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Camille DeSalme—Copy Editor and Proofreader

Copyediting and proofreading—a second pair of eyes on your work

http://www.aneyeforediting.com/

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Camille DeSalme—Copy Editor and Proofreader | aneyeforediting.com Reviews
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Copyediting and proofreading—a second pair of eyes on your work
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6 copyediting
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editing samples,reviews,blog,fees,contact me,does,the following,an important note,aneyeforediting@gmail com,download my one sheet,links to others,consistently to improve,and many definitions,editorial fit,by louise harnby,courage to succeed,and into print
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Camille DeSalme—Copy Editor and Proofreader | aneyeforediting.com Reviews

https://aneyeforediting.com

Copyediting and proofreading—a second pair of eyes on your work

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Editing for Speakers—Part II | An Eye for Editing

http://www.aneyeforediting.com/general/editing-for-speakers-part-ii

An Eye for Editing. Camille DeSalme – Copy Editor. Editing for Speakers Part I. Why Can Editing Take So Long? Editing for Speakers Part II. April 5, 2016. You’re Not a Speaker . . . Are you a speaker? You may say you’re not, but I think telling someone about your business can be a mini-speech; I point that out because this post is about editing for speakers. An editor should leave your speech your speech—so when you deliver it, it’s clearly yours. What an Editor Can Do for You. An editor should ensure yo...

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Blog | An Eye for Editing

http://www.aneyeforediting.com/blog

An Eye for Editing. Camille DeSalme – Copy Editor. Why Can Editing Take So Long? April 6, 2016. Imagine reading a stranger’s work, a book you’ve never seen before, slowly and carefully. How long would that take you? I mean, how many hours? You can’t skim over descriptions of forest, house, or anything else you think might not be crucial to the story; you must read every word. What if you have to ensure all dialogue that needs a comma before the opening quotation mark has one? This is just a bit about my ...

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Editing for Speakers—Part I | An Eye for Editing

http://www.aneyeforediting.com/general/editing-for-speakers

An Eye for Editing. Camille DeSalme – Copy Editor. Editing for Speakers Part II →. Editing for Speakers Part I. April 4, 2016. Hello I’m Camille DeSalme, freelance copy editor. Recently, I started to learn and practice public speaking. This got me wondering how editing applies to speeches. Copyediting is for the written word, right? But how does it apply to speakers? I’ll talk a bit about that. I just need the mask and the cape . . . and the superpowers. No one can see those things . . . unle...We probab...

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Fees | An Eye for Editing

http://www.aneyeforediting.com/fees

An Eye for Editing. Camille DeSalme – Copy Editor. For shorter works, such as blog posts and marketing products (brochures, ads, and the like), contact me for a fee estimate. For longer works, such as book manuscripts, I charge by the 250-word. My regular fee, per editing pass, ranges from $8.00 to $10.50 per 250 words. Ready to get going? You can pay me via Chase QuickPay. Even if you don’t have a Chase bank account. Your bank may have an equivalent service. I also accept checks. Rich Adin's site has an...

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Thinking Fiction: An Overview of the World of Fiction Copyediting | An American Editor

https://americaneditor.wordpress.com/2014/09/08/thinking-fiction-an-overview-of-the-world-of-fiction-copyediting

September 8, 2014. Thinking Fiction: An Overview of the World of Fiction Copyediting. Filed under: Contributor Article. The Business of Books and Publishing. 8212; americaneditor @ 4:00 am. Transitioning from nonfiction to fiction. Today’s essay introduces Amy Schneider and a new monthly series, “Thinking Fiction,” to An American Editor. Amy’s focus will be on fiction editing and writing. Please welcome Amy as a new columnist for An American Editor. An Overview of the World of Fiction Copyediting. Sex sc...

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Video Interlude: Shoelace + Hole | An American Editor

https://americaneditor.wordpress.com/2015/05/15/video-interlude-shoelace-hole

May 15, 2015. Video Interlude: Shoelace Hole. Filed under: A Humor Interlude. 8212; americaneditor @ 6:29 am. The impression a grandparent likes to give grandchildren is that of a Renaissance genius that grandpa is the Michelangelo of the 21st century. When the grandchildren ask a question (especially when the grandchildren are very young), we want to be their encyclopedia. After all, how difficult is it to explain a light-year to a three-year-old? Haven’t yet tried? Well, are you in for a surprise!

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