt-cobain-1994.html

I came in after midnight. I drove all night to get here. I lit up a cigarette. I got coke from the machine. I am reeling with dope. I am feeling the glow behind the dials. I let myself in. With the lights out, it's less dangerous]. I have no microphone. I sing to myself. I sing in sheets of sharpened glass. I hear the words between my temples. I look out the control booth. I see a city burning in the controls. Here we are now, entertain us]. I asked my agent. I asked how many more days. I shared too much.

2

American Software: as you were [pulling away]

http://www.americansoftwarepoetry.com/2013/07/as-you-were-pulling-away.html

As you were [pulling away]. As you were [pulling away]. As [Saturday was ending. As [many things back then. As [your hands stayed in your pockets. As [your sentences came to an end. As [minutes lost their measure. As [you closed the wooden door. As [the Moon refused the Earth. As [we drove away in cars. As [television sets went on. As [stores began to close. As [window lights fell dark. As [distance spun its web. As [emails never came. As [the price of things kept rising. As [we moved to different cities.

3

American Software: 25 Lines of a Bird

http://www.americansoftwarepoetry.com/2013/07/25-lines-of-bird.html

25 Lines of a Bird. 25 Lines of a Bird. Line 1: 1913 was all I could find. Line 2: It was a day in June. Line 3: They were posing in front of a gray church. Line 4: Men with mustaches. Line 5: Women baled in cloth. Line 6: Before the wars. Line 7: The deadly century. Line 8: Next to the church was an empty space. Line 9: And there I found it - barely a spec. Line 10: Like a flaw in the print. Line 11: A Passenger Pigeon. Line 12: On an old wood pole. Line 13: I zoomed in to verify.

4

American Software: T.S. Eliot [Crossing Piccadilly Circus on a Windy Afternoon]

http://www.americansoftwarepoetry.com/2013/12/ts-eliot-crossing-piccadilly-circus-on.html

TS Eliot [Crossing Piccadilly Circus on a Windy Afternoon]. I have no memories per se. At least not [any that I remember]. Or look back on] with any degree. Of clarity [as if I could tell you what I know]. Or how things happened] that is [so to speak]. The sequence of events. You know [the time it takes] or [maybe took]. To realize that I had changed in some way. Or saw others change in some way. And write down all the precise details]. That is [the way the events actually happened].

5

American Software: American Software

http://www.americansoftwarepoetry.com/2013/07/american-software.html

Let me have a minute. I’m thinking about [Jackie Kennedy]. Riding in that Texas car. And [she was trying to scrape a spec of blood off her jacket]. And [she was crawling on the trunk of a bullet riddled limousine]. And [she was sticking her fingers into the holes] feeling the sores. Unable to change a single fleck [since she was alive]. And [everything moving around her] was dead. You can go to a [supermarket] and watch. Potatoes tumble in [sudden] [jerks] of rubber belts. I was born a town.

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EMMA WEDGWOOD DARWIN [ALONE IN HER WRITING CHAMBER, JUNE 4, 1856]. TS Eliot [Crossing Piccadilly Circus on a Windy Afternoon]. I have no memories per se. At least not [any that I remember]. Or look back on] with any degree. Of clarity [as if I could tell you what I know]. Or how things happened] that is [so to speak]. The sequence of events. You know [the time it takes] or [maybe took]. To realize that I had changed in some way. Or saw others change in some way. And write down all the precise details].

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