blinnk.blogspot.com
blinnk: December 2013
http://blinnk.blogspot.com/2013_12_01_archive.html
Thursday, December 26, 2013. Lost or Not,. Art Helix, Bushwick. On view at the. Two immense inkjet prints stretch across a long passage of white wall with a combination of silence and grandeur. Sweeping from micro to macro vision,. S on paper seem to move toward distant space, identifying a future that is neither seen nor unseen. Extracted from the artist's video sequences, the works infer the phenomenon of sight and the evidence of vision as opposed to the merely visible, with. Brian Gaman, Untitled.
christaforster.com
teXta: May 2012
http://www.christaforster.com/2012_05_01_archive.html
Thursday, May 17, 2012. Or "Residency Envy" or "How Many Times Can I Link to Something Else? A friend of mine has been at the MacDowell Colony. Who have been changed. By MacDowell and 2) because I stumbled upon this quote yesterday about. An artist who was suffering a serious bout of depression because she was transitioning from MacDowell to her “real life.”. So far, my research has revealed that the majority of artists Laura. The next sentence after the quote above is. Linked on FB by my friend Andrea.
allisonwiese.com
Links : Allison Wiese
http://allisonwiese.com/links
Artadia, the Fund for Art and Dialogue. Athenaeum Music and Art Library. Austin Museum of Art. Craft and Folk Art Museum. Djerassi Resident Artists Program. LC Bates Museum of Natural History. Louis Comfort Tiffany Foundation. Lucas Artists Residency Program. MAK Center for Art and Architecture. McColl Center for Visual Arts. Museum of Contemporary Art, San Diego. Museum of Fine Arts, Houston. New Children’s Museum. Orange County Museum of Art. San Diego Museum of Art. The Fields at Art Omi.
indirectcollaboration.blogspot.com
Indirect Collaboration: Collective Creativity on the Web: Open-Source Authenticity
http://indirectcollaboration.blogspot.com/2010/02/open-source-authenticity.html
Sunday, February 28, 2010. Today's New York Times. Ideas and Trends" feature is pegged to the flap over German novelist Helene Hegemann's Axolotl Roadkill. Which was published last month, and which. Various other books. Hegemann is unapologetic: “There’s no such thing as originality anyway, just authenticity,” she insists. This leads the Times. Randy Kennedy to lead us in a thought exercise. Kennedy writes:. It for my opening remarks at SXSW! April 4, 2012 at 12:50 AM. Whats wrong with recycling nowadays?
indirectcollaboration.blogspot.com
Indirect Collaboration: Collective Creativity on the Web: Q&A with Cecilia Weckstrom of The LEGO Group
http://indirectcollaboration.blogspot.com/2010/03/q-with-cecilia-weckstrom-of-lego-group.html
Thursday, March 4, 2010. Q&A with Cecilia Weckstrom of The LEGO Group. Is an innovation and consumer experience specialist at The LEGO Group. She heads up the Consumer Insight and Experience Innovation team there. Indirect Collaboration's Tim Lillis interviewed Cecilia about incorporating customer insight into the product design process. So, you're in charge of the Consumer Insight and Experience Innovation function at the LEGO Group. What does that mean? Is the Design By Me. There is such a robust.
indirectcollaboration.blogspot.com
Indirect Collaboration: Collective Creativity on the Web: Is it Bullshit?
http://indirectcollaboration.blogspot.com/2010/03/is-it-bullshit.html
Tuesday, March 9, 2010. Jeff Jarvis, author of What Would Google Do? Has a passionate post. Up on his blog BuzzMachine where he discusses the need to move to a more collaborative learning experience. He's also pushing for less standardized tests in the educational system and more evaluation based on independent thinking. He was a speaker at TEDxNYed. An independently organized TED. Students, rather than with them. March 11, 2010 at 7:40 PM. Http:/ www.21stcenturyskills.org/. Tentatively at 11 AM, on Marc...
indirectcollaboration.blogspot.com
Indirect Collaboration: Collective Creativity on the Web: Crowdsourcing and interactions...
http://indirectcollaboration.blogspot.com/2010/02/crowdsourcing-and-interactions.html
Saturday, February 27, 2010. What happens when you allow the members of the crowd to interact. On this blog we've looked at examples. In which each member of the crowd is unaware of the other members participating in the same task, and yet collectively their efforts are aggregated in interesting ways. Given my previous work. With collective viewing patterns on YouTube, which investigated word-of-mouth interactions amongst the consumers. Of video content in this great video. March 6, 2010 at 5:25 AM.
indirectcollaboration.blogspot.com
Indirect Collaboration: Collective Creativity on the Web: Ten Thousand Cents
http://indirectcollaboration.blogspot.com/2010/02/ten-thousand-cents.html
Tuesday, February 9, 2010. San Francisco media artist Takashi Kawashima. Has been exploring crowdsourced art for a few years, now. For example, Takashi's 2005 project. The King Has.", a collaboration with Krister Olsson, invited people to text the artist(s) their most burdensome secrets; these secrets were then posted (anonymously) in a public place. Video below:. Between November 2007 and March 2008, Takashi collaborated with Aaron Koblin on " Ten Thousand Cents. From Ten Thousand Cents. Experimental ca...
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