Jason Anderson is a film journalist based in Toronto, Ontario, Canada. His writings have been published in Eye Weekly, the Globe & Mail, National Post, Chatelaine, Art Forum, and numerous other magazines. He has written a novel, Showbiz. He plays keyboards in the band The Two Koreas.
http://www.andersonesque.com/
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Jason Anderson: The Andersonesque Film Blog | andersonesque.com Reviews
https://andersonesque.com
Jason Anderson is a film journalist based in Toronto, Ontario, Canada. His writings have been published in Eye Weekly, the Globe & Mail, National Post, Chatelaine, Art Forum, and numerous other magazines. He has written a novel, Showbiz. He plays keyboards in the band The Two Koreas.
andersonesque.com
Holiday movie reviews! You’re welcome! | Andersonesque
http://www.andersonesque.com/2010/12/holiday-movie-reviews-youre-welcome
The film blog of Jason Anderson. Burlesque: The end of all things. The Green Hornet… but why? More new reviews, too →. December 17, 2010. Been exiled from my house due to reno madness for three weeks. I had lots of time for movies, evidently. Here’s a batch of fresh reviews compiled from this week’s movie sections in. Lots o’ year-end Top Ten stuff to come next week! Entering the digital world of the. One of many films that owe a great deal to. It’s been 28 years since Disney released. A box-office flop ...
Bio | Andersonesque
http://www.andersonesque.com/bio
The film blog of Jason Anderson. Jason Anderson’s bio coming soon. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. A href= title= abbr title= acronym title= b blockquote cite= cite code del datetime= em i q cite= strike strong. A novel by Jason Anderson. Proudly powered by WordPress.
The Green Hornet… but why? More new reviews, too | Andersonesque
http://www.andersonesque.com/2011/01/the-green-hornet-but-why-more-new-reviews-too
The film blog of Jason Anderson. Recent reviews: Hobo With a Shotgun, Certified Copy, Outside the Law, Paul and Alamar →. The Green Hornet… but why? More new reviews, too. January 13, 2011. Here’s a series of relatively fresh reviews from Eye Weekly. And The Toronto Star. Some in longer versions than ran in those publications (not, like, ridiculously longer, though). Cinema Scope’s site. Also has my review of the very fine Putty Hill. That a souped-up espresso machine counts as. Here as both star and co-...
Achtung, Canada | Andersonesque
http://www.andersonesque.com/2012/01/achtung-canada
The film blog of Jason Anderson. Comedy is not necessarily a man in trouble →. January 8, 2012. Must’ve been in a patriotic mood lately. I had a hand in two new Canada-centric pieces for Cinema Scope. Magazine. The first is a terrific roundtable on TIFF’s Canada’s Top Ten. The other is a round-up of a trio of notable first features from Quebec. The latter is not available online as of yet but there’s plenty of excellent fresh reading on the site. This entry was posted in Review. Leave a Reply Cancel reply.
Recent reviews: Hobo With a Shotgun, Certified Copy, Outside the Law, Paul and Alamar | Andersonesque
http://www.andersonesque.com/2011/03/recent-reviews-hobo-with-a-shotgun-certified-copy-outside-the-law-paul-and-alamar
The film blog of Jason Anderson. The Green Hornet… but why? More new reviews, too. Reviews of Captain America, Project Nim and Circo — plus, how to write a blockbuster or a Jimmy Fallon flop! Recent reviews: Hobo With a Shotgun, Certified Copy, Outside the Law, Paul and Alamar. March 25, 2011. More exclusive copy will eventually show up here but in the meantime, here’s a variety of recently published reviews in Eye Weekly. In Toronto and FFWD. In the new issue of Cinema Scope. HOBO WITH A SHOTGUN. Banner...
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dr.film: srpna 2015
http://blogovize.blogspot.com/2015_08_01_archive.html
POSEDLOST (Andrzej Zulawski, 1981). V ŽÁRU KRÁLOVSKÉ LÁSKY (Jan Němec, 1990). MILDRED PIERCOVÁ (Todd Haynes, 2011). Gustave de Kervern, Benoît Delépine, 2010). KEANE (Lodge Kerrigan, 2004). DÍRA (Joe Dante, 2009). Ěno na kanálech HBO. KŘIČÍCÍ MUŽ (Mahamat-Saleh Haroun, 2010). Tvůrce je vykoupení hrdinovi zapovězeno, působí film i v závěru mírně: v obrazech cesty krajinou na motorce, tiché smrti, kajícníka v řece… Denisové SAMA V AFRICE mi přišla jako více rozporný, bodavější film. [. Cinepassion /kritick...
dr.film: dubna 2015
http://blogovize.blogspot.com/2015_04_01_archive.html
O SLAVNOSTI A HOSTECH (Jan Němec, 1966). PŘÍPAD MATTEI (Francesco Rosi, 1972). Mimo jiné tím, že v něm vystupují skuteční novináři. Přesto - velikost mrtvého vytváří v Rosiho investigativní rekonstrukci drobná tonální zabarvení: prvky mezinárodního thrilleru (Mattei brázdící svět svým malým letadlem), melancholie (letmý záběr na měsíc těsně před smrtí) a posedlosti smrtí (nepřímé zobrazení ostatků na místě činu). Způsob smrti bývá součástí kultu svatých. [viděno v kině Ponrepo]. PŘÍBĚH FILMU: ODYSEA (Mar...
dr.film: února 2015
http://blogovize.blogspot.com/2015_02_01_archive.html
MOSKEVSKÁ MODISTKA (Boris Barnet, 1927) ČINŽÁK V TRUBNÉ ULICI (Boris Barnet, 1928). NOC NA KŘIŽOVATCE (Jean Renoir, 1932). Viděno v kině Ponrepo ]. ZLODĚJI KOL (Vittorio De Sica, 1948). Když se mluví o vlivu, který měl italský neorealismus na jiné kinematografie, nebylo samo hnutí jen nejvíce viditelným aktérem nevyhnutelného posunu dějin filmu k exteriérům, zreálnění filmového času a civilnějšímu hereckému projevu? POD SLUNCEM TMA (Martin Mareček, 2011). SCHŮZKA (André Téchiné, 1985). MÉDEA není významn...
dr.film: CECIL B. DEMENTNÍ (John Waters, 2000)
http://blogovize.blogspot.com/2015/07/cecil-b-dementni-john-waters-2000.html
CECIL B. DEMENTNÍ (John Waters, 2000). Od Liberaceho: obklopena nepřátelským davem odchází zralá žena, která osaměla, ale poznala. Filmy jsou proměny. [viděno z DVD]. PROPUSTKA (Bertrand Tavernier, 2002). CECIL B. DEMENTNÍ (John Waters, 2000). HLAVA-RUCE-SRDCE (David Jařab, 2010). BEZE MĚ (Todd Haynes, 2007). TVÁŘ, JAKOU SI ZASLOUŽÍŠ (Miguel Gomes, 2004). KRISTOVE ROKY (Juraj Jakubisko, 1967). SKVĚLÍ AMBERSONOVÉ (Orson Welles, 1942). KDO VÍ (Jacques Rivette, 2001). Dave Kehr /blog auteurského kritika/.
dr.film: března 2015
http://blogovize.blogspot.com/2015_03_01_archive.html
ÚDOLÍ VČEL (František Vláčil, 1967). MUŽ Z JIHU (Jean Renoir, 1945). POSLEDNÍ ZÁPAD SLUNCE (Robert Aldrich, 1961). DONAUSPITAL – VÍDEŇSKÁ NEMOCNICE (Nikolaus Geyrhalter, 2012). MARSEILLAISA (Jean Renoir, 1938). LÍZA (Marco Ferreri, 1972). NA BŘEZÍCH MODRÉHO MOŘE (Boris Barnet, 1936). HORALKA (Vittorio De Sica, 1960). ČLOVĚK BESTIE (Jean Renoir, 1938). VČELÍ KRÁLOVNA (Marco Ferreri, 1963). Stále ještě commedia al´italiana. 60 let. [viděno na kanálech ČT]. ZNAL JSEM JI DOBŘE (Antonio Pietrangeli, 1965).
dr.film: června 2015
http://blogovize.blogspot.com/2015_06_01_archive.html
FISH TANK (Andrea Arnoldová, 2009). DÁMA ZE ŠANGHAJE (Orson Welles, 1947). Welles zveličuje Hayworthové půvaby blonďatou barvou vlasů a přepychovými detaily tváře; o to více vynikne její pád. Sadistický ortel nad ní změkčí přepjatě fantaskní vyvrcholení filmu, které ovšem navazuje na nenápadně nereálný ráz filmu (Central Park s kočárem, hořečnaté Mexiko, vizuálně pokřivené soudní přelíčení). Welles trestá ženu pro její slabost ("Já nechci zemřít! MISTŘI (Marek Najbrt, 2004). DOTEK ZLA (Orson Welles, 1958).
dr.film: BEZE MĚ (Todd Haynes, 2007)
http://blogovize.blogspot.com/2015/07/beze-me-todd-haynes-2007.html
BEZE MĚ (Todd Haynes, 2007). Viděno na DVD z půjčovny Radost]. PROPUSTKA (Bertrand Tavernier, 2002). CECIL B. DEMENTNÍ (John Waters, 2000). HLAVA-RUCE-SRDCE (David Jařab, 2010). BEZE MĚ (Todd Haynes, 2007). TVÁŘ, JAKOU SI ZASLOUŽÍŠ (Miguel Gomes, 2004). KRISTOVE ROKY (Juraj Jakubisko, 1967). SKVĚLÍ AMBERSONOVÉ (Orson Welles, 1942). KDO VÍ (Jacques Rivette, 2001). NOC SVATÉHO VAVŘINCE (Paolo a Vittorio Tavianiovi,. Allocine /ohlasy francouzské kritiky, vč. Cahiers/. Dave Kehr /blog auteurského kritika/.
dr.film: května 2015
http://blogovize.blogspot.com/2015_05_01_archive.html
LÁSKA NA ZEMI (Jacques Rivette, 1984). F JAKO FALZIFIKÁT (Orson Welles, 1973). Budu se držet názvu filmu, který přetrval; i vlastní pojmenování tohoto Wellesova filmu bylo v době jeho vzniku svého druhu mystifikací. DÁMY A PÁNOVÉ (Pietro Germi, 1966). VÍTR NOCI (Philippe Garrel, 1999). NUDA V BRNĚ (Vladimír Morávek, 2003). ZEMĚ (Alexandr Dovženko, 1930). NESMRTELNÝ PŘÍBĚH (Orson Welles, 1967). Si boháč přiloží k uchu, a tím se naplní jeho příběh. [viděno v kině Ponrepo]. ŽENSKÝ PROBLÉM (John Waters, 1974).
dr.film: prosince 2014
http://blogovize.blogspot.com/2014_12_01_archive.html
NEJLEPŠÍ FILMY ROKU 2014. V americké distribuci podle ankety časopisu Film Comment. Pozn nejedná se o populární anketu)/. 1 CHLAPECTVÍ (Richard Linklater). 2 SBOHEM JAZYKU (Jean-Luc Godard). 3 GRANDHOTEL BUDAPEŠŤ (Wes Anderson). 4 IDA (Pawel Pawlikowski). 5 POD KŮŽÍ (Jonathan Glazer). 6 NEZNÁMÝ OD JEZERA (Alain Guiraudie). 7 CITIZENFOUR (Laura Poitrasová). 8 BIRDMAN (Alejandro González Iñárritu). 9 INHERENT VICE (Paul Thomas Anderson). 10 THE IMMIGRANT (James Gray). 1 ZÁZRAKY (Alice Rohrwacherová). Chica...
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Jason Anderson: The Andersonesque Film Blog
The film blog of Jason Anderson. Only God Forgives, though even He may have a tough time with this. July 18, 2013. Long drought of blog updates broken! And will stay unbroken with regular updates of copy from various places (Grid, Star, Artforum, Cinema Scope) as well as an augmented version of my weekly Projections column of special screenings in Toronto. Looking ahead to TIFF, too! ONLY GOD FORGIVES (out July 19). Ryan Gosling may need to learn that loyalty is not always rewarded. Much as. S hero seem ...
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