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Caleb Marhoover / Architecture. CLICK TO VIEW FINE ART. December 8, 2015. November 1, 2015. October 9, 2015. September 21, 2015.
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Caleb Marhoover / Architecture. CLICK TO VIEW FINE ART. December 8, 2015. November 1, 2015. October 9, 2015. September 21, 2015.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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Caleb Marhoover / Fine Art. CLICK TO VIEW ARCHITECTURE. October 16, 2015. June 27, 2015. Intaglio etching of photographic transfer. May 9, 2015. Sound is a wave like the waves on the ocean / The moon plays the ocean like a violin". The opening line from Andrew Bird's "Sifters" becomes the backbone of an improvisational sound sculpture. The Petrosyllabic Resonator II translates the low roar of these crashing waveforms into a shifting silica microterrain. December 23, 2014. September 23, 2014. June 22, 2013.
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