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A Petrified Fountain

Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 16 February 2011. The Nutty Professor (USA, 1963). There are those who detest Jerry Lewis. I cannot empathise with them because I can no more understand them than I can those who disparage Charlie Chaplin or dismiss. Double bill – to which any cineaste could be condemned. Even those who dislike Lewis, though, seem to enjoy The Nutty Professor. Or Buster Keaton in The General. Or Charlie Chaplin in City Lights.

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A Petrified Fountain | apetrifiedfountain.blogspot.com Reviews
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Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 16 February 2011. The Nutty Professor (USA, 1963). There are those who detest Jerry Lewis. I cannot empathise with them because I can no more understand them than I can those who disparage Charlie Chaplin or dismiss. Double bill – to which any cineaste could be condemned. Even those who dislike Lewis, though, seem to enjoy The Nutty Professor. Or Buster Keaton in The General. Or Charlie Chaplin in City Lights.
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A Petrified Fountain | apetrifiedfountain.blogspot.com Reviews

https://apetrifiedfountain.blogspot.com

Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 16 February 2011. The Nutty Professor (USA, 1963). There are those who detest Jerry Lewis. I cannot empathise with them because I can no more understand them than I can those who disparage Charlie Chaplin or dismiss. Double bill – to which any cineaste could be condemned. Even those who dislike Lewis, though, seem to enjoy The Nutty Professor. Or Buster Keaton in The General. Or Charlie Chaplin in City Lights.

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A Petrified Fountain: A Nightmare On Elm Street (USA, 1984)

http://apetrifiedfountain.blogspot.com/2009/07/nightmare-on-elm-street-usa-1984.html

Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 1 July 2009. A Nightmare On Elm Street (USA, 1984). Although it seems incredible , A Nightmare On. Was standard. The usual slasher rules – established in 1978’s Halloween. And so quickly appropriated by its imitators that by the mid-eighties they had already become clichéd – were cleverly tweaked by Craven to remove whatever comforts they allowed the films’ post-pubescent corpses-to-be. Ensured that the more th...

2

A Petrified Fountain: July 2009

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Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 1 July 2009. A Nightmare On Elm Street (USA, 1984). Although it seems incredible , A Nightmare On. Was standard. The usual slasher rules – established in 1978’s Halloween. And so quickly appropriated by its imitators that by the mid-eighties they had already become clichéd – were cleverly tweaked by Craven to remove whatever comforts they allowed the films’ post-pubescent corpses-to-be. Ensured that the more th...

3

A Petrified Fountain: June 2009

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Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Saturday, 13 June 2009. Plan 9 From Outer Space (USA, 1959). Muhammad Ali has not been called the greatest boxer of all time; nor Citizen Kane. The best of all films; nor Shakespeare the world’s greatest playwright anything like as often as Plan 9 From Outer Space. Stephen Fry wrote, ‘What can we say about Wodehouse? He exhausts superlatives.’ What can we say about Wood? He exhausts insults. To detail even Plan 9. Is like...

4

A Petrified Fountain: The Invisible Man (USA, 1933)

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Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Monday, 2 November 2009. The Invisible Man (USA, 1933). Though not as famous as his other 1930s classics, Frankenstein. And Bride of Frankenstein. James Whale’s The. Showcases the same inspired juxtaposition of the hilarious and the horrific that makes them so outstanding. Like them (and like the other great Universal monster movies, such as Tod Browning’s Dracula. Starring Boris Karloff) The Invisible Man. Visible, and t...

5

A Petrified Fountain: August 2008

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Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Monday, 18 August 2008. Unforgiven (USA, 1992). It’s never likely to end well – and indeed it doesn’t. If the drama of other films is – as is often claimed – ‘gripping’, then the drama of. Is positively vice-like. But, as Barry Norman noted when he included. Even a filmgoer with a phobic aversion to watching Westerns, or scenes of violence, or even Eastwood movies, won’t find much fault in. Scent of a Woman. Is tiresome a...

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Chaos, Hostility and Murder: Drive

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Chaos, Hostility and Murder. Friday, 21 October 2011. Nicolas Winding Refn, 2011. Which is clearly a source of inspiration for this movie, Drive. Follows a man of quiet violence motoring around the streets, resolutely following his own unusual moral code, unaccountably putting all his eggs into the basket of a woman he barely knows but with whom he has a relationship of semirequited love. Gosling's unnamed character is like a cross between Travis Bickle and Ryan from The O.C. Is that it's shot digitally,...

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Chaos, Hostility and Murder: October 2011

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Chaos, Hostility and Murder. Friday, 21 October 2011. Nicolas Winding Refn, 2011. Which is clearly a source of inspiration for this movie, Drive. Follows a man of quiet violence motoring around the streets, resolutely following his own unusual moral code, unaccountably putting all his eggs into the basket of a woman he barely knows but with whom he has a relationship of semirequited love. Gosling's unnamed character is like a cross between Travis Bickle and Ryan from The O.C. Is that it's shot digitally,...

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Chaos, Hostility and Murder: Noruwei no mori

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Chaos, Hostility and Murder. Thursday, 31 March 2011. Tran Anh Hung, 2010. BBFC rating: 15. Being a teenager is rubbish. This film gets that right - though really these kids should, by the age they've reached (which seems to be about 19), have at least begun to grow out of the stage of sulking and sobbing. On the contrary, however, the kids in Norwegian Wood. And they're the lucky ones. At least adolescent angst is interesting to the angstee: what's in it for the audience? 16 April 2011 at 10:55.

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Chaos, Hostility and Murder: March 2011

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Chaos, Hostility and Murder. Thursday, 31 March 2011. Tran Anh Hung, 2010. BBFC rating: 15. Being a teenager is rubbish. This film gets that right - though really these kids should, by the age they've reached (which seems to be about 19), have at least begun to grow out of the stage of sulking and sobbing. On the contrary, however, the kids in Norwegian Wood. And they're the lucky ones. At least adolescent angst is interesting to the angstee: what's in it for the audience? Subscribe to: Posts (Atom).

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Chaos, Hostility and Murder: Closer to the Edge

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Chaos, Hostility and Murder. Sunday, 22 May 2011. Closer to the Edge. Richard de Aragues, 2011. A couple of months ago the BBC broadcast a documentary about 'the killer years' of Formula 1 ( here's a link to the first part on youtube. Was killed in San Marino. Closer to the Edge. Has a perfectly-balanced combination of race footage, backstage events and personal stories. Run by enthusiasts, populated by amateur riders and providing nail-biting thrills for spectators, the TT was so well showcased by t...

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Chaos, Hostility and Murder: Enter the Void

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Chaos, Hostility and Murder. Saturday, 2 October 2010. Watching Gaspar Noé's Irréversible. At the cinema in February 2003 set a new benchmark in my mind for the capabilities of cinema to viscerally affect its audience with scenes of graphic intensity and, in retrospect, probably kickstarted my love of ultraviolent extremist cinema. But it's taken over seven years for Enter the Void. The latest film from the same director - to come along and hit me with the same level of affect. Is pretty much beside the ...

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Chaos, Hostility and Murder: Kill List

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Chaos, Hostility and Murder. Wednesday, 21 September 2011. Ben Wheatley, 2011. What makes the difference between a horror movie and a thriller? I think in many cases it's all in the ending. Films about the main players being trapped - like Buried. Straddles the thriller/horror boundary, moving across toward the latter as the film progresses. I can understand why it has been described variously as one or the other (and as the ambiguous 'chiller' in the quote on the promo poster above).

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Culture | Samira Ahmed: Journalist, Writer, Broadcaster

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Samira Ahmed: Journalist, Writer, Broadcaster. When Cathy met Ken: Revisiting Cathy Come Home in Brexit Britain. July 19, 2016. The other night I watched Ken Loach meet Cathy – or rather the young actress Elle Payne, playing Cathy in a Cardboard Citizens’ staging of his 1966 landmark TV play Cathy Come Home. The production featured many actors with experience of homelessness. … Continue reading →. Click to share on Twitter (Opens in new window). Click to share on Facebook (Opens in new window). Click to ...

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Chaos, Hostility and Murder: Srpski Film

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Chaos, Hostility and Murder. Saturday, 11 December 2010. Srdan Spasojevic, 2010. BBFC rating: 18 (with compulsory cuts). One of the few films in recent years to have been refused an 18 certificate in its uncut form, Sprski Film. Would be interesting for that fact alone - just as last year's Gurotesuku. Was for being rejected in its entirety. But unlike Grotesque. Which was nasty, unrelenting torture with no narrative or message - A Serbian Film. Is a transfixing, astonishing piece of work. It seems impos...

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Chaos, Hostility and Murder: June 2011

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Chaos, Hostility and Murder. Thursday, 2 June 2011. Asif Kapadia, 2010. Documentaries examining motorsports, including their attendant tragedies, are popular this year, with Closer to the Edge. Still in cinemas as Senna. I thought that was very admirable. And Senna. Can also be a motorsport geek. In fact, even sport-hater Mark Kermode commended it on his 5Live show. Recommendations don't come much better than that. Subscribe to: Posts (Atom). The Video Nasty Project. View my complete profile.

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A Petrified Fountain

Scott Jordan Harris’s entirely dispensable guide to the movies most worth watching. Wednesday, 16 February 2011. The Nutty Professor (USA, 1963). There are those who detest Jerry Lewis. I cannot empathise with them because I can no more understand them than I can those who disparage Charlie Chaplin or dismiss. Double bill – to which any cineaste could be condemned. Even those who dislike Lewis, though, seem to enjoy The Nutty Professor. Or Buster Keaton in The General. Or Charlie Chaplin in City Lights.

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