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With So Much Undone We Fall Apart

With So Much Undone We Fall Apart. Monday, 24 November 2014. Recent portrait: Professor Marzia Malcangio. I was recently commissioned by King's College to photograph Professor Marzia Malcangio. This was shot at her London office as part of KCL's Inspiring Women series. Posted by Andrew Youngson. Labels: Canon 35mm f/1.4 L USM. Canon 5D Mark III. Monday, 18 August 2014. Posted by Andrew Youngson. Thursday, 7 August 2014. Posted by Andrew Youngson. The First World War. Tuesday, 29 July 2014. The location w...

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With So Much Undone We Fall Apart | andrewyoungson.blogspot.com Reviews
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With So Much Undone We Fall Apart. Monday, 24 November 2014. Recent portrait: Professor Marzia Malcangio. I was recently commissioned by King's College to photograph Professor Marzia Malcangio. This was shot at her London office as part of KCL's Inspiring Women series. Posted by Andrew Youngson. Labels: Canon 35mm f/1.4 L USM. Canon 5D Mark III. Monday, 18 August 2014. Posted by Andrew Youngson. Thursday, 7 August 2014. Posted by Andrew Youngson. The First World War. Tuesday, 29 July 2014. The location w...
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With So Much Undone We Fall Apart | andrewyoungson.blogspot.com Reviews

https://andrewyoungson.blogspot.com

With So Much Undone We Fall Apart. Monday, 24 November 2014. Recent portrait: Professor Marzia Malcangio. I was recently commissioned by King's College to photograph Professor Marzia Malcangio. This was shot at her London office as part of KCL's Inspiring Women series. Posted by Andrew Youngson. Labels: Canon 35mm f/1.4 L USM. Canon 5D Mark III. Monday, 18 August 2014. Posted by Andrew Youngson. Thursday, 7 August 2014. Posted by Andrew Youngson. The First World War. Tuesday, 29 July 2014. The location w...

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With So Much Undone We Fall Apart: 07/08/2014

http://andrewyoungson.blogspot.com/2014_08_07_archive.html

With So Much Undone We Fall Apart. Thursday, 7 August 2014. Spectra - Ryoji Ikeda's installation commemorating the centenary of Britain's involvement in The First World War - photographed last night from Lambeth Bridge. Posted by Andrew Youngson. The First World War. Subscribe to: Posts (Atom). View my complete profile. I am a London-based photographer interested in the connection between landscape and memory, specifically in relation to armed conflict. Subscribe to this Blog.

2

With So Much Undone We Fall Apart: 29/07/2014

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With So Much Undone We Fall Apart. Tuesday, 29 July 2014. A short edit from the Gaza protest that I photographed in London last Saturday. Posted by Andrew Youngson. Subscribe to: Posts (Atom). View my complete profile. I am a London-based photographer interested in the connection between landscape and memory, specifically in relation to armed conflict. Subscribe to this Blog.

3

With So Much Undone We Fall Apart: 18/08/2014

http://andrewyoungson.blogspot.com/2014_08_18_archive.html

With So Much Undone We Fall Apart. Monday, 18 August 2014. Ahead of my return to Berlin this September I wanted to post a behind the scenes/comparison photograph from Subterraneans: a series of photographs I've been working on that relate to Berlin's legacy of Second World War-era unexploded ordnance. Posted by Andrew Youngson. Subscribe to: Posts (Atom). View my complete profile. Subscribe to this Blog.

4

With So Much Undone We Fall Apart: Recent portrait: Tim Mitchell

http://andrewyoungson.blogspot.com/2013/11/recent-portrait-tim-mitchell.html

With So Much Undone We Fall Apart. Thursday, 21 November 2013. Recent portrait: Tim Mitchell. Tim Mitchell photographed last week in Brixton. Posted by Andrew Youngson. Subscribe to: Post Comments (Atom). View my complete profile. I am a London-based photographer interested in the connection between landscape and memory, specifically in relation to armed conflict. Subscribe to this Blog. Recent portrait: Tim Mitchell.

5

With So Much Undone We Fall Apart: Subterraneans

http://andrewyoungson.blogspot.com/2014/08/subterraneans.html

With So Much Undone We Fall Apart. Monday, 18 August 2014. Ahead of my return to Berlin this September I wanted to post a behind the scenes/comparison photograph from Subterraneans: a series of photographs I've been working on that relate to Berlin's legacy of Second World War-era unexploded ordnance. Posted by Andrew Youngson. Subscribe to: Post Comments (Atom). View my complete profile. Subscribe to this Blog.

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Charlotte Brown: May 2012

http://charlotte-brown.blogspot.com/2012_05_01_archive.html

Cast iron box. I'm reading Freud's "Family Romances" and still thinking about heirlooms, unwanted traits and burdens. Drawings of necklaces. Graphite on paper. Exploring ideas of heirlooms and familial relationships. Subscribe to: Posts (Atom). Currently working in lead and exploring ideas of inheritances and heirlooms, invested objects and reading Freud. View my complete profile.

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Charlotte Brown: September 2012

http://charlotte-brown.blogspot.com/2012_09_01_archive.html

Undertones of the bodily, of use, of everyday intimacy. They talk about violence and broken families. Estate. Becomes a reference to inheritance of property, possessions, heirlooms passed down through generations. Familiar and domestic, they ask to be used, but the blades bend and poison the food. Their heft belies a softness and vulnerability. Cast, they become generations of themselves, reproduced with failings each time. They sit as relics; fetishes of family life. Subscribe to: Posts (Atom).

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Charlotte Brown: January 2012

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Lead pieces which will be on display in the Interim Show. On from 12th-18th January. Subscribe to: Posts (Atom). Currently working in lead and exploring ideas of inheritances and heirlooms, invested objects and reading Freud. View my complete profile.

charlotte-brown.blogspot.com charlotte-brown.blogspot.com

Charlotte Brown: cast knife

http://charlotte-brown.blogspot.com/2012/09/cast-knife.html

Subscribe to: Post Comments (Atom). Currently working in lead and exploring ideas of inheritances and heirlooms, invested objects and reading Freud. View my complete profile.

charlotte-brown.blogspot.com charlotte-brown.blogspot.com

Charlotte Brown: March 2013

http://charlotte-brown.blogspot.com/2013_03_01_archive.html

A Shut in Place. A chest of drawers rendered unopenable, covered in fabric cut and fitted to echo the shape of the furniture underneath. Essentially ‘dressed’ and concealed, it expresses a desire for secrecy. I have become aware of traditions of dressing inanimate objects, thus fetishising them, and how this effects a reverence when encountering the object. Layers of fabric over the furniture’s exterior wood suggests layers of psychology and psychoanalytic uncovering. Subscribe to: Posts (Atom).

charlotte-brown.blogspot.com charlotte-brown.blogspot.com

Charlotte Brown: A Shut in Place

http://charlotte-brown.blogspot.com/2013/03/a-shut-in-place.html

A Shut in Place. A chest of drawers rendered unopenable, covered in fabric cut and fitted to echo the shape of the furniture underneath. Essentially ‘dressed’ and concealed, it expresses a desire for secrecy. I have become aware of traditions of dressing inanimate objects, thus fetishising them, and how this effects a reverence when encountering the object. Layers of fabric over the furniture’s exterior wood suggests layers of psychology and psychoanalytic uncovering. 22 October 2013 at 20:16.

charlotte-brown.blogspot.com charlotte-brown.blogspot.com

Charlotte Brown: Weaklings

http://charlotte-brown.blogspot.com/2013/12/weaklings-2013.html

Images of work made in cast sugar recently exhibited in The Beginning of History, curated by Nick Kaplony at ASC Studios, London. Subscribe to: Post Comments (Atom). Currently working in lead and exploring ideas of inheritances and heirlooms, invested objects and reading Freud. View my complete profile.

charlotte-brown.blogspot.com charlotte-brown.blogspot.com

Charlotte Brown: December 2013

http://charlotte-brown.blogspot.com/2013_12_01_archive.html

Images of work made in cast sugar recently exhibited in The Beginning of History, curated by Nick Kaplony at ASC Studios, London. Subscribe to: Posts (Atom). Currently working in lead and exploring ideas of inheritances and heirlooms, invested objects and reading Freud. View my complete profile.

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Dark side of the Guangzhou I. | I came, I saw, I photographed...

https://matjazz.wordpress.com/2013/06/17/dark-side-of-the-guangzhou-i

I came, I saw, I photographed…. Life of a curious photographer…. Dark side of the Guangzhou I. Well dont want to be overdramatic, but it was actually dark when I came to Xaiobei – Chocolate city in Guangzhou. Why Chocolate? Only regret that I have was fact that I had only one hour and only my pocket camera… But will return for sure…. By matjazz on June 17, 2013. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

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With So Much Undone We Fall Apart

With So Much Undone We Fall Apart. Monday, 24 November 2014. Recent portrait: Professor Marzia Malcangio. I was recently commissioned by King's College to photograph Professor Marzia Malcangio. This was shot at her London office as part of KCL's Inspiring Women series. Posted by Andrew Youngson. Labels: Canon 35mm f/1.4 L USM. Canon 5D Mark III. Monday, 18 August 2014. Posted by Andrew Youngson. Thursday, 7 August 2014. Posted by Andrew Youngson. The First World War. Tuesday, 29 July 2014. The location w...

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