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The Arcadia Project

I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally. Frank O’Hara, Meditations in an Emergency. Recent article ( view all. AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE. June 14th, 2014. Which is to say, audience (in re “pop-up”: where, how, when, to whom? And voice (in re “choruses”: the generation and/or selection of the textual components of. The pop-ups were always conceived of as scores, specific...

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The Arcadia Project | arcadiaproject.net Reviews
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I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally. Frank O’Hara, Meditations in an Emergency. Recent article ( view all. AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE. June 14th, 2014. Which is to say, audience (in re “pop-up”: where, how, when, to whom? And voice (in re “choruses”: the generation and/or selection of the textual components of. The pop-ups were always conceived of as scores, specific...
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1 table of contents
2 teacher’s guide
3 articles
4 new work/new media
5 north american
6 regret
7 life
8 gc waldrep
9 comments off
10 panels/choruses/scenes …
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The Arcadia Project | arcadiaproject.net Reviews

https://arcadiaproject.net

I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally. Frank O’Hara, Meditations in an Emergency. Recent article ( view all. AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE. June 14th, 2014. Which is to say, audience (in re “pop-up”: where, how, when, to whom? And voice (in re “choruses”: the generation and/or selection of the textual components of. The pop-ups were always conceived of as scores, specific...

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Jennifer Scappettone - Exit 43

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AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE | The Arcadia Project

http://arcadiaproject.net/an-opera-of-pop-up-choruses-interview-with-jennifer-scappettone

AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE. June 14th, 2014. AP: I’m interested in this idea of a poetic project as “an opera of pop-up choruses”–“opera” in the sense of work, some larger structure or texture. Could you speak a little more to the question of “pop-up” and “choruses,” though? Which is to say, audience (in re “pop-up”: where, how, when, to whom? And voice (in re “choruses”: the generation and/or selection of the textual components of. Statement, you wrote that. 8220;ma...

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Contents | The Arcadia Project

http://arcadiaproject.net/table-of-contents

The Vowels Pass by in English. Under the Bright Orchards. The Action of a Man. Escaped Trees of Lynchburg. From Ten Carbonated Warblers. ODE: To My Peoplery, Little Trees. The Most Beautiful Theorems of the Theory of Animals, Numbers. Some of What Shines. From Half Sick of Shadows. Her mother sings warning of the new world. Log a mild vision]. Talk to the Golden Birches. Talk to the Water Dipper. No Fathers Without Mothers. The Wild Carrot Taking the Field by Force. Vantage of Landscape and Soft Motion.

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New Media | The Arcadia Project

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Notes Towards A Teacher’s Guide | The Arcadia Project

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Notes Towards A Teacher’s Guide. Employs the ancient concept of the pastoral. As its central organizing conceit: man- or woman-in-landscape, the shepherding I (or eye). The anthology is divided into four sections, which we intend not as definitive or limited classifications, rather as conceptual and generative groupings of work that deeply engaged or moved us. Work that views language itself as landscape, or as a natural and naturalizing extension of landscape;. An essay by Joshua Corey). Note: As we exp...

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Patricia Roy | Patricia Roy

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Poems of the Day. I gave myself the somewhat daunting task of writing a poem every day. For some, this is nothing; they write everyday religiously, devoutly, solemnly. Me? I am a wayward soul. I write when I feel like it and don’t when I don’t. Among poets, I am a sinner. I’ve put no boundaries on myself for content, length, or quality. A haiku counts just as much as a crappy poem or a good, longish one. Is Harvest time the Right time for Cultural Appropriation? This past weekend, I was getting together ...

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BLUE RAGS STITCHED TOGETHER BY CROWS

http://blueragsstitchedtogetherbycrows.blogspot.com/2015/04/hick-poetics-man-alive-i-am-so-grateful.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Sunday, April 5, 2015. Man alive, I am so grateful to be included in the. Anthology (Lost Roads Press, 2015) alongside so many others whose work I admire. Thanks again to Abraham Smith and Shelly Taylor for having me! See y’all at Patrick’s Cabaret in Minneapolis next week! Jens C. Kruse. June 17, 2015 at 10:19 PM. Subscribe to: Post Comments (Atom). Salt Lake City, UT, United States. View my complete profile.

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BLUE RAGS STITCHED TOGETHER BY CROWS

http://blueragsstitchedtogetherbycrows.blogspot.com/2015/01/new-poems-in-denver-quarterly-current.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Wednesday, January 21, 2015. The current issue of. Denver Quarterly (Vol. 49 No. 2). Is AMAZING and I'm so grateful to be a part of it. Thanks to my folks for letting me write on their deck. Thanks to the neighbors for neglecting their trampoline for so long that it feels like home. Thanks to Frankie, the beast in question. Subscribe to: Post Comments (Atom). Salt Lake City, UT, United States. Falling is all...

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BLUE RAGS STITCHED TOGETHER BY CROWS

http://blueragsstitchedtogetherbycrows.blogspot.com/2014/12/every-living-one-is-available-for-pre.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Tuesday, December 16, 2014. EVERY LIVING ONE is available for pre-order at Horse Less Press with a holiday discount/ giving thanks. You can preorder Every Living One as a stand alone stocking stuffer at the horse less press. OR, better yet, treat yourself as you support an amazing press and pick up Every Living One alongside the rest of the exciting. 2015 horse less catalogue. View my complete profile. Inclu...

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BLUE RAGS STITCHED TOGETHER BY CROWS : October 2014

http://blueragsstitchedtogetherbycrows.blogspot.com/2014_10_01_archive.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Wednesday, October 22, 2014. EVERY LIVING ONE is available for pre-order at. Thrilled that my second book, Every Living One (forthcoming in early Jan), is available for pre-order at horse less press. The flower spike is ‘not square’. Each blade contains 2-9 flowered spikelets. Below spikelets not stiff. Slender keel and ribs. Outside, grass is thicker. How to express differences. Streak green grill hem.

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BLUE RAGS STITCHED TOGETHER BY CROWS : January 2012

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BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Thursday, January 19, 2012. BETWEEN THE BLACK AND WHITE SPIDERS. No forms less/ than activity. We live in a little apartment made out of the top of an old mill that was built before the Civil War. The green walls of our living room narrow into an expanse of exposed wood that leads into our bedroom (newly painted). Our floor is warped and most of our windows are crooked…. We write poems here. A place is a com...

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BLUE RAGS STITCHED TOGETHER BY CROWS : February 2015

http://blueragsstitchedtogetherbycrows.blogspot.com/2015_02_01_archive.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Thursday, February 26, 2015. Stunned by the arrival of Every Living One amidst snow melt this afternoon! I am incredibly grateful to Jen Tynes and horse less press for giving it a home, David Ruhlman for the use of his gorgeous handmade book, "Felt" (2004), for the cover, and Alban Fischer's innovate design work. Order your copy at horse less:. Here's a peak inside :. Friday, February 6, 2015. 8220;What if t...

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BLUE RAGS STITCHED TOGETHER BY CROWS

http://blueragsstitchedtogetherbycrows.blogspot.com/2014/12/further-uplands-and-in-more-wide-lying.html

BLUE RAGS STITCHED TOGETHER BY CROWS. J Cage: Music is permanent; only listening is intermittent. Tuesday, December 16, 2014. FURTHER UPLANDS AND IN MORE WIDE-LYING PASTURES: NATHAN HAUKE'S IN THE MARBLE OF YOUR ANIMAL EYES, BY DEREK POLLARD. Subscribe to: Post Comments (Atom). Salt Lake City, UT, United States. Run, run, run, run, run; take a drag or two. View my complete profile. BOOKS, CHAPBOOKS, ANTHOLOGIES, ESSAYS, Etc. Tinder is a Hatchet Job (LRL Textile Series, forthcoming). Another patternless p...

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The Arcadia Project Blog

The Arcadia Project Blog. A collective blog for those working on the project. Tuesday, 15 November 2011. Emma Coonan, Jane Secker and Helen Webster gave a great seminar presentation at LSE on the new curriculum for Information Literacy that emerged from Emma's and Jane's Fellowships. (Helen is now working on implementation issues.). Tuesday, 25 October 2011. Sunday, 2 October 2011. Ten questions for wannabee "digital scholars". From Martin Weller's Blog. If so, where will you put it? Is there a planned r...

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The Arcadia Project

I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally. Frank O’Hara, Meditations in an Emergency. Recent article ( view all. AN OPERA OF POP-UP CHORUSES: INTERVIEW WITH JENNIFER SCAPPETTONE. June 14th, 2014. Which is to say, audience (in re “pop-up”: where, how, when, to whom? And voice (in re “choruses”: the generation and/or selection of the textual components of. The pop-ups were always conceived of as scores, specific...

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Arcadia University

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Arcadia University

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