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Just another WordPress.com weblog. Fiddler on the Roof, Hello Dolly, The Man of La Mancha, Caberet,. Were all Mid 1960s successes both critically and popularly. However, after these hit shows, the gap between these two areas of success became increasingly wider. This issue relates to the work of Sondheim, who, despite his immense talent as lyricist for. I find it rather shocking that Sondheim didn’t initially get the attention he deserved. If. October 14, 2009. My Fair Lady and West Side Story. This chan...
Mid-Century American Musical Theatre (Friday October 16) | Aquariusjen's Blog
https://aquariusjen.wordpress.com/2009/10/17/mid-century-american-musical-theatre-friday-october-16
Just another WordPress.com weblog. Mid-Century American Musical Theatre (Friday October 16). October 17, 2009. Marni Nixon and the songs in both. Dubbing Maria) and in. And I was not aware up until now that it was not Audrey Hepburn singing as Eliza Dolittle! For this reason, I think, because of Marni Nixon’s amazing talent, that she should be given more recognition so that people can appreciate the singer as well as the actress. Entry Filed under: Uncategorized. Leave a Reply Cancel reply.
Sternfeld chapter 5 (Wednesday November 4) | Aquariusjen's Blog
https://aquariusjen.wordpress.com/2009/11/10/sternfeld-chapter-5-wednesday-november-4
Just another WordPress.com weblog. Sternfeld chapter 5 (Wednesday November 4). November 10, 2009. What is Sternfeld’s main point (thesis) about. Phantom of the Opera. Although it had some negative reviews,. Phantom of the Opera. Helped to set the bar for the composers of future shows on Broadway. Its tone, style and techniques, makes the show Lloyd Webber’s most mature work. What are Sternfeld’s main goals and points about. Phantom of the Opera. Phantom of the Opera. Phantom of the Opera. Notify me of ne...
Sternfeld Chapter 1 (Wednesday 21) | Aquariusjen's Blog
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Just another WordPress.com weblog. Sternfeld Chapter 1 (Wednesday 21). October 25, 2009. The gap between critical reception and popular appeal began to find its place as 1970s audiences and critics became used to Broadway Musicals that were often huge, costly, emotional spectacles with epic stories, fancy sets, and amplified sound. Brought into place the “Mega” quality of the musical, and although the musical has been filled with controversy and mixed reviews,. Sternfeld looks at various critics of the s...
Skid Row (Downtown) Listening Description | Aquariusjen's Blog
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Just another WordPress.com weblog. Skid Row (Downtown) Listening Description. The song Skid Row (Downtown) from the musical. Little Shop of Horrors. The song Skid Row (Downtown) has a tremendous amount of rhymes. In section two, part one of the song when the chorus begins, there are two single, end rhymes with the words “broke” and “joke”, followed by an apocopated end rhyme on the word “token”. The rhymes of words go and row are both single end rhymes. In section eight the line rules for us rhymes with ...
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Aquariusjen's Blog | Just another WordPress.com weblog
Just another WordPress.com weblog. December 5, 2009. Sternfeld’s Main point (Thesis) for Chapter 8:. The definition for megamusical in the 1980s seemingly did not carry on to the new musicals that emerged after the 1980s until today. However, no new musical is uninfluenced by the 1980s megamusical. The influence of the megamusical was significant and can be found in every new show. Sternfeld’s Main goals and Methodologies:. Sternfeld’s goals are to examine megamusicals and Broadway of the 21. After the 9...
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