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Architectonics of MusicAdvanced Studio research at the GSAPP with Steven Holl <br> Manolis Stavrakakis and Samuel Brissette
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Advanced Studio research at the GSAPP with Steven Holl <br> Manolis Stavrakakis and Samuel Brissette
http://architectonicsofmusic.blogspot.com/
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Architectonics of Music | architectonicsofmusic.blogspot.com Reviews
https://architectonicsofmusic.blogspot.com
Advanced Studio research at the GSAPP with Steven Holl <br> Manolis Stavrakakis and Samuel Brissette
architectonicsofmusic.blogspot.com
Architectonics of Music: UNINTENTIONAL TEXTURES
http://architectonicsofmusic.blogspot.com/2009/05/20.html
Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Thursday, May 7, 2009. 8220;The sound experience which I prefer to all others is the experience of silence, and the silence almost everywhere in the world now is traffic. If you listen to Beethoven or Mozart you see that they are always the same, if you listen to traffic you see that it is always different.”. John Rajchman, Constructions. Subscribe to: Post Comments (Atom). Evant Grant TED Talks.
Architectonics of Music: context
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Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Saturday, February 28, 2009. Smooth Violence. John Cage's imaginary landscapes has two distinct qualities of sound that explore pure pitch, the erasure of overtone through electronic production and jagged vibration through analog manipulation of piano wires. These two qualities mingle throughout the piece. August 18, 2011 at 6:20 AM. Your models are absolutely inspiring! Subscribe to: Post Comments (Atom).
Architectonics of Music: Heart of Darkness
http://architectonicsofmusic.blogspot.com/2009/04/heart-of-darkness.html
Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Friday, April 3, 2009. True, by this time it was not a blank space anymore. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery-a white patch for a boy to dream gloriusly over. It had become a place of darkness.". Subscribe to: Post Comments (Atom). Data visualization in the AlloSphere. Evant Grant TED Talks.
Architectonics of Music: March 2009
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Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Thursday, March 5, 2009. Pure Pitch and Jagged Sound. Pure pitch and jagged sound in John Cage's. Imaginary Landscapes No. 5. This simple dialectic of smooth and rough a strategy to give form to a music center in Brooklyn Heights. Subscribe to: Posts (Atom). Data visualization in the AlloSphere. Evant Grant TED Talks. Pure Pitch and Jagged Sound.
Architectonics of Music: April 2009
http://architectonicsofmusic.blogspot.com/2009_04_01_archive.html
Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Friday, April 3, 2009. True, by this time it was not a blank space anymore. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery-a white patch for a boy to dream gloriusly over. It had become a place of darkness.". Subscribe to: Posts (Atom). Data visualization in the AlloSphere. Evant Grant TED Talks.
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Architectonics of Music
Advanced Studio research at the GSAPP with Steven Holl. Manolis Stavrakakis and Samuel Brissette. Sunday, May 10, 2009. HARMONIC COMPOSITION OF LIGHT. John Cage refers to harmony as a condition that can be noticed when different sounds exist at the same time. This idea of his can be read in his composition of the 49 Waltzes where the 147 locations offer 147 harmonic compositions of sounds. Thursday, May 7, 2009. John Rajchman, Constructions. Friday, April 3, 2009. Thursday, March 5, 2009. Give form to an...
Architectonics of Music
The relationship between music and architecture has been for several years now Steven Holl’s research instrument of choice at Columbia University, by which he pulls his craft and its rules back to a central position aimed at developing the full potential of architecture. Rdquo; we also ask, “What is music?
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