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Jazz theory/guitar ideas

Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard "Groove" Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did "Live! And then "Con...

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Jazz theory/guitar ideas | andrewdiruzza.blogspot.com Reviews
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Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard Groove Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did Live! And then Con...
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1 jazz theory/guitar ideas
2 pat martino
3 andrew diruzza
4 aaron lington
5 pat martino jazz guitarist
6 life and career
7 primary instrument guitar
8 pre aneurysm
9 parental forms
10 annotated bibliography
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Jazz theory/guitar ideas | andrewdiruzza.blogspot.com Reviews

https://andrewdiruzza.blogspot.com

Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard "Groove" Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did "Live! And then "Con...

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1

Jazz theory/guitar ideas: September 2010

http://andrewdiruzza.blogspot.com/2010_09_01_archive.html

Friday, September 10, 2010. FOLLOWING "STELLA BY STARLIGHT" THROUGH TIME. 2 "Play Along" Book/CD editions. This recording in comparison to the previous Frank Sinatra recording is again, a bit closer to the set of chord changes that is most widely used today. Unlike the Sinatra and James versions, the second measure of the A sections moves to the first measure's V7 altered chord, instead of staying on the diminished chord for two measures. Stella by Starlight" during the rest of the 1950's, through today.

2

Jazz theory/guitar ideas: February 2011

http://andrewdiruzza.blogspot.com/2011_02_01_archive.html

Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard "Groove" Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did "Live! And then "Con...

3

Jazz theory/guitar ideas: THELONIOUS MONK'S "MISTERIOSO"

http://andrewdiruzza.blogspot.com/2010/09/thelonious-monks-misterioso.html

Friday, September 10, 2010. The original liner notes written by Orrin Keepnews were helpful in learning a bit about the jazz scene in New York at that time. He says that in 1958, there was a stronger demand by fans and critics for groups such as the John Coltrane quintet, even though Monk's music was thriving at this time, with this recording being an example. Recordings/Arrangements of “Misterioso”. Released in 1964 on "Columbia" Records. Bill Frisell: Bill Frisell, Ron Carter, Paul Motian. Released in ...

4

Jazz theory/guitar ideas: DUKE ELLINGTON'S "HARLEM AIRSHAFT"

http://andrewdiruzza.blogspot.com/2010/09/duke-ellingtons-harlem-airshaft.html

Friday, September 10, 2010. DUKE ELLINGTON'S "HARLEM AIRSHAFT". Duke Ellington: "Harlem Airshaft" storyboard. 32 bar form, 4 choruses 12 bar intro. 12 bar intro: Rhythm section plays "time" over the 12 bar intro and the first chorus until the "stop time" at the beginning of the 2nd chorus. B6-:06- 2nd 4 bars: Muted trumpets, saxophone and clarinet play a 4 part closed phrase. 1st Two A sections: The melody is played by two muted (type of mute? G5-:55- Stop time:1st A: Saxes (and clarinet? H7-1:00- 2nd ha...

5

Jazz theory/guitar ideas: PAT MARTINO

http://andrewdiruzza.blogspot.com/2011/02/pat-martino.html

Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard "Groove" Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did "Live! And then "Con...

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Jazz theory/guitar ideas

Monday, February 28, 2011. Born: August 25th, 1944, Philadelphia, PA. Primary Style: Jazz (straight ahead, organ trio, hard bop, fusion, eastern influenced compositions). Major Contributions: One of the most virtuosic guitarists in jazz. Major Ensembles with which he was affiliated: Most widely known under his own name. Martino also played in the groups of Lloyd Price, Willis Jackson, Don Patterson, Richard "Groove" Holmes, Jack McDuff. Early Life and Musical Training. In 1972 he did "Live! And then "Con...

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