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Still a musicologist | [witty tagline here]

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Still a musicologist | [witty tagline here] | amsfellowtraveler.wordpress.com Reviews

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Music and the Moving Image IX, 2014 | Still a musicologist

https://amsfellowtraveler.wordpress.com/2014/06/03/music-and-the-moving-image-ix-2014

Music and the Moving Image IX, 2014. June 3, 2014. MaMI2014; musicology; film music; conference; Music and the Moving Image. This past weekend I travelled to NYC for the ninth annual Music and the Moving Image conference. Although there were no Spanish or Latin American films on the program, “Latin American-ness” or. What are exemplary texts? What aspects of it should be studied? Who is telling its history? A few papers used perception/cognition tools to study the interaction of sound and image – I...

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19th-Century Music Studies conference notes, June 2014 | Still a musicologist

https://amsfellowtraveler.wordpress.com/2014/06/23/223

This week I attended the Biennial Nineteenth-Century Music Studies conference, held for the first time in North America at the University of Toronto. (The previous 17 meeting have been in the UK.) It was very graciously run and pleasant! I heard some very smart and polished papers, and some that were polished without being very smart. But only one that was neither, so that’s a good score. Http:/ www.music.utoronto.ca/Assets/19thCM Final Program.pdf. 8220;Opera Staging” panel:. 8220;Operetta” panel:.

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“fluency illusions” | Still a musicologist

https://amsfellowtraveler.wordpress.com/2014/09/08/fluency-illusions

8220;fluency illusions”. September 8, 2014. From this Sunday’s NY Times Magazine:. 8220;Why Flunking Exams is Actually a Good Thing”. This was very interesting to read in light of my previous post about tests. I need to print it out and mark it up. Maybe it will help me reframe the questions I’ve been thinking about in re: my survey course. This line especially caught my eye:. A’s for Everyone? Afterthoughts on Les Troyens →. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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amsfellowtraveler | Still a musicologist

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All posts by amsfellowtraveler. Afterthoughts on Les Troyens. June 24, 2015. I saw the magnificent. At San Francisco Opera. This past Saturday night. I had participated in a symposium. That afternoon, so I was primed for the experience – the esteemed D. Kern Holoman had given a guided tour of extra-special effects in the score, and I had talked about Berlioz’s enthusiasm for Gluck and for the mezzo-soprano voice. 8221; “What a dreadful sight! For no real reason than, as Adam Gopnik concludes when explain...

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Still a musicologist | [witty tagline here] | Page 2

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Uniqueness, access, and value. May 19, 2014. I shared this story. With my Music 42 class today. We were reading about music under the Third Reich, and the story of Rudolf Götz fleeing Munich in 1938 with an anonymized Mozart manuscript as the sum of his worldly goods was just too poetic to pass up. How wonderful is the detail that the ship carrying the cover page was torpedoed! Well not wonderful for the people on that ship, but you know). How is ownership likely to impact scholarly knowledge? I enjoyed ...

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Battlefield medicine | Dial M for Musicology

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Dial M for Musicology. Music, Musicology, and related Matters. July 5, 2015. J F Martel, the author of. Reclaiming Art in the Age of Artifice. A wonderful book about which more soon, I hope) sent out a tweet a few weeks ago:. Market-driven spirituality: the Romanization of “eastern spirituality” (starting w/the fabrication of same). JF Martel (@JF Martel) June 7, 2015. I remembered this tweet when I read this week’s issue of. The New Yorker,. I learned to meditate at Sanshiji. Though. I was a washout...

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Still a musicologist | [witty tagline here]

Afterthoughts on Les Troyens. June 24, 2015. I saw the magnificent. At San Francisco Opera. This past Saturday night. I had participated in a symposium. That afternoon, so I was primed for the experience – the esteemed D. Kern Holoman had given a guided tour of extra-special effects in the score, and I had talked about Berlioz’s enthusiasm for Gluck and for the mezzo-soprano voice. 8221; “What a dreadful sight! For no real reason than, as Adam Gopnik concludes when explaining the marionette plays to his ...

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