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Three Pieces a Week (formerly A Piece a Day)

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Robert Schumann – Liederkreis, Op. 39 (1840). By seventyyears on January 31, 2011. 8221; “Ich grolle nicht” being, of course, one of the songs from. And pretty much every song in the cycle is like that: perfectly balanced between tranquility and melancholy, or between ecstasy and heartbreak. “Smiling through tears,” as the professor who introduced me to it would say. In the next room! This time, too, my first impression was that.

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Three Pieces a Week (formerly A Piece a Day) | apieceaday.wordpress.com Reviews

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Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Robert Schumann – Liederkreis, Op. 39 (1840). By seventyyears on January 31, 2011. 8221; “Ich grolle nicht” being, of course, one of the songs from. And pretty much every song in the cycle is like that: perfectly balanced between tranquility and melancholy, or between ecstasy and heartbreak. “Smiling through tears,” as the professor who introduced me to it would say. In the next room! This time, too, my first impression was that.

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Three Pieces a Week (formerly A Piece a Day) | apieceaday.wordpress.com Reviews

https://apieceaday.wordpress.com

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Robert Schumann – Liederkreis, Op. 39 (1840). By seventyyears on January 31, 2011. 8221; “Ich grolle nicht” being, of course, one of the songs from. And pretty much every song in the cycle is like that: perfectly balanced between tranquility and melancholy, or between ecstasy and heartbreak. “Smiling through tears,” as the professor who introduced me to it would say. In the next room! This time, too, my first impression was that.

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Robert Schumann – Liederkreis, Op. 39 (1840) | Three Pieces a Week (formerly A Piece a Day)

https://apieceaday.wordpress.com/2011/01/31/liederkreis-op-39

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Robert Schumann – Liederkreis, Op. 39 (1840). By seventyyears on January 31, 2011. 8221; “Ich grolle nicht” being, of course, one of the songs from. And pretty much every song in the cycle is like that: perfectly balanced between tranquility and melancholy, or between ecstasy and heartbreak. “Smiling through tears,” as the professor who introduced me to it would say. In the next room! This time, too, my first impression was that.

2

Four more early electronic pieces | Three Pieces a Week (formerly A Piece a Day)

https://apieceaday.wordpress.com/2011/01/30/early-electronic-2

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Four more early electronic pieces. By seventyyears on January 30, 2011. Richard Maxfield – Sine Music (A Swarm of Butterflies Encountered Over the Ocean) (1959). Luigi Nono – Omaggio a Vedova (1960). On the other hand, this is Nono’s first electronic piece and it’s a hundred times more sophisticated than. Stylistically it reminds me a bit of the Evangelisti piece. Kenneth Gaburo – The Wasting of Lucrecetzia (1964). You are comm...

3

Carl Maria von Weber – Clarinet Concerto #1 in F Minor, Op. 73 (1811) | Three Pieces a Week (formerly A Piece a Day)

https://apieceaday.wordpress.com/2011/01/27/clarinet-concerto-1

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Carl Maria von Weber – Clarinet Concerto #1 in F Minor, Op. 73 (1811). By seventyyears on January 27, 2011. This is the only Weber I’ve heard aside from some excerpts from. A claim that I think reflects a far too reductive view of what sonata form is, one that’s not borne out by the repertoire) but the material is generic enough that it doesn’t leave a lasting impression. Four electronic pieces from the 1950s. Email (Address ne...

4

Ludwig van Beethoven – Cello Sonata #5 in D Major, Op. 102/2 (1815) | Three Pieces a Week (formerly A Piece a Day)

https://apieceaday.wordpress.com/2011/01/04/cello-sonata-no-5

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Ludwig van Beethoven – Cello Sonata #5 in D Major, Op. 102/2 (1815). By seventyyears on January 4, 2011. A moment of strange, mysterious quiet. Specifically, in the second movement, where a lush, sensuous passage in D major is suddenly interrupted by a return to the movement’s spare opening, stripped down even further by the removal of the cello: just simple, somber chords in D minor. Leave a Reply Cancel reply. Fill in your de...

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Four electronic pieces from the 1950s | Three Pieces a Week (formerly A Piece a Day)

https://apieceaday.wordpress.com/2011/01/29/early-electronic-1

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Four electronic pieces from the 1950s. By seventyyears on January 29, 2011. Gottfried Michael Koenig,. The electronic music lab at Cologne’s WDR studio was only set up in 1951-2, so 1955 is still early in the history of synthesizer-based electronic music. Surprisingly, the composers working there produced some very “musical” pieces very early on for example, Herbert Eimert and Robert Beyer’s. Louis and Bebe Barron,. 8230;] a hu...

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Three Pieces a Week (formerly A Piece a Day)

Skip to search - Accesskey = s. Three Pieces a Week (formerly A Piece a Day). Robert Schumann – Liederkreis, Op. 39 (1840). By seventyyears on January 31, 2011. 8221; “Ich grolle nicht” being, of course, one of the songs from. And pretty much every song in the cycle is like that: perfectly balanced between tranquility and melancholy, or between ecstasy and heartbreak. “Smiling through tears,” as the professor who introduced me to it would say. In the next room! This time, too, my first impression was that.

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