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IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME

IN RESIDENCE @ APEXART WITH. Friday, October 12, 2007. The context of the texts below. One friend that read this blog yesterday asked me to put in some more specific context, and I had to admit that I cut this (and other) part of the text to put onto the blog, because basically I feel much more comfortable with the other part of the text, but of course I will put here anyway. This part comprises the introduction and the end of the text of the talk, and again had been edited. The art system in Brasil.

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IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME | apexresidentverderame.blogspot.com Reviews
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IN RESIDENCE @ APEXART WITH. Friday, October 12, 2007. The context of the texts below. One friend that read this blog yesterday asked me to put in some more specific context, and I had to admit that I cut this (and other) part of the text to put onto the blog, because basically I feel much more comfortable with the other part of the text, but of course I will put here anyway. This part comprises the introduction and the end of the text of the talk, and again had been edited. The art system in Brasil.
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IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME | apexresidentverderame.blogspot.com Reviews

https://apexresidentverderame.blogspot.com

IN RESIDENCE @ APEXART WITH. Friday, October 12, 2007. The context of the texts below. One friend that read this blog yesterday asked me to put in some more specific context, and I had to admit that I cut this (and other) part of the text to put onto the blog, because basically I feel much more comfortable with the other part of the text, but of course I will put here anyway. This part comprises the introduction and the end of the text of the talk, and again had been edited. The art system in Brasil.

INTERNAL PAGES

apexresidentverderame.blogspot.com apexresidentverderame.blogspot.com
1

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME: The Place for the Public Art (part 4)

http://apexresidentverderame.blogspot.com/2007/10/place-for-public-art-part-4.html

IN RESIDENCE @ APEXART WITH. Thursday, October 11, 2007. The Place for the Public Art (part 4). The Place fot the Public Art (part 4). The group known as EIA. Experience) is in fact not just a collective of art but but also the name of a festival held annually by the group. Unlikely most of the art collectives in São. Paulo, the group comprises a large number of non-artists in it, including there architects, journalists. Designers, producers and eventually artists. In the year of 2006 the EIA. It was a p...

2

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME: The place for the Public Art (part 2)

http://apexresidentverderame.blogspot.com/2007/10/place-for-public-art-part-2.html

IN RESIDENCE @ APEXART WITH. Thursday, October 11, 2007. The place for the Public Art (part 2). The Place for the Public Art (part 2). In 2006 the group Esqueleto. One of the groups that been following the Prestes. Maia and the whole process of gentrification in São. Paulo had access to the maps of the surveillance cameras in the city center if São. Paulo The cameras has been installed since beginnings of 2006 according with officials reports from the Social Assistance. Is given to individuals. The group...

3

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME: Take the A train

http://apexresidentverderame.blogspot.com/2007/10/take-a-train.html

IN RESIDENCE @ APEXART WITH. Tuesday, October 2, 2007. Take the A train. My friend Isadora sent a link. For an article on a journal in Argentina about the New York Subway, and as I was realizing that few cities in the world (maybe only Paris, i guess) has been so fetichized. As NY Everything on it has been subject to world scrutinize. Isadora also send me this link. For the famous song from Duke Ellington (Take the A train), in the voice of Ella Fitzgerald. As I have all this floating in my head, I decid...

4

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME: the context of the texts below

http://apexresidentverderame.blogspot.com/2007/10/context-of-texts-below.html

IN RESIDENCE @ APEXART WITH. Friday, October 12, 2007. The context of the texts below. One friend that read this blog yesterday asked me to put in some more specific context, and I had to admit that I cut this (and other) part of the text to put onto the blog, because basically I feel much more comfortable with the other part of the text, but of course I will put here anyway. This part comprises the introduction and the end of the text of the talk, and again had been edited. The art system in Brasil.

5

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME: Madison Square Garden: the building the people love to hate

http://apexresidentverderame.blogspot.com/2007/10/madison-square-garden-building-people.html

IN RESIDENCE @ APEXART WITH. Wednesday, October 3, 2007. Madison Square Garden: the building the people love to hate. Madison Square Garden is so big that you risk simply don't notice it. I heard that: despite of being a true legend for the ears of people like me (that have lots of recordings of live concerts there), Madison Square Garden is regarded like one of the worst buildings in NY. Of course this is a very provocative and nostalgic view, but of course I had to see it with my own eyes. Is the fact ...

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LINKS TO THIS WEBSITE

everderame.wordpress.com everderame.wordpress.com

desenho/drawing | EduardoVerderame

https://everderame.wordpress.com/desenhodrawing

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

o sorriso dos vencedores | EduardoVerderame

https://everderame.wordpress.com/o-sorriso-dos-vencedores

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

um homem só morre duas vezes | EduardoVerderame

https://everderame.wordpress.com/um-homem-so-morre-duas-vezes

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

performance e proposições interativas/ performance and interactive projects | EduardoVerderame

https://everderame.wordpress.com/performance-e-proposicoes-interativas-performance-and-interactive-projects

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

os homens | EduardoVerderame

https://everderame.wordpress.com/os-homens

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

Caleidoscorridores | EduardoVerderame

https://everderame.wordpress.com/caleidoscorridores

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

vanitas | EduardoVerderame

https://everderame.wordpress.com/vanitas

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

vida de cão | EduardoVerderame

https://everderame.wordpress.com/vida-de-cao

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

everderame.wordpress.com everderame.wordpress.com

instalações/installation | EduardoVerderame

https://everderame.wordpress.com/instalacoesinstallation

Intervenções e espaço público/intervention and public space. Performance e proposições interativas/ performance and interactive projects. Foto e digital/ photo and digital. A roda da fortuna. Igrejas demolidas, destruídas e arrasadas. Um homem só morre duas vezes. O sorriso dos vencedores. 8220;…da criação da destruição…” na BASE. 8220;apuntes para una estória de latinoamerica”. 8220;caleidoscopio” na casa das caldeiras. 8230;da criação da destruição…. Le jeu des possibilités. O primeiro e o último vôo.

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IN RESIDENCE @ APEXART WITH LUIS SAGASTI

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IN RESIDENCE @ APEXART WITH ROY SAMAHA

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IN RESIDENCE @ APEXART WITHMARTA SARKOZY

IN RESIDENCE @ APEXART WITH. Monday, March 4, 2013. AI WEIWEI IN MIS. A small amount of Weiwei’s photography collection and videos are hosted in 3 floors of MIS [Museu da Imagem e do Som] in São Paulo. The show is like a biography and begins with self-portraits and daily-life photos of his time living in USA. It evolves to people on the streets, friends, riots, marches, police, performances, Chinese people and China. Was it a Photoshop collage”? The artist show arrived in Brazil almost in the same week a...

apexresidentsibane.blogspot.com apexresidentsibane.blogspot.com

IN RESIDENCE @ APEXART WITH AZEB WORKU SIBANE

AZEB WORKU SIBANE' itemprop='name'/. IN RESIDENCE @ APEXART WITH. Monday, July 14, 2008. I love New York. New Yorkers help full, kind, and curious people. After a few days, when I started to be familiar with the city I realised that I lost the contact with people. So for the new comers at the begining it is not bad to get lost and to discover the people and the city at the same time. Why didn’t you tell me at first when i came to see you”. He said : “I didn’t see your shoes”. 8221; I asked. He answered t...

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IN RESIDENCE @ APEXART WITH MARIA-KRISTIINA SOOMRE

IN RESIDENCE @ APEXART WITH. Saturday, March 13, 2010. March 8, Madison Square Park, NYC. Posted by apexart resident. February 26, Central Park, NYC. Posted by apexart resident. Subscribe to: Posts (Atom). February 23- March 26, 2009. Visit Maria's apexart Resident Page. Maria-Kristiina Soomre was recommended by Rael Artel, an independent curator and art critic based in Pärnu, Estonia. Ms Soomre's residency is supported in part by the Cultural Endowment of Estonia. MANOLIS ANGELAKIS, GREECE. LI MU, CHINA.

apexresidentverderame.blogspot.com apexresidentverderame.blogspot.com

IN RESIDENCE @ APEXART WITH EDUARDO VERDERAME

IN RESIDENCE @ APEXART WITH. Friday, October 12, 2007. The context of the texts below. One friend that read this blog yesterday asked me to put in some more specific context, and I had to admit that I cut this (and other) part of the text to put onto the blog, because basically I feel much more comfortable with the other part of the text, but of course I will put here anyway. This part comprises the introduction and the end of the text of the talk, and again had been edited. The art system in Brasil.

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