aoneandtwo.blogspot.com

a one and a two

A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Saturday, December 31, 2011. Sporadic periods of unemployment. First full year out of school.

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a one and a two | aoneandtwo.blogspot.com Reviews

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A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Saturday, December 31, 2011. Sporadic periods of unemployment. First full year out of school.

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a one and a two | aoneandtwo.blogspot.com Reviews

https://aoneandtwo.blogspot.com

A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Saturday, December 31, 2011. Sporadic periods of unemployment. First full year out of school.

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aoneandtwo.blogspot.com

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a one and a two: HAYWIRE (Soderbergh, 2012)

http://www.aoneandtwo.blogspot.com/2012/01/haywire-soderbergh-2012.html

A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Subscribe to: Post Comments (Atom). HAYWIRE (Soderbergh, 2012). View my complete profile.

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a one and a two: January 2012

http://www.aoneandtwo.blogspot.com/2012_01_01_archive.html

A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Subscribe to: Posts (Atom). HAYWIRE (Soderbergh, 2012). View my complete profile.

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a one and a two: November 2011

http://www.aoneandtwo.blogspot.com/2011_11_01_archive.html

A one and a two. New perspectives on contemporary and classic cinema. Monday, November 14, 2011. J EDGAR (Eastwood, 2011). No one can be faulted for thinking Clint Eastwood was going to play it safe. Eastwood, one of the last surviving icons of old Hollywood, has spent the past decade churning out increasingly monochromatic dramas, draining the vitality out of his stars (his amusingly cantankerous turn in Gran Torino. Excepted) and bleaching the complexity out of his themes. His last two films,. From the...

4

a one and a two: Films of 2011

http://www.aoneandtwo.blogspot.com/2011/12/films-of-2011.html

A one and a two. New perspectives on contemporary and classic cinema. Saturday, December 31, 2011. First, a fact: I saw more theatrically-released films in 2011 than I have during any previous year of my life. Considerably more. Since we’re making lists, here is a short list of reasons why I think this came to be, from “hmm, it’s possible” to “yes, that would be why” in no particular order:. Sporadic periods of unemployment. First full year out of school. Hey, not my fault! THE SKIN I LIVE IN. 2011 found...

5

a one and a two: December 2011

http://www.aoneandtwo.blogspot.com/2011_12_01_archive.html

A one and a two. New perspectives on contemporary and classic cinema. Saturday, December 31, 2011. First, a fact: I saw more theatrically-released films in 2011 than I have during any previous year of my life. Considerably more. Since we’re making lists, here is a short list of reasons why I think this came to be, from “hmm, it’s possible” to “yes, that would be why” in no particular order:. Sporadic periods of unemployment. First full year out of school. Hey, not my fault! THE SKIN I LIVE IN. 2011 found...

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thoroughlymodernmillivanilli.wordpress.com

How to Love | thoroughlymodernmillivanilli

https://thoroughlymodernmillivanilli.wordpress.com/2012/05/31/how-to-love

It would not be inaccurate to say that dating has been going better for me lately. Specifically, I’ve made it not only to date two (a significant event), but even to date three (nothing short of a miracle), and, more recently, to date four (you should be guessing that I’m lying at this point) recently with someone. That is no longer rolling with the punches. This is the point at which I decide whether or not I’d like to keep investing in a more intentional way. Let’s do some demystifying here, while we’r...

thoroughlymodernmillivanilli.wordpress.com

If you want it enough, their band could be your life | thoroughlymodernmillivanilli

https://thoroughlymodernmillivanilli.wordpress.com/2012/05/26/if-you-want-it-enough-their-band-could-be-your-life

If you want it enough, their band could be your life. Wake up in the van. Mail the fuzzy tape of it to your sound engineer- who’s your cousin. Drive 8 hours to the next venue on the tour. Eat a slice of pizza purchased for you by one of your few fans, knowing you wouldn’t have eaten otherwise. Blow fan’s ears and what was between them to smithereens at your show. Give an interview for a hardcore music ‘zine. Fight with your bandmates. Get back in the van. That concept of jamming econo, of doing it yourse...

thoroughlymodernmillivanilli.wordpress.com

SOTD: Fiona Apple, “Every Single Night” | thoroughlymodernmillivanilli

https://thoroughlymodernmillivanilli.wordpress.com/2012/06/12/sotd-fiona-apple-every-single-night

SOTD: Fiona Apple, “Every Single Night”. 8220;I really like snails” – Fiona Apple. From the new album,. The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do. If you eat one thing today, eat fresh corn because it’s in season now and it’s like DAMN. If you call one person today, call your senator about the Paycheck Fairness Act. SOTD: Warren Zevon, “Keep Me In Your Heart” →. Leave a Reply Cancel reply. Enter your comment here. Our Band Could B...

thoroughlymodernmillivanilli.wordpress.com

SOTD: Warren Zevon, “Keep Me In Your Heart” | thoroughlymodernmillivanilli

https://thoroughlymodernmillivanilli.wordpress.com/2012/06/26/sotd-warren-zevon-keep-me-in-your-heart

SOTD: Warren Zevon, “Keep Me In Your Heart”. You know I’m tied to you like the buttons on your blouse. Keep me in your heart for a while. Hold me in your thoughts. Take me to your dreams. Touch me as I fall into view. When the winter comes. Keep the fires lit. And I will be right next to you. Getting my post-bac in A – &$*@! Nothing like a little Zevon to put it in perspective. SOTD: Fiona Apple, “Every Single Night”. Leave a Reply Cancel reply. Enter your comment here. Address never made public). Compli...

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aoneandtwo.blogspot.com

a one and a two

A one and a two. New perspectives on contemporary and classic cinema. Monday, January 23, 2012. HAYWIRE (Soderbergh, 2012). The film’s centerpiece, a knock-down, drag-out brawl in a luxury hotel suite between Carano and Michael Fassbender, itself functions as the climax to an extended flashback - a job in Dublin in which Carano’s Mallory Kane plays wife to a dashing MI6 agent. (“You want me to be eye candy? Saturday, December 31, 2011. Sporadic periods of unemployment. First full year out of school.

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